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Cherry Creek North Design Guidelines - City and County of Denver

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D ESIGN GUIDELINES<br />

for C H E R R Y C R E E K N O R TH HT<br />

U RBAN D ESIGN S T ANDARDS AND G UIDELINES<br />

C OMMUNITY P LANNING AND D EVELOPMENT A GENCY<br />

C ITY <strong>and</strong> C OUNTY <strong>of</strong> D ENVER<br />

S PRING 1991<br />

U PDATED F ALL 2000


URBAN DESIGN STANDARDS AND GUIDELINES<br />

CONTENTS<br />

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1<br />

Context . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2<br />

History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2<br />

The Review Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3<br />

The <strong>Guidelines</strong> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4<br />

Goals for <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> <strong>Design</strong> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6<br />

<strong>Guidelines</strong>. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7<br />

Buildings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8<br />

Street-level Continuity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8<br />

Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8<br />

Storefront <strong>Design</strong> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10<br />

Arcades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10<br />

Mid-Block Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10<br />

Sidewalk Cafés . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12<br />

H<strong>and</strong>icapped Access . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12<br />

Wall Amelioration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14<br />

Building Materials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14<br />

Height at the Sidewalk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14<br />

Parking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16<br />

Plazas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18<br />

L<strong>and</strong>scaping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18<br />

Paving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18<br />

Adjoining Walls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18<br />

Seating . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20<br />

Pedestrian Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20<br />

Telephone Booths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22<br />

Litter Receptacles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22<br />

Bicycle Parking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22<br />

Drinking Fountains . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22<br />

Leaning Rail . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22<br />

i


ii<br />

CHERRY CREEK NORTH<br />

Signs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24<br />

Streetscape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26<br />

Street Trees . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26<br />

Pedestrian Lights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26<br />

The Tree Lawn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26<br />

Intersection Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28<br />

Sidewalk Paving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28<br />

Kiosks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28<br />

District Directory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28<br />

Newspaper Dispensers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30<br />

Bollards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30<br />

Fountains <strong>and</strong> Pools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30<br />

Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30


URBAN DESIGN STANDARDS AND GUIDELINES<br />

INTRODUCTION<br />

1


2<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> is unique. It has<br />

character or a feel that is different from any<br />

other part <strong>of</strong> <strong>Denver</strong>. The character <strong>of</strong> a<br />

place can be defined as the quality <strong>of</strong> the<br />

relationship between the place <strong>and</strong> the<br />

observer, whether motorist or pedestrian.<br />

Character is developed in the mind <strong>of</strong> the<br />

observer out <strong>of</strong> his/her interaction with the<br />

objects <strong>of</strong> the l<strong>and</strong>scape: including masses<br />

<strong>of</strong> buildings, trees, open spaces, street<br />

furniture, details, materials, colors, the<br />

relationships between these objects, <strong>and</strong><br />

the rhythms <strong>and</strong> sequences <strong>of</strong> their<br />

placement.<br />

This publication is concerned with these<br />

objects <strong>of</strong> the l<strong>and</strong>scape as they appear in<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> to create the area’s<br />

sense <strong>of</strong> place. If the District’s character is<br />

well defined, both in terms <strong>of</strong> physical<br />

appearance <strong>and</strong> market niche, <strong>Cherry</strong><br />

<strong>Creek</strong> <strong>North</strong> will be able to compete with<br />

large single-entity retail developments like<br />

the <strong>Cherry</strong> <strong>Creek</strong> Shopping Center <strong>and</strong><br />

other retail districts such as the Sixteenth<br />

Street Mall.<br />

As private properties redevelop it is<br />

essential that they respect <strong>and</strong> reinforce the<br />

District’s character <strong>and</strong> contribute to the<br />

way we perceive its sense <strong>of</strong> place.<br />

It is our hope that, as a result <strong>of</strong> the<br />

streetscape projects <strong>and</strong> these guidelines, in<br />

the years ahead the public will see the<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> District as having a<br />

unified image, greater in impact <strong>and</strong> higher<br />

in quality than would otherwise have been<br />

achieved by a collection <strong>of</strong> individual<br />

projects, each with its own competing <strong>and</strong><br />

disconnected image.<br />

CHERRY CREEK NORTH<br />

Context<br />

The streetscape project completed in<br />

October <strong>of</strong> 1989 in <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong><br />

represents more than a coordinated system<br />

<strong>of</strong> streetscape elements. It represents a joint<br />

venture <strong>of</strong> district property owners, retailers<br />

<strong>and</strong> the <strong>City</strong> to create a retail center <strong>of</strong> the<br />

highest quality. The District <strong>and</strong> the <strong>City</strong><br />

together spent $9 million to refurbish <strong>and</strong><br />

place utilities underground <strong>and</strong> to design<br />

<strong>and</strong> build streetscape improvements <strong>and</strong> a<br />

pedestrian plaza that will firmly establish<br />

the District’s identity <strong>and</strong> enable it to<br />

compete with any similar shopping district<br />

in the nation.<br />

The District’s character was defined, <strong>and</strong><br />

designs were produced that embody it.<br />

<strong>Design</strong> elements were then placed<br />

throughout the district to reinforce that<br />

character <strong>and</strong> to set the direction for the<br />

future. It is recognized that the success <strong>of</strong><br />

the district could also mean the erosion <strong>of</strong><br />

its character if speculation <strong>and</strong> insensitive<br />

development were allowed unchecked. To<br />

protect this investment, the <strong>City</strong> now<br />

requires that all projects be reviewed by the<br />

<strong>Design</strong> Advisory Board before a building<br />

permit is granted.<br />

History<br />

The redevelopment <strong>of</strong> <strong>Cherry</strong> <strong>Creek</strong><br />

Shopping Mall was a center <strong>of</strong> controversy<br />

for over 15 years until 1984 when the <strong>City</strong>,<br />

under newly elected Mayor Peña,<br />

established a comprehensive<br />

neighborhood planning committee.<br />

A steering committee <strong>of</strong> representatives<br />

from each neighborhood association in the<br />

area was formed <strong>and</strong>, with the <strong>City</strong>’s help,<br />

spent the next two years drafting the<br />

<strong>Cherry</strong> <strong>Creek</strong> Neighborhood Plan. At the


URBAN DESIGN STANDARDS AND GUIDELINES<br />

same time, the Taubman Company<br />

prepared, with review by the steering<br />

committee, a plan for the successful<br />

redevelopment <strong>of</strong> the shopping center.<br />

Recognizing the threat to the viability <strong>of</strong><br />

the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> Stores, the<br />

Taubman Company funded the creation <strong>of</strong><br />

a design concept for the <strong>Cherry</strong> <strong>Creek</strong><br />

<strong>North</strong> streetscape project. Out <strong>of</strong> this plan<br />

grew the impetus to form a local<br />

improvement district to build the<br />

streetscape project. The idea was to<br />

renovate the shopping district at the same<br />

time as the shopping center was being<br />

built <strong>and</strong> to have both projects come<br />

together in one giant stroke. The<br />

streetscape was completed in October<br />

1989. In 1988 the <strong>Design</strong> Advisory Board<br />

was established by ordinance, <strong>and</strong> a draft<br />

version <strong>of</strong> the <strong>Design</strong> <strong>Guidelines</strong> was<br />

prepared. In 1989, the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong><br />

<strong>Design</strong> Zoning Advisory Committee was<br />

formed to develop new zoning regulations.<br />

Out <strong>of</strong> this effort the <strong>Design</strong> Advisory<br />

Board’s <strong>Design</strong> <strong>Guidelines</strong> were pushed<br />

toward their final form.<br />

The purpose <strong>of</strong> these guidelines is to alert<br />

architects <strong>and</strong> developers to community<br />

concerns, <strong>and</strong> to guide the <strong>Design</strong> Advisory<br />

