More how to draw manga - vol. 02 - Penning characters

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Pointers in Drawing Cute Female Characters 1, Enlarge the eyes. Good Not good Here, the eyes are small and the bridge of the nose is preser Smallish eyes 2. Omit the bridge of the nose. Downward tilted eyes lM@m Upward tilted eyes
0trte Accessories and Hairstyles { 1 't,'l\i ,r\' ,, \- I The headband should be <strong>draw</strong>n coming behind the ear. r li :':nytail z----=\-_ L 'r\ilNtrr,),r Short, high piggy taits ,,' , :- Glasses (Boxy, prominent frames s<strong>how</strong>n) k Bound frames (No ,*rames around lensesl 55
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Penning Characters Vol.2
Page 5 and 6: Vot. 2 Penning Gharacters i a t ț
Page 7 and 8: Chapter 3 Drawing Any Expression lm
Page 9 and 10: Pen Fundamentals l &ffi1 ': ,' ,i t
Page 11 and 12: l : i :r:,'i this version anticipat
Page 13 and 14: Pgn NibS The 3 Most Common Nibs: Th
Page 15 and 16: -riier drawing Normally, arhsb star
Page 17 and 18: lHiltry fu h d Taoered and Even Lin
Page 19 and 20: Assorted Uses of Heavy and Fine Lin
Page 21 and 22: 2, Building up tines right from the
Page 23 and 24: Making characters Distinctive ^r /
Page 25 and 26: \__ I -\ i 1 t ; d t\ & x & I \ 3,
Page 27 and 28: itioning the Figure with a 3/4 View
Page 29 and 30: =mct Views Etfective in Manga AYa*
Page 31 and 32: A+B Shoulders raised M ^\*t//^ --i:
Page 34 and 35: Note the distance between the eye a
Page 36 and 37: 4. Moderate High Angle Regular side
Page 38 and 39: ,/ , I i I .t-*#F' I :e,:c-s arar,t
Page 40 and 41: Connecting the Neck and the Torso N
Page 42 and 43: Ghanges in Eye Shape for Each of th
Page 44 and 45: Back of the Head Depictions of char
Page 46 and 47: The Eyes are the Face's Key Feature
Page 48 and 49: 'SiEContourLines:ProcesstorRenderin
Page 50 and 51: [-arge- Round Eyes Standard eyes Do
Page 52 and 53: ItffiErencs between Adult and Child
Page 54 and 55: Male vs. Female Faces Male and fema
Page 58 and 59: Greating Adult Faces Yourfiful Char
Page 60 and 61: a? nJ Pay attention to tlt: size of
Page 62 and 63: The Basics of the Human Figure Maki
Page 64 and 65: Pointers in Thickening (Darkening)
Page 66 and 67: Lighrsource y#l;Hiff'il::,ffiT1ili;
Page 68 and 69: hactirxlApplication: Achieving a Se
Page 70 and 71: faffig the Back -E srslMer blade an
Page 72 and 73: nguishing Female Body Types Average
Page 74 and 75: ./ tt, p, / breast size, the \ 1 Al
Page 76 and 77: nguishing Male and Female Figures j
Page 78 and 79: ffien Drawing Different Male Adjust
Page 80 and 81: ff chitd -u:l/.r ,a \ chird \ /\ Nc
Page 82 and 83: ltand G€sfures and Poses
Page 84 and 85: Draw the foot first and then the sh
Page 86 and 87: Waking Up Showing Gharacters Moving
Page 88 and 89: hes SEq*ng You are not required to
Page 90 and 91: Sample: A Jolting Wake-up \--zz
Page 92 and 93: Drawing Any Expression I m a g i n
Page 94 and 95: Mouth Movements: Depicting Basic Uo
Page 96 and 97: Clme-ups of the Mouth There are occ
Page 98 and 99: Theatrical Eyes ng the Wide open ey
Page 100 and 101: Uses of Showing the Eyes Maintainin
Page 102 and 103: Combining Features to Express Sampl
Page 104 and 105: Ofiry:Tears +(E6 As tears are a liq
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Strrrholic Representation O @ O O o
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Dashes -1 . Used to express realiza
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m-rccrnered cross mark iJ/ ;a7 h =-
Page 112 and 113:
Using the Mouth to Show Emotion Lon
Page 114 and 115:
Aahll a) Yeeshl? 5) Smiling Faces A
Page 116 and 117:
Chibi (Super-deformed) Gharacters a
Page 118 and 119:
Creating Key Images and Gharacter E
Page 120 and 121:
Vehicles and Figures: Driving Scene
Page 122 and 123:
Suggesting Movement Using a Single
Page 124 and 125:
Penning Techniques Th at G reate De
Page 126 and 127:
tlater Dmpleb The key point here is
Page 128 and 129:
Artist's Profile Hikaru Hayashi '19
Page 130 and 131:
us $19.99 Vol.7: AMAZING EFFECTS Ch
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