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Revealing the Teeth:<br />
Exaggeration through Realistic Portrayal<br />
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Here we see a relatively nonstylized,<br />
realistic portrayal. The teeth are<br />
rendered as a solid row rather than<br />
individually.<br />
To shout, the mouth opens widely,<br />
exposing the bot<strong>to</strong>m teeth and <strong>to</strong>ngue.<br />
Use simple lines <strong>to</strong> render them.<br />
Here we see another shouting<br />
mouth. A large expanse of the<br />
lower jaw is visible.<br />
The canines<br />
When the mouth<br />
is wide open, the<br />
inside flesh of the<br />
cheek swells.<br />
-ere, a center line has been added <strong>to</strong> the<br />
":'ngue, heightening the realism. Since the<br />
-:uth is wide open, the canines are<br />
,'sible. The canines are often exaggerated<br />
tr'en <strong>draw</strong>ing vampires and demons.<br />
J<br />
The key is <strong>to</strong> leave a small space between the<br />
con<strong>to</strong>ur for the molars and that for the front row<br />
of teeth. This will also give the molars their<br />
distinctive thickness.<br />
Here the mouth is open t0 the extent possible in<br />
a fullthrottle yell. The upper jaw, which is in<br />
fact stable, appears as it it could move, causing<br />
wrinkles t0 form at the sides of the nose, on the<br />
cheeks, and under the eyes. Furrows develop on<br />
the brow<br />
Mouth with molars<br />
given thickness<br />
Here we see a mouth open in full<br />
shout with the front teeth, the<br />
canines, and the molars faithfully<br />
rendered. The <strong>to</strong>ngue has been<br />
abstracted and diagonal strokes<br />
used for the throat's dark interior,<br />
resulting in a powerful image.