Board in their review process. Any project<br />

proposed for <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> whose<br />

cost is more than $10,000, is subject to<br />

design review by the <strong>Design</strong> Advisory<br />

Board <strong>and</strong> the <strong>City</strong>’s Planning staff.<br />

Before a project is issued a building permit,<br />

it must be reviewed by the <strong>Design</strong> Advisory<br />

Board <strong>and</strong> city planning staff, whose<br />

recommendations are sent to the Zoning<br />

Administrator. The Zoning administrator<br />

approves or denies the project. An appeal<br />

process <strong>of</strong> the administration’s decision is<br />

provided for in the ordinance.<br />

The Review Process<br />

The design review process applies to all<br />

zone lots within the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong><br />

zone district boundaries <strong>and</strong> will also be<br />

required for all Planned Unit Development<br />

amendment applications for zone lots<br />

contiguous to the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong><br />

District.<br />

The design review process can be initiated<br />

by contacting the <strong>Denver</strong> Planning <strong>and</strong><br />

Community Development Office to<br />

schedule a pre-application meeting. Project<br />

designers are strongly encouraged to<br />

request a pre-application conference in the<br />

conceptual or even discussion stage <strong>of</strong> the<br />

design process. The pre-application process<br />

provides an opportunity for informal<br />

discussion <strong>of</strong> the specific circumstances <strong>of</strong><br />

the project <strong>and</strong> how the guidelines might<br />

affect its development. At this meeting the<br />

applicant will be given details <strong>of</strong> the review<br />

process <strong>and</strong> submittal requirements.<br />

There are two review procedures,<br />

depending on the estimated cost <strong>of</strong> the<br />

project. They are as follows:<br />

3


4<br />

■ Process when Exterior<br />

Improvements Exceed $50,000<br />

If the estimated cost <strong>of</strong> the exterior<br />

improvements (as given on the building<br />

permit application) is over $50,000, the<br />

applicant then prepares an application for<br />

approval <strong>of</strong> the design plan <strong>and</strong> files it<br />

with the Zoning Department. It is<br />

forwarded to the Planning <strong>and</strong><br />

Community Development Office <strong>and</strong> the<br />

<strong>Design</strong> Advisory Board (DAB), <strong>and</strong> a<br />

presentation by the applicant to the DAB<br />

<strong>and</strong> the city planning staff will be<br />

scheduled to occur within 25 days <strong>of</strong><br />

submittal unless extended. Following the<br />

presentation, the DAB will send its written<br />

recommendation to the Zoning<br />

Administration. The applicant may appeal<br />

to the planning board the DAB’s<br />

recommendations, which shall evaluate<br />

everyone’s comments <strong>and</strong> forward a final<br />

recommendation to the Zoning<br />

Administrator. The administrator may<br />

approve the project with conditions based<br />

on the DAB’s <strong>and</strong> planning Board’s<br />

comments; but the administrator must<br />

deny a project if that is recommended by<br />

the Planning Board. Appeal <strong>of</strong> the Zoning<br />

Administrator’s decision may be made to<br />

the Board <strong>of</strong> Adjustments.<br />

■ Process when Exterior<br />

Improvements are $50,000 or Less<br />

Exterior improvements which cost less than<br />

$10,000 are exempt from design review<br />

process in the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> zone<br />

district.<br />

If the estimated cost <strong>of</strong> the exterior<br />

improvements (as given on the building<br />

permit application) is from $10,000 up to<br />

$50,000 the applicant shall arrange for a<br />

pre-application conference with the<br />

planning staff <strong>and</strong> file an application with<br />

the Zoning Administration. The planning<br />

CHERRY CREEK NORTH<br />

staff will discuss the project with the<br />

<strong>Design</strong> Advisory Board (DAB) <strong>and</strong> will<br />

submit recommendation to the Zoning<br />

Administrator, who may deny or approve<br />

the application. A formal presentation to<br />

the DAB is not required. Appeal <strong>of</strong> the<br />

Zoning Administrator’s decision is made to<br />

the Board <strong>of</strong> Adjustments.<br />

The <strong>Guidelines</strong><br />

The guidelines contained in this document<br />

are to assist in meeting the goals <strong>of</strong> the<br />

District. They are intended to aid designers<br />

in underst<strong>and</strong>ing the goals <strong>and</strong> objectives<br />

<strong>of</strong> the District <strong>and</strong> the <strong>Design</strong> Advisory<br />

Board.<br />

The guidelines are not intended as<br />

inflexible rules or st<strong>and</strong>ards. Exceptions to<br />

them may be granted if more appropriate<br />

solutions consistent with the intent <strong>of</strong> the<br />

guidelines can be found. The <strong>Design</strong><br />

Advisory Board, while interested in seeing<br />

that project designers underst<strong>and</strong> <strong>and</strong><br />

respond to their goals for the District, is<br />

also interested in encouraging creative<br />

solutions to design problems. The main<br />

intent <strong>of</strong> these guidelines is to present a<br />

comprehensive look at the <strong>Design</strong> Advisory<br />

Board’s concerns for the District. The Board<br />

may also address itself to aspects <strong>of</strong> a<br />

projects design which are not covered by<br />

the guidelines.<br />

The guidelines are presented in a simple<br />

format: they are grouped according to<br />

subject, i.e. building, plaza, parking, signs,<br />

or streetscape. For each there is a statement<br />

<strong>of</strong> intent followed by guidelines.<br />

Photographs <strong>and</strong> illustrations are included<br />

to further exp<strong>and</strong> the guideline <strong>and</strong> in<br />

some cases to illustrate a good or bad<br />

example drawn from the district.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

R-0 PUD R-3-X<br />

PUD<br />

O-1<br />

University Blvd.<br />

B-3<br />

Josephine St.<br />

Columbine St.<br />

B-1 PUD<br />

Clayton St.<br />

PUD<br />

Detroit St.<br />

B-3<br />

0 100' 200' 400' 600'<br />

Alameda Ave.<br />

captioncaptioncaptioncaptioncaptioncaptioncaptioncaptioncaptioncaptioncaption<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> Zone District<br />

Fillmore St.<br />

Milwaukee St.<br />

P-1<br />

PUD<br />

CMU PUD PUD<br />

N<br />

St. Paul St.<br />

PUD<br />

PUD<br />

Steele St.<br />

PUD<br />

5<br />

R-2<br />

Adams St.<br />

R-2<br />

P-1<br />

R-2<br />

B-2<br />

PUD<br />

R-3 B-A<br />

B-1<br />

P-1<br />

Cook St.<br />

6th Ave.<br />

5th Ave.<br />

Madison St.<br />

4th Ave.<br />

3rd Ave.<br />

2nd Ave.<br />

1st Ave.<br />

Ellsworth Ave.<br />

Bayaud Ave.<br />

Cedar Ave.


6<br />

The guidelines generally address activities<br />

<strong>and</strong> relationships <strong>and</strong> how to create a<br />

setting that supports them. It is recognized<br />

that there are many ways to meet any one<br />

<strong>of</strong> the guidelines. This is why we have<br />

included a statement <strong>of</strong> intent for each set<br />

<strong>of</strong> guidelines. If the guidelines don’t<br />

address a design issue’s particular<br />

circumstances, the applicant should<br />

consult the “intent” paragraph for<br />

guidance.<br />

Goals for <strong>Cherry</strong> <strong>Creek</strong><br />

<strong>North</strong> <strong>Design</strong><br />

The basic goals <strong>of</strong> the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong><br />

District <strong>Design</strong> guidelines are to promote<br />

development that is in keeping with the<br />

existing character, scale, <strong>and</strong> ambience <strong>of</strong><br />

the District; to encourage the architectural<br />

design solutions that are interesting <strong>and</strong><br />

attractive; <strong>and</strong> to promote pedestrian <strong>and</strong><br />

shopping activities, particularly at street<br />

level.<br />

Building designs are sought that are easy to<br />

read in terms <strong>of</strong> underst<strong>and</strong>ing the<br />

activities they house <strong>and</strong> also temper the<br />

climate in favor <strong>of</strong> the pedestrian. These<br />

guidelines seek to maximize the streetside<br />

conditions that promote window<br />

shopping, exploration, <strong>and</strong> strolls for the<br />

pleasure <strong>of</strong> it; <strong>and</strong> they seek to minimize<br />

the gap in the shopping experience caused<br />

by parking lots, parking structures, <strong>of</strong>fice<br />

buildings, vacant l<strong>and</strong>, <strong>and</strong> blank walls.<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> should be a place<br />

where the pedestrian feels welcomed <strong>and</strong><br />

comfortable. It is a retail / restaurant /<br />

entertainment experience first <strong>and</strong><br />

foremost.<br />

CHERRY CREEK NORTH<br />

These goals are reflected in the guidelines<br />

on buildings, parking, plazas, signs, <strong>and</strong><br />

streetscape that follow.<br />

The objectives <strong>of</strong> these guidelines are to:<br />

◗ Promote continuity <strong>of</strong> retail uses along<br />

streets in the district.<br />

◗ Encourage new infill development that<br />

will generate pedestrian activity.<br />

◗ Encourage a variety <strong>of</strong> architectural<br />

styles.<br />

◗ Encourage relatively small scale <strong>of</strong><br />

development.<br />

◗ Encourage l<strong>and</strong>scaping <strong>and</strong> other<br />

architectural devices to screen parking<br />

uses next to pedestrian paths.<br />

◗ Encourage development in keeping<br />

with the architectural style,<br />

arrangement, texture, <strong>and</strong> materials<br />

used on existing structures in the area.<br />

◗ Encourage signs that fit the character <strong>of</strong><br />

the district <strong>and</strong> do not detract or<br />

overpower the architecture.<br />

◗ Provide for a pleasant, rich, <strong>and</strong> diverse<br />

pedestrian experience.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

7


Buildings<br />

Retail Continuity at the Street Level<br />

8<br />

Scale<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To encourage <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> to become a place <strong>of</strong><br />

concentrated pedestrian activity <strong>and</strong> interaction. One thing<br />

that makes the area interesting is the amount <strong>of</strong> activity on<br />

the street. If the streets are to have life, buildings must be<br />

oriented to the street. Ground floor uses <strong>and</strong> activities in new<br />

developments should be integrated with existing retail uses<br />

<strong>and</strong> activities along the street front.<br />

To create buildings <strong>and</strong> spaces that are pedestrian in scale <strong>and</strong><br />

that impart feelings <strong>of</strong> adequacy <strong>and</strong> comfort rather than<br />

intimidation; to encourage designs for buildings <strong>and</strong> spaces<br />

that contain an abundance <strong>of</strong> visual clues as to size.<br />

Definition<br />

Scale is the term used to describe the perception <strong>of</strong> a<br />

building’s (or space’s) size in relation to a human. As we look<br />

at a building, we tend to want to know how big it is relative to<br />

ourselves. So we look for clues that might tell us. The most<br />

obvious clues are doors <strong>and</strong> windows. Other clues may be the<br />

size <strong>of</strong> a brick, a h<strong>and</strong>rail, a step, a pattern <strong>of</strong> texture. Facades<br />

than contain a hierarchy <strong>of</strong> subdivisions, patterns, objects <strong>and</strong><br />

textures tend to give us the feeling that we can grasp the<br />

building’s size <strong>and</strong> thus establish a relationship between the<br />

building <strong>and</strong> ourselves.<br />

At one end <strong>of</strong> the range <strong>of</strong> scales is monumental, which<br />

deprives the observer <strong>of</strong> the ability to gauge size (by oversizing<br />

even familiar objects), with the intention <strong>of</strong> imparting<br />

feelings <strong>of</strong> inadequacy <strong>and</strong> intimidation in the observer.<br />

Near the other end is pedestrian, which gives the observer an<br />

abundance <strong>of</strong> clues as to size, with the intention <strong>of</strong> giving the<br />

observer the sense that he/she can grasp the building’s size,<br />

<strong>and</strong> is able to judge how he/she relates to it in terms <strong>of</strong> size.<br />

We tend to feel more comfortable when we feel as though we<br />

know how we fit into our surroundings.<br />

Scale is one <strong>of</strong> the elements or aspects that contributes to our<br />

perception <strong>of</strong> a place’s character.<br />

In <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> the scales <strong>of</strong> existing buildings vary,<br />

but the area along 3rd Avenue, which is most closely identified<br />

with <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong>’s image, is small, human <strong>and</strong><br />

pedestrian in scale. It is the area that seems to feel most<br />

comfortable.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ Though lacking in h<strong>and</strong>icaped access, a good This plaza, mid-block between Filmore Plaza <strong>and</strong><br />

◗ When planning new buildings or redevelopment projects, develop<br />

the ground level with as much street oriented retail <strong>and</strong> service space<br />

as possible. At least 75% <strong>of</strong> new building fronts shall be occupied by<br />

retail use (including restaurants). Offices, clubs, <strong>and</strong> banks, among<br />

other uses, are permitted only within the remaining building front.<br />

◗ Develop the ground level <strong>of</strong> buildings to provide visual interest to<br />

pedestrians. This means either outdoor dining areas or retail display<br />

windows or service-oriented activities that can be viewed through<br />

storefront glazing. If the building face at the sidewalk edge cannot<br />

be glazed, then the blank wall should be treated in an interesting<br />

way with decorative architectural finishes, screens, display cases,<br />

sculpture, murals, or plant materials.<br />

◗ <strong>Design</strong> buildings to be small-scale, <strong>and</strong> pedestrian-oriented at the<br />

street level.<br />

◗ Use structural bays, expressed columns, window mullions, etc to give<br />

the ground floor level human scale.<br />

◗ <strong>Design</strong> small-scale buildings that add to the variety <strong>of</strong> architectural<br />

styles found in the District.<br />

◗ A wide variety <strong>of</strong> architectural styles <strong>and</strong> treatments are encouraged<br />

in the area as it adds to the enjoyment <strong>of</strong> the district. This does not<br />

mean, however, to encourage designs that are outl<strong>and</strong>ish or<br />

incongruent with the character <strong>of</strong> the district.<br />

◗ <strong>Design</strong> large buildings so that they appear small in scale. Avoid<br />

massive, monolithic facades.<br />

◗ In general, all retail shops at street level should have direct access to<br />

<strong>and</strong> from the sidewalk. Avoid designs that call for shoppers to enter<br />

internal malls or lobbies before entering shops, unless to serve<br />

upper level shops.<br />

◗ Avoid split-level entrance schemes where shops are entered via steps<br />

or stairs to a below grade or above grade retail level. Split-level<br />

entrances tend to reduce pedestrian activity on the street <strong>and</strong> create<br />

barriers between shoppers on the sidewalk <strong>and</strong> the display windows.<br />

Split level entrance schemes create a character very different from<br />

that which is created by having shop entrances that open directly<br />

onto the sidewalk.<br />

◗ Limit the height <strong>of</strong> building facades at the sidewalk edge to two<br />

stories. Floors above the second floor should be set back so that they<br />

cannot be seen from the sidewalk in front <strong>of</strong> the building.<br />

◗ The length <strong>of</strong> a north or south façade shall not exceed 125 feet<br />

without interruption. Thus, if a project extends from a north-south<br />

street <strong>and</strong> has frontage on an east-west street, its mass will be broken<br />

at the usual street to alley dimension <strong>and</strong> will reflect the historic<br />

development pattern.<br />

◗ If a project’s site is larger than one block, interrupt the building’s<br />

facades where streets would have been had they been extended<br />

through the site on the street grid.<br />

storefront example: clear visibility <strong>and</strong> signage Milwaukee on the south side <strong>of</strong> 2nd Avenue, breaks the<br />

well integrated into the storefront design. building’s mass at ground level, preventing the block’s<br />

scale from becoming too large.<br />

9


Buildings<br />

10<br />

Storefront <strong>Design</strong><br />

Arcades<br />

Mid-Block Connections<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To encourage well-designed, legible storefront design that is<br />

tasteful, complementary to the district, <strong>and</strong> provides a<br />

continuous shopping environment along the street edge.<br />

To encourage arcades to be placed where they will encourage<br />

the flow <strong>of</strong> pedestrian movement <strong>and</strong> where they will serve to<br />

enhance the visual continuity <strong>of</strong> the corridor. Arcades s<strong>of</strong>ten<br />

<strong>and</strong> temper the environment at the sidewalk <strong>and</strong> create a<br />

more pleasant shopping experience. They are especially good<br />

where a building fronts a large outdoor space such as a plaza.<br />

They serve as a transition space between the plaza <strong>and</strong> the<br />

space inside the building.<br />

To provide clear, interesting, <strong>and</strong> accessible routes for<br />

pedestrians to traverse blocks at or near mid-block.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ ◗<br />

◗ Provide for good visibility into storefront windows.<br />

◗ Use awnings or canopies to reduce glare <strong>and</strong> reflections on storefront<br />

glass <strong>and</strong> at the same time shade <strong>and</strong> protect the pedestrian st<strong>and</strong>ing<br />

near the storefront.<br />

◗ Awnings or canopies shall not be supported by posts in the sidewalk.<br />

Awnings <strong>and</strong> canopies shall be cantilevered from the building face<br />

so as to keep the sidewalk as clear <strong>and</strong> unobstructed as possible.<br />

Care should be taken to preserve views down the street.<br />

◗ Balconies shall not extend into the right-<strong>of</strong>-way over the sidewalk.<br />

◗ Building facades should generally align in plan to create a<br />

continuous façade. This produces a comfortable sense <strong>of</strong> enclosure<br />

◗ Arcades are encouraged where they occupy an entire block or adjoin<br />

a plaza. Where an adjoining, existing building provides for an<br />

arcade, new buildings should continue the arcade.<br />

Only when a development covers an entire block or a half-block<br />

from numbered street to numbered street is a mid-block pedestrian<br />

connection encouraged.<br />

for the pedestrian <strong>and</strong> a continuous storefront that attracts <strong>and</strong><br />

encourages the pedestrian to continue along the street.<br />

◗ If the façade wall is to be set back from the property line to create<br />

courtyards or arcades, use other elements, such as columns, planters,<br />

changes in paving materials, or railings, to define the edge <strong>of</strong> the<br />

sidewalk.<br />

◗ Give special attention to the design <strong>of</strong> buildings located at street<br />

intersections. Corner buildings serve special functions as they are<br />

generally more visible than interior lots, serve as l<strong>and</strong>marks <strong>and</strong><br />

provide a sense <strong>of</strong> enclosure to the intersection.<br />

◗ Mid-block connections should be interesting as spaces in <strong>and</strong> <strong>of</strong><br />

themselves rather than merely hallways to, say, parking or service<br />

loading.<br />

◗ Mid-block connections should be h<strong>and</strong>icapped accessible <strong>and</strong> well<br />

lighted.<br />

11


Buildings<br />

12<br />

Sidewalk Cafes<br />

H<strong>and</strong>icapped Access<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To promote the outdoor use <strong>of</strong> the district <strong>and</strong> provide<br />

opportunities for one <strong>of</strong> our favorite activities, people<br />

watching, along with a setting in which to relax <strong>and</strong> reflect<br />

with a cup <strong>of</strong> espresso <strong>and</strong> a newspaper. This is one <strong>of</strong> the<br />

experiences that defines the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> ambience.<br />

Please note that sidewalk cafes are subject to special zoning<br />

conditions, <strong>and</strong> an annual permit is required.<br />

Illustration <strong>of</strong> sidwalk cafe guidelines<br />

To encourage the redevelopment <strong>of</strong> <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> as a<br />

totally accessible district.<br />

There exists in <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> a number <strong>of</strong> buildings<br />

whose ground floors are not accessible to the h<strong>and</strong>icapped. In<br />

some cases it is because the building was originally built<br />

higher than the sidewalk, probably to reduce snow drifting<br />

into the building from the sidewalk. In other cases it is<br />

because the building owner has created garden levels or built<br />

the retail space above a half-sunken parking garage. The<br />

recent streetscape project corrected these conditions where<br />

possible. However, it was not possible to correct all <strong>of</strong> them. It<br />

is hoped that future development <strong>and</strong> redevelopment <strong>of</strong> these<br />

sites will eventually result in an accessible district.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗<br />

◗ Open air cafes shall be permanently unenclosed, even though they<br />

may have a temporary fabric ro<strong>of</strong>. No kitchen equipment shall be<br />

installed within the open air café. A station service through which<br />

water or table service is provided may be joined to the café.<br />

◗ A clear path at least 5 feet wide for pedestrians to pass on the<br />

sidewalk must be maintained.<br />

◗ If seating is planned for the tree lawn area, the area should be paved<br />

with 12” X 12” flagstone pavers or buff-colored concrete to match<br />

the sidewalk at intersections. Railings must be located at least 2 feet<br />

from the street to avoid damage to cars.<br />

◗ Eating areas should be well defined <strong>and</strong> easy to maintain.<br />

Lightweight metal railings painted white are preferred. Second<br />

choices: railing similar to the railing on the pavilion on Fillmore<br />

Plaza <strong>and</strong> brass.<br />

◗ One <strong>of</strong> the h<strong>and</strong>icap accessible routes required by the building code<br />

should be the same as the principal public entrance.<br />

◗ If there is only one accessible route into a building, it should not be<br />

via a rear or service entrance.<br />

◗ If parking for the building is located at the rear or within the<br />

building, there should be two accessible routes, one from the<br />

parking area <strong>and</strong> another via the front or public entrance.<br />

◗ All accessible routes shall extend from within the building to the<br />

h<strong>and</strong>icapped parking spaces or the public sidewalk without<br />

interruption.<br />

◗ Sidewalk café areas on Fillmore Plaza or Fillmore Street shall be<br />

reviewed by the <strong>Design</strong> Advisory Board on a case-by-case basis.<br />

◗ The width <strong>of</strong> an outdoor eating area should be no more than the<br />

width <strong>of</strong> the deli or café in front <strong>of</strong> which is located. In any case the<br />

width should not exceed 25 feet.<br />

◗ Sidewalk café is the only use that is recommended to encroach onto<br />

the tree lawn <strong>and</strong> only if the restaurant or café or deli to which it is<br />

accessory is also at street level.<br />

◗ On Fillmore Street between 2nd Avenue <strong>and</strong> 3rd Avenue, sidewalk<br />

cafes should not be placed on the tree lawn but should be placed<br />

adjacent to the storefront which they serve.<br />

◗ On Fillmore Plaza, between 1st Avenue <strong>and</strong> 2nd Avenue, space in the<br />

public right-<strong>of</strong> way for sidewalk cafes is limited <strong>and</strong> so should be<br />

located in the areas where buildings are set back from the right-<strong>of</strong>way<br />

line.<br />

This inaccessible entrance, a result <strong>of</strong> zoning<br />

regulations’ definition <strong>of</strong> gross floor area, allows<br />

garden-level space development in addition to what<br />

is allowed by the maximum allowable floor area ratio.<br />

13


Buildings<br />

Street Wall Amelioration<br />

Building Materials,<br />

Textures, Patterns, Colors<br />

Building Height at the Sidewalk<br />

14<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To enliven the sidewalk for pedestrians by preventing dull,<br />

alienating, blank walls along the ground level <strong>of</strong> new<br />

developments. This is particularly important in <strong>Cherry</strong> <strong>Creek</strong><br />

<strong>North</strong> where the scale <strong>and</strong> character <strong>of</strong> the architecture along<br />

the sidewalk contributes so much to the character <strong>of</strong> the<br />

district.<br />

To reinforce the district’s character <strong>and</strong> image by using<br />

materials, textures, patterns, <strong>and</strong> colors similar to those that<br />

are predominant in the area.<br />

To preserve the small scale appearance <strong>of</strong> the typical street in<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong>.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ ◗<br />

◗ Fifty percent <strong>of</strong> all walls between 5 <strong>and</strong> 10 feet in height should be<br />

transparent (i.e. doors <strong>and</strong> windows). Transparent is defined as an<br />

opening within the wall a minimum <strong>of</strong> 2 feet in width.<br />

◗ Use materials that are supportive <strong>of</strong> the district’s character in terms <strong>of</strong><br />

color, scale, <strong>and</strong> texture. Avoid the use <strong>of</strong> highly reflective wall<br />

materials that will generate glare <strong>and</strong> heat, especially at the sidewalk<br />

level. Also use patterns that provide scale <strong>and</strong> interest <strong>and</strong> relate to<br />

existing patterns in the district.<br />

◗ Use architectural features wherever possible to tie the district together<br />

<strong>and</strong> build on existing strengths. For example, new development<br />

along the edges <strong>of</strong> Fillmore Plaza should relate to the design <strong>of</strong> the<br />

plaza. This can be done by incorporating architectural <strong>and</strong> l<strong>and</strong>scape<br />

features that complement <strong>and</strong> support the plaza <strong>and</strong> create interplay<br />

between the Plaza’s <strong>and</strong> the building’s designs. The shopping<br />

experience <strong>and</strong> the enjoyment <strong>of</strong> the Plaza can both be enhanced by<br />

this integration.<br />

Limit the Height <strong>of</strong> the building at the street face to 25 feet,<br />

maximum. If the building is to be taller, step the upper floors back<br />

from the front setback, keeping within 45 degree inclined bulk<br />

plane starting from a point 27 feet above the sidewalk at the front<br />

setback line.<br />

◗ Any wall facing the street without doors <strong>and</strong> windows that is 50 feet<br />

long or more should be covered with either ivy, greenery, a mosaic<br />

or bas-relief reviewed by the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> <strong>Design</strong> Advisory<br />

Board <strong>and</strong> the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> Foundation.<br />

◗ At the edges <strong>of</strong> the district, relate to <strong>and</strong> be sensitive to the adjoining<br />

residential neighborhood by choosing similar materials, shapes, etc.<br />

◗ Treat all publicly visible facades <strong>of</strong> a building equally in terms <strong>of</strong><br />

materials, color, <strong>and</strong> design details. The building should have a<br />

finished appearance on all publicly visible sides.<br />

◗ Exterior doors (store entrances) should be at least 30% transparent.<br />

Illustration <strong>of</strong> bulk plane <strong>and</strong> front-yard setback.<br />

15


Parking<br />

16<br />

Parking<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To provide continuity <strong>of</strong> retail frontage along the sidewalk; to<br />

define pedestrian space vs. auto parking space; to define street<br />

space especially at intersections; <strong>and</strong> to create lively <strong>and</strong><br />

interesting facades for the enjoyment <strong>of</strong> pedestrians.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ Because <strong>of</strong> the way the design <strong>of</strong> the parking levels are<br />

◗ Parking lots should not be placed at the sidewalk edge because it<br />

breaks the continuity <strong>of</strong> retail on the street, particularly if a parking<br />

lot is placed on a corner lot.<br />

◗ Buildings on corner lots should be designed to serve special<br />

functions: they enclose the intersection <strong>and</strong> anchor the ends <strong>of</strong><br />

blocks, serve as l<strong>and</strong>marks, <strong>and</strong> are more visible than interior lots,<br />

<strong>and</strong> therefore contribute more to the character <strong>of</strong> the area.<br />

◗ Where parking is located on a site with a building, locate the parking<br />

at the rear <strong>and</strong>/or to one side <strong>of</strong> the building (away from the street).<br />

This will minimize gaps in the continuous building wall <strong>of</strong> the<br />

block.<br />

◗ If access to parking interrupts the continuity <strong>of</strong> ground floor retail<br />

between multi story buildings on a block face, the upper floors<br />

should be continued over the access drive to at least create<br />

continuity <strong>of</strong> facades.<br />

◗ The number <strong>of</strong> curb cuts should be minimized to reduce conflicts<br />

between pedestrians <strong>and</strong> automobiles <strong>and</strong> increase the opportunities<br />

for l<strong>and</strong>scaping the planting strip between the sidewalk <strong>and</strong> the<br />

curb. Where possible, <strong>and</strong> where cooperation exists, adjacent owners<br />

should share curb cuts (driveways). Where possible, <strong>and</strong> where<br />

cooperation exists, adjacent owners should share curb cuts<br />

(driveways).<br />

◗ Where a parking lot or parking structure is next to a public sidewalk<br />

or visible from the public right-<strong>of</strong>-way, a l<strong>and</strong>scape buffer 5 feet<br />

wide or equal to the setback <strong>of</strong> the adjacent building must be<br />

provided. This way the front edge <strong>of</strong> a parking lot or structure will<br />

line up with the building facades on either side <strong>and</strong> a continuous<br />

integrated with the storefront level in this facade, you<br />

are hardly aware <strong>of</strong> the parking levels above.<br />

setback line is maintained down the street. Plant this area with trees<br />

spaced 20 feet apart <strong>and</strong> shrubs to reach a height <strong>of</strong> about 3 feet at<br />

maturity, planted 5 feet apart. About half <strong>of</strong> the shrubs should be<br />

evergreens.<br />

◗ L<strong>and</strong>scaping <strong>and</strong>/or low walls, screens, etc. should be used to screen<br />

views <strong>of</strong> cars <strong>and</strong> to s<strong>of</strong>ten the streetscape. (Refer to “Rules <strong>and</strong><br />

Regulations for the L<strong>and</strong>scaping <strong>of</strong> Parking Areas, <strong>City</strong> <strong>and</strong> <strong>County</strong><br />

<strong>of</strong> <strong>Denver</strong>, Revised May 10, 1989).<br />

◗ Parking structures should be designed so that they are compatible<br />

with buildings in the area: As a first step, the horizontal <strong>and</strong> vertical<br />

elements <strong>of</strong> the parking structure façade should be similar to those<br />

<strong>of</strong> adjacent structures. Also, the spacing <strong>and</strong> proportions <strong>of</strong> openings<br />

in the façade should be similar to those <strong>of</strong> windows on adjacent<br />

buildings. The same or similar materials <strong>and</strong> textures should be used<br />

on the façade <strong>of</strong> a parking structure to match adjacent buildings.<br />

◗ Parking structures should be designed with retail or other active uses<br />

at the ground floor sidewalk edge. <strong>Design</strong> buildings with belowgrade<br />

parking or by locating retail or personal service uses along the<br />

street frontage with parking behind. Parking within a parking<br />

structure at ground level at the street frontage is strongly<br />

discouraged.<br />

◗ The design <strong>of</strong> parking structures should be architecturally integrated<br />

with the design <strong>and</strong> structure <strong>of</strong> the buildings they serve. Consider<br />

ways <strong>of</strong> treating the façade <strong>of</strong> the parking structure portion <strong>of</strong> a<br />

building to make it match the façade <strong>of</strong> the rest <strong>of</strong> the building.<br />

Blank walls may even be covered with display cases.<br />

17


Plazas<br />

Plazas<br />

L<strong>and</strong>scaping<br />

Paving<br />

Treatment <strong>of</strong> Adjoining Walls<br />

18<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To provide open spaces such as plazas <strong>and</strong> courtyards which<br />

give relief <strong>and</strong> interest to the streetscape. As public amenities,<br />

they should be designed to be easily accessible <strong>and</strong><br />

comfortable for as much <strong>of</strong> the year as possible.<br />

To s<strong>of</strong>ten <strong>and</strong> humanize the plaza l<strong>and</strong>scapes to introduce<br />

elements <strong>of</strong> nature into the urban environment; <strong>and</strong> to<br />

modulate the scale <strong>of</strong> outdoor spaces.<br />

To insure that plazas are considered distinct spaces <strong>and</strong> are<br />

designed as such. Pavements <strong>of</strong> varied physical texture, color,<br />

<strong>and</strong> pattern can be used to guide movement <strong>and</strong> define<br />

functional areas. The surface underfoot is a very immediate<br />

<strong>and</strong> personal kind <strong>of</strong> experience, both visual <strong>and</strong> tactile,<br />

making a major contribution to an area’s sense <strong>of</strong> place.<br />

To insure that the walls that enclose plazas are considered as<br />

part <strong>of</strong> the design <strong>and</strong> integrated into it. Even though this<br />

would be desirable in any case, this guideline is only intended<br />

for walls under the same ownership as the adjacent plaza.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ ◗<br />

◗ Plazas <strong>and</strong> courtyards should connect to other activities such as<br />

outdoor cafes, restaurants <strong>and</strong> shop entrances.<br />

◗ Open spaces should be oriented to take advantage <strong>of</strong> views <strong>and</strong><br />

sunshine.<br />

◗ Seating should be designed so that it does not hold water <strong>and</strong> debris.<br />

Planter walls can be used for seating. Seating should, if possible, be<br />

shaded in the summer <strong>and</strong> receive sunshine in the winter.<br />

◗ Plazas on a street corner <strong>of</strong>ten feel too exposed <strong>and</strong> are not<br />

comfortable places in which to sit <strong>and</strong> enjoy the passing scenery.<br />

Plazas <strong>and</strong> courtyards should be made comfortable by using<br />

architectural <strong>and</strong> l<strong>and</strong>scape elements to create a slight sense <strong>of</strong><br />

enclosure <strong>and</strong> security. Sometimes all it takes is creating a slightly<br />

◗ Planters, including hanging planters, or planting beds with seasonal<br />

flowers, shrubs or ivy, or other plants, should occupy an area not<br />

less than 150 square feet for each 1,000 square feet <strong>of</strong> plaza space.<br />

The area occupied by a single permanent planter or planting bed<br />

shall be at least 30 square feet with a depth <strong>of</strong> soil <strong>of</strong> at least 18<br />

inches to guard against uprooting. Hanging planters are exempt<br />

from these minimum size <strong>and</strong> placement guidelines.<br />

◗ When grass or other ground cover is provided as an additional<br />

amenity, it should cover an area <strong>of</strong> at least 15 percent <strong>of</strong> the plaza<br />

area.<br />

◗ Nonskid surface materials (such as concrete pavers, brick <strong>and</strong> quarry<br />

tile) <strong>of</strong> varied dyes, aggregates, <strong>and</strong> textures are suggested as<br />

decorative paving for all plazas. The materials used for paving may<br />

be extended. The materials used for paving may be extended into<br />

the sidewalk area <strong>and</strong> perhaps the curb line to render visual<br />

continuity along the sidewalk <strong>and</strong> to serve as a unifying element<br />

Treatment <strong>of</strong> plaza walls which are the side walls <strong>of</strong> adjacent<br />

buildings is recommended. The walls <strong>of</strong> a building adjoining a plaza<br />

should be covered with ivy, greenery, art work (bas-relief or mosaic<br />

reviewed by the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> <strong>Design</strong> Advisory Board <strong>and</strong> the<br />

out-<strong>of</strong>-way niche where one can sit <strong>and</strong> enjoy a piece <strong>of</strong> art or a<br />

fountain <strong>and</strong> still feel a part <strong>of</strong> the street activity.<br />

◗ Steps in plazas should have treads at least 12 inches deep <strong>and</strong> risers<br />

no higher than 6.5 inches. Steps should always be accompanied by<br />

ramps placed nearby.<br />

◗ All plaza spaces shall be provided with a minimum <strong>of</strong> one tree per<br />

1,000 square feet <strong>of</strong> space. The tree shall be at least 3 ? to 4 inches in<br />

diameter. Each tree shall be planted in at least 100 cubic feet <strong>of</strong> soil<br />

with a depth <strong>of</strong> soil not less than 3 feet 6 inches to insure that it<br />

survives the urban environment. Trees may also be planted to flush<br />

to grade, in a planting bed with a minimum continuous area <strong>of</strong> 75<br />

square feet.<br />

binding the plaza area to the street. This can have the effect <strong>of</strong><br />

making a plaza more inviting for the pedestrian to use. On Fillmore,<br />

between 1st Avenue <strong>and</strong> 3rd Avenue, plaza pavement should be buff<br />

colored concrete to match the sidewalk on Fillmore Street.<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> Foundation), or otherwise decoratively treated.<br />

The wall surface should be treated up to a height <strong>of</strong> 20 feet, or the<br />

entire first floor, whichever is less.<br />

19


Plazas<br />

20<br />

Seating<br />

Pedestrian Lighting<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To maximize opportunities for people to use plazas; to<br />

provide places for people to sit, in sufficient numbers with<br />

flexibility <strong>of</strong> placement <strong>and</strong> orientation in mind.<br />

To provide illumination during hours <strong>of</strong> darkness to increase<br />

plaza safety <strong>and</strong> usage. Lighting is important, particularly for<br />

mid <strong>and</strong> through block plazas where the use is restricted <strong>and</strong><br />

visibility is limited.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ This planter wall serves as a seat. It is cool, informal When fixed seating is appropriate, match the<br />

◗ One linear foot <strong>of</strong> seating should be provided for each 30 square feet<br />

<strong>of</strong> plaza space. Seating without backs should have a minimum<br />

depth <strong>of</strong> 16 inches. Seating with backs at least 12 inches high<br />

should have a minimum depth <strong>of</strong> 14 inches. Seating 30 inches or<br />

more in depth counts double, providing there is access on both<br />

sides.<br />

◗ At least ten percent <strong>of</strong> the required seating should have backs, for the<br />

convenience <strong>of</strong> the disabled.<br />

◗ Seating higher than 3 feet <strong>and</strong> lower than 1 foot above ground level,<br />

as well as steps, do not count toward these guidelines.<br />

◗ Steps, ledges, <strong>and</strong> planter walls should be made so that they can be<br />

used for sitting. There is no reason that architectural features can’t be<br />

made to provide double-duty as sitting places. The more the features<br />

can be made useful for sitting, the more freedom people have to sit<br />

up front, in the back, to the side, in the sun, or out <strong>of</strong> it. Ledges are<br />

also useful as places to rearrange packages <strong>and</strong> tie one’s shoelaces.<br />

<strong>and</strong> the ideal height for sitting. District’s benches.<br />

◗ Lighting should not be designed that would create glare in nearby<br />

residences. A lighting intensity <strong>of</strong> 2 horizontal foot c<strong>and</strong>les will<br />

provide adequate illumination without creating glare visible in<br />

adjoining residences.<br />

◗ Grass is a wonderfully adaptable substance. While not the most<br />

comfortable for sitting, it is good for napping, sunbathing, <strong>and</strong><br />

picnicking. It also <strong>of</strong>fers the widest possible range <strong>of</strong> seating<br />

arrangements.<br />

◗ Movable chairs should be used when it is desirable to provide<br />

choices; to move into the sun, out <strong>of</strong> it; to move closer to someone,<br />

further away from another.<br />

◗ When fixed seating is appropriate, match the District’s benches. The<br />

Districts benches are from the LF1-Plexus collection, available from:<br />

Kershner Associates, 3045 Umatilla, <strong>Denver</strong>, Colorado 80211, (303)<br />

447-5226. Finish: polyester powder coat, ivy color. Model numbers:<br />

38LXG22-NB, LXS-5, 38LXG11-WB<br />

◗ The <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> pedestrian light should be installed in large<br />

plazas that are visible from the street so that they reinforce the<br />

district’s design <strong>and</strong> character. It is available from: Sterner Lighting<br />

Systems, Inc. Winstead, Minnesota 55395. (612) 473-1251.<br />

21


Plazas<br />

22<br />

Telephone Booths<br />

Litter Receptacles<br />

Bicycle Parking<br />

Drinking Fountains<br />

Leaning Rail<br />

INTENT<br />

◗<br />

To provide convenient access to telephones.<br />

CHERRY CREEK NORTH<br />

To insure that there are enough easily accessible trash<br />

containers. Generally, people are very good about putting<br />

their trash in containers, as long as there is room in the<br />

containers or enough containers to keep the District<br />

litter-free. First, however, there must be sufficient trash<br />

container capacity.<br />

To provide for <strong>and</strong> encourage the use <strong>of</strong> bicycles as a means <strong>of</strong><br />

getting to <strong>and</strong> from the district.<br />

To provide drinking water in plazas or at convenient, visible,<br />

<strong>and</strong> accessible locations along the street.<br />

To provide a supporting rail for people to lean against while<br />

waiting for a bus, a taxi, or a friend.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ ◗<br />

◗ Telephones should be located <strong>of</strong>f to the side <strong>of</strong> active pedestrian<br />

paths, visible from the street, <strong>and</strong> near gathering places such as bus<br />

stops or busy shopping areas.<br />

◗ The telephone booth pictured is the one recommended for use in<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong>. It is available from: King Products Limited,<br />

3150 Wharton Way, Mississauga, Ontario, Canada, (416) 625-1111.<br />

◗ For each 1,000 square feet <strong>of</strong> plaza space, a litter receptacle with a<br />

minimum capacity <strong>of</strong> one cubic foot should be provided. Plazas<br />

containing outdoor eating, services or other uses should double the<br />

capacity <strong>of</strong> litter receptacles. If there are uses that generate lots <strong>of</strong><br />

trash adjacent to the plaza, additional trash receptacles should be<br />

provided.<br />

◗ Each food vending cart on a privately owned plaza should be<br />

accompanied by one additional trash receptacle.<br />

◗ Refer to <strong>Denver</strong> Department <strong>of</strong> Public Works for the equipment<br />

st<strong>and</strong>ards for bicycle parking areas.<br />

◗ Fresh drinking water should be provided in each plaza. In the event<br />

that two drinking fountains are provided, one shall be 2 feet 6<br />

inches high, operated by h<strong>and</strong> <strong>and</strong> foot, <strong>and</strong> display the<br />

International Symbol <strong>of</strong> Access for the convenience <strong>of</strong> the disabled.<br />

Place leaning rails at or near bus stops, places where shoppers are<br />

picked up or dropped <strong>of</strong>f, <strong>and</strong> places where people are likely to just<br />

stop, wait, <strong>and</strong> observe without necessarily wanting to sit.<br />

◗ Any seating for more than six people in a privately owned plaza<br />

should have a trash receptacle associated with it.<br />

◗ The use <strong>of</strong> the district’s trash receptacle should be considered. It<br />

matches the fixed seating <strong>and</strong> is available from: Kershner Associates,<br />

3045 Umatilla Street, <strong>Denver</strong>, Colorado, 80211, (303) 447-5226.<br />

23


Signs<br />

24<br />

Business Signs<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To identify the location <strong>of</strong> a business; to promote the service<br />

or merch<strong>and</strong>ise within; <strong>and</strong> to attract <strong>and</strong> inform customers.<br />

To get maximum impact <strong>and</strong> value from signs <strong>and</strong> buildings,<br />

they should be designed to work together <strong>and</strong> support each<br />

other. The building should be designed to provide a place for<br />

signs <strong>and</strong> the signs should be an integral <strong>and</strong> yet noticeable<br />

part <strong>of</strong> the building. When properly designed, the sign <strong>and</strong><br />

building will work together to attract shoppers.<br />

Following are some simple guidelines for the design <strong>and</strong><br />

placement <strong>of</strong> signs. Signs still must be approved by the<br />

Zoning Department <strong>and</strong> permits obtained from the Building<br />

Inspection Department <strong>and</strong> the Sign Code followed.<br />

The <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> <strong>Design</strong> Advisory Board (DAB) is<br />

empowered by ordinance to review <strong>and</strong> make<br />

recommendations regarding the design <strong>and</strong> placement <strong>of</strong><br />

signs. A proliferation <strong>of</strong> poorly designed signs can ruin the<br />

appearance <strong>of</strong> a well designed building. When an applicant<br />

presents a proposed building design to the DAB, it must<br />

include sign designs <strong>and</strong> locations.<br />

These guidelines are supplemental to the <strong>Denver</strong> Sign Code.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ These signs — a stuffed sheep <strong>and</strong> wooden butler — are A simple <strong>and</strong> elegant sign, fitting well with the<br />

◗ Signs on commercial buildings should fit within existing features <strong>of</strong><br />

the building’s façade.<br />

◗ New buildings should be designed with built-in sign b<strong>and</strong>s.<br />

◗ Sign colors, materials, sizes <strong>and</strong> shapes, <strong>and</strong> lighting should be used<br />

to complement the other elements <strong>of</strong> the façade design.<br />

◗ Signs should not be positioned so as to obscure architectural details.<br />

◗ Simple, straight forward shapes that communicate clearly should be<br />

used.<br />

◗ Signs as symbols are encouraged because they are easily read <strong>and</strong> add<br />

to the vitality <strong>of</strong> a storefront.<br />

◗ Sign materials should be durable <strong>and</strong> easy to maintain.<br />

◗ Letter styles <strong>of</strong> signs should be legible. Simple, well-proportioned<br />

typefaces are good choices.<br />

◗ Illumination external to the sign surface with lighting directed at the<br />

sign is preferred over internally lit signs. Internally lit awnings are<br />

strongly discouraged.<br />

◗ Light levels should not overpower other signs on the street or the<br />

façade. By coordinating lighting, color, <strong>and</strong> placement <strong>of</strong> the sign<br />

<strong>and</strong> display windows, the entire storefront can become an effective<br />

sign.<br />

eye-catching <strong>and</strong> delightful to encouter. storefront.<br />

◗ Signs in windows should not block views <strong>of</strong> the displays behind<br />

them.<br />

◗ Signs should be designed to help establish the building’s character by<br />

using cohesive, easily understood graphic themes which<br />

complement the overall building design.<br />

◗ Sign character that is expressive <strong>of</strong> the individual proprietor <strong>and</strong><br />

overall community identity is encouraged.<br />

◗ Distinctive materials that exhibit craftsmanship <strong>and</strong> which contribute<br />

to individual business’ identity should be used.<br />

◗ If the building façade does not have display windows, then it may be<br />

appropriate for the retailer to use a small number <strong>of</strong> merch<strong>and</strong>ise<br />

objects as the signage for the store. This however would require a<br />

variance from the Board <strong>of</strong> Adjustment/Zoning in addition to review<br />

by the DAB. Objects <strong>of</strong> merch<strong>and</strong>ise if displayed discreetly can create<br />

a market atmosphere that feels welcoming <strong>and</strong> full <strong>of</strong> charm.<br />

◗ Signs used as symbols should be considered <strong>and</strong> are encouraged<br />

where display windows are not available. They are easily read <strong>and</strong><br />

add to the vitality <strong>of</strong> a storefront. Permission to use merch<strong>and</strong>ise as<br />

signage, however, first must be obtained from the Board <strong>of</strong><br />

Adjustment/Zoning.<br />

25


Streetscape<br />

26<br />

Street Trees<br />

Pedestrian Lights<br />

The Tree Lawn<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To create a rhythmic order along the street, to introduce<br />

natural elements into the street environment, <strong>and</strong> to enclose<br />

the street space by defining street edges. Street trees serve to<br />

focus <strong>and</strong> tie. They can also be used to screen, connect, or<br />

emphasize adjacent objects. In <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong>, street<br />

trees are used to reinforce street vistas by enframing the<br />

motorists view. As trees branch across the pavement they<br />

appear to reduce street width, bringing opposite building<br />

facades closer. Trees promote clean air <strong>and</strong> are amenities that<br />

s<strong>of</strong>ten <strong>and</strong> humanize the urban concrete texture. Trees planted<br />

in the District are to be large <strong>and</strong> hardy so they survive the<br />

harsh urban environment.<br />

To provide a visible row <strong>of</strong> lights along each street in the<br />

district at night, to light the sidewalk, to generally illuminate<br />

the area, <strong>and</strong>, in the daytime, to give the streets in <strong>Cherry</strong><br />

<strong>Creek</strong> <strong>North</strong> distinction <strong>and</strong> create a sense <strong>of</strong> place for the<br />

District.<br />

To provide physical separation between auto traffic <strong>and</strong> the<br />

pedestrian without impeding pedestrian access from curb to<br />

storefront; to provide contact with nature; <strong>and</strong> visually, to<br />

s<strong>of</strong>ten the hard, unyielding surfaces <strong>of</strong> urban construction.<br />

The humble tree lawn considered a major thread <strong>of</strong> the urban<br />

design fabric in <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> <strong>and</strong> <strong>Denver</strong> as a whole. It<br />

is the foundation <strong>of</strong> the District’s streetscape design <strong>and</strong><br />

provides the stage <strong>and</strong> backdrop onto which the majority <strong>of</strong><br />

streetscape elements are placed.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ ◗<br />

◗ Street trees have been planted at 25 to 30 feet intervals along all street<br />

frontages. Trees should be 31/2 to 4 inches in diameter <strong>and</strong> planted<br />

in the center <strong>of</strong> the tree lawn or in 42 inches <strong>of</strong> soil with grated<br />

coverages flush to grade.<br />

◗ Generally, all <strong>of</strong> the trees on a particular street are <strong>of</strong> a particular<br />

species. This was done to create as much visual continuity along a<br />

given street as possible while at the same time avoiding a<br />

monoculture within the district which could be disastrous if a<br />

disease or pest were to attack all the trees <strong>of</strong> that species. Selection <strong>of</strong><br />

tree species should conform to those selected for each street.<br />

◗ This effort to have all the trees on a particular street segment be <strong>of</strong> the<br />

same species should be maintained. However, where a plaza fronts<br />

on a street, it may be desirable to plant a different within the plaza<br />

to distinguish it, in terms <strong>of</strong> color, size <strong>and</strong> leaf texture, from the<br />

street edge. Also, street corners are marked by ornamental trees to<br />

add color <strong>and</strong> highlights.<br />

◗ The line <strong>of</strong> pedestrian streets along all street frontages in the district<br />

must be maintained using the pedestrian light illustrated below.<br />

◗ The light pictured was custom designed for the District. It is available<br />

from Sterner Lighting Systems, Inc., Winstead, Minnesota, 55395,<br />

621-473-1251.<br />

All new construction should incorporate the typical arrangement <strong>of</strong><br />

the detached sidewalk <strong>and</strong> tree lawn with trees <strong>and</strong> pedestrian lights,<br />

providing rhythm for you as you stroll past window displays.<br />

◗ The only encroachment that should be allowed onto the tree lawn is<br />

the sidwalk café, <strong>and</strong> this should only occur if the café or deli or<br />

restaurant to which it is accessory is also located at the street level.<br />

◗ The tree species designated for each street (both sides) in the District<br />

are as follows:<br />

❚ Autumn Purple Ash: ❚ Red Maple:<br />

3rd Avenue, University to Josephine 2nd Avenue, University to Josephine<br />

3rd Avenue, St. Paul to Steele 2nd Avenue, Detroit to Fillmore<br />

Josephine, 2nd to 3rd Avenue 2nd Avenue, Milwaukee to Steele<br />

3rd Avenue, Josephine to Columbine<br />

❚ Green Ash: 3rd Avenue, Clayton to Detroit<br />

1st Avenue, University to Steele University, 1st to 2nd Avenue<br />

Clayton, 2nd to 3rd Avenue Columbine, 2nd to 3rd Avenue<br />

Milwaukee, 2nd to 3rd Avenue<br />

Steele, 1st to 2nd Avenue<br />

St. Paul, 1st to 2nd Avenue<br />

❚ Shademaster Honey Locust:<br />

❚ Norway Maple: 2nd Avenue, Fillmore to Milwaukee<br />

2nd Avenue, Josephine to Detroit 3rd Avenue, Detroit to Fillmore<br />

3rd Avenue, Columbine to Clayton 3rd Avenue, Milwaukee to St. Paul<br />

3rd Avenue, Fillmore to Milwaukee Detroit, 1st to 3rd Avenue<br />

University, 2nd to 3rd Avenue<br />

Milwaukee, 1st to 2nd Avenue<br />

Steele, 2nd to 3rd Avenue<br />

St. Paul, 2nd to 3rd Avenue ❚ Red Oak <strong>and</strong> English Oak<br />

Fillmore, 1st to 3rd Avenue<br />

27


Streetscape<br />

28<br />

Intersection Markers<br />

Sidewalk Paving<br />

Kiosks<br />

District Directory<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To provide vertical identity elements at each street corner in<br />

the District to accommodate a variety <strong>of</strong> sign elements,<br />

including stop signs, parking signs, street name signs,<br />

seasonal banners, the District logo, <strong>and</strong> District maps.<br />

Generally the sidewalk is plain, grey colored concrete except at<br />

the intersection, where it is buff colored. Decorative sidewