More how to draw manga - vol. 02 - Penning characters

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Artist's Profile Hikaru Hayashi '1961 Bom in Tokyo. 1986 Graduated with a degree in the Social Sciences and Humanities from Tokyo Metropolitan University with a major in Philosophy. 1987 Received a hortative award and honorable mention for his work on Shueisha lnc.'s Business Jump and served as assistant to Hajime Furukawa. '1989 Worked on Shueisha's Shukan Young Jump while apprenticing under Noriyoshi lnoue. 1992 Published his debut work based on a true story, " Aja Kongu Monogatari ' ["The Story of Aja Kong"] in Bear's Club. 1997 fuunded lhe manga design and production studio, Go office. Produced illustrations for the works Butsuzo ni ai ni iko lon the appreciation of Buddhist sculpturel by Hiromichi Fukushima (published by Tokyo Bijutsu lnc.) 1 998 Authored How to Draw Manga: Female Characters, How to Draw Manga: Male Characters, How to Draw Manga: Couples, and How to Draw Manga: lllustrating Baftles. '1999 Authored How to Draw Manga: Bishoujo around the World, How to Draw Manga: Bishoujo/Pretty Girls, How to Draw Manga: 0ccult and Honor, and How to Draw Manga: More about Pretty Glas; promoted, produced, and wrote lhe manga copy for Koki lshii's Kokuhatsu manga riken reffo (book on the wasteful spending of Japanese politicians), published by Nesco Co., Ltd.; and produced the corporate identity mascot characterforTaiyo Group driving school. 2000 Authored How to Draw Manga: Animals ; produced and initiated the release ol Bishoujo Fighting, a dojinshi (lanzine or small press comic) for pro wrestling fans under the name 0f Meto (a fanzine specializing in woman's wrestling and cat fight videos, published biannually when matches occur; fifth issue on sale as of 2002). 2001 Coauthored How to Draw Manga: Martial Arts and Combat Sports, How to Draw Manga: Giant Robots, and How to Dnw Manga: Costume Encyclopedia, Everyday Fashion. 2002 Coauthored More How to Draw Manga Vol. 1 and How to Draw Manga: Costume Encyclopedia, lntimate Apparel, published by Graphic-sha. Mr. Hayashi continues the planning and production of origlnal Go ffice fanzines. Rio Yagizawa Ms. Yagizawa was born in Tokyo on January 8. She is a Capricorn with an A blood type. She first started doodling in pencil in nursery school and made her first attempt at drawing mangain pen during the fifth grade. ln junior high, she began to produce doujinshitype mangaworks with friends from upper grades and in her class. ln 1981 she debuted as an illustrator with Minori Shobo's monthly publication, Gekkan 0W. She acted as an illustrator, an aniparo (animation parody) and manga artist, an anime writer, etc., contributing illusfations to Minori Shobo's Aniparo Comics, Akita Publishing's My Anime,fokuma Shoten's Animage, elc. ln 1 986 she debuted as a full-fledged manga aftislin Kobunsha's Comic Val. Since then, she has contributed series and single publication works to Kobusha's Pretty,as well as cover and page illustrations for paperback editions targeted toward young readers published by Seishinsha, Kadokawa Shoten, Shogakkan, and other publishers. She has aufiored g mangavolumes and illustrated more than 25 paperback books. ln 1998 she began to participate on the production side with Graphic-sha and Go 0tfice, starting witr How to Draw Manga: Couples and continues such efforts today. Go Otfice Profile Go 0ffice was founded in May 1997 and has been specialzing in the production of tutorial resources using manga and illustrations, which include publications on How to Draw Manga series. 126
ilIAilGA I}ISTRUGTIO]I FROIU TH ffil,l )t== 1l 'r It = D,R i:..MANGA ct 9 Graphic€ia Publistriru Co., ttd. $n?ffuToDRA)/ r81.1 tnffiToDRAI/ vol.3 t@sr $wao?
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Penning Characters Vol.2
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Vot. 2 Penning Gharacters i a t ț
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Chapter 3 Drawing Any Expression lm
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Pen Fundamentals l &ffi1 ': ,' ,i t
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l : i :r:,'i this version anticipat
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Pgn NibS The 3 Most Common Nibs: Th
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-riier drawing Normally, arhsb star
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lHiltry fu h d Taoered and Even Lin
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Assorted Uses of Heavy and Fine Lin
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2, Building up tines right from the
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Making characters Distinctive ^r /
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\__ I -\ i 1 t ; d t\ & x & I \ 3,
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itioning the Figure with a 3/4 View
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=mct Views Etfective in Manga AYa*
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A+B Shoulders raised M ^\*t//^ --i:
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Note the distance between the eye a
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4. Moderate High Angle Regular side
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,/ , I i I .t-*#F' I :e,:c-s arar,t
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Connecting the Neck and the Torso N
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Ghanges in Eye Shape for Each of th
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Back of the Head Depictions of char
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The Eyes are the Face's Key Feature
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'SiEContourLines:ProcesstorRenderin
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[-arge- Round Eyes Standard eyes Do
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ItffiErencs between Adult and Child
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Male vs. Female Faces Male and fema
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Pointers in Drawing Cute Female Cha
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Greating Adult Faces Yourfiful Char
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a? nJ Pay attention to tlt: size of
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The Basics of the Human Figure Maki
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Pointers in Thickening (Darkening)
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Lighrsource y#l;Hiff'il::,ffiT1ili;
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hactirxlApplication: Achieving a Se
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faffig the Back -E srslMer blade an
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nguishing Female Body Types Average
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./ tt, p, / breast size, the \ 1 Al
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nguishing Male and Female Figures j
Page 78 and 79: ffien Drawing Different Male Adjust
Page 80 and 81: ff chitd -u:l/.r ,a \ chird \ /\ Nc
Page 82 and 83: ltand G€sfures and Poses
Page 84 and 85: Draw the foot first and then the sh
Page 86 and 87: Waking Up Showing Gharacters Moving
Page 88 and 89: hes SEq*ng You are not required to
Page 90 and 91: Sample: A Jolting Wake-up \--zz
Page 92 and 93: Drawing Any Expression I m a g i n
Page 94 and 95: Mouth Movements: Depicting Basic Uo
Page 96 and 97: Clme-ups of the Mouth There are occ
Page 98 and 99: Theatrical Eyes ng the Wide open ey
Page 100 and 101: Uses of Showing the Eyes Maintainin
Page 102 and 103: Combining Features to Express Sampl
Page 104 and 105: Ofiry:Tears +(E6 As tears are a liq
Page 106 and 107: Strrrholic Representation O @ O O o
Page 108 and 109: Dashes -1 . Used to express realiza
Page 110 and 111: m-rccrnered cross mark iJ/ ;a7 h =-
Page 112 and 113: Using the Mouth to Show Emotion Lon
Page 114 and 115: Aahll a) Yeeshl? 5) Smiling Faces A
Page 116 and 117: Chibi (Super-deformed) Gharacters a
Page 118 and 119: Creating Key Images and Gharacter E
Page 120 and 121: Vehicles and Figures: Driving Scene
Page 122 and 123: Suggesting Movement Using a Single
Page 124 and 125: Penning Techniques Th at G reate De
Page 126 and 127: tlater Dmpleb The key point here is
Page 130 and 131: us $19.99 Vol.7: AMAZING EFFECTS Ch
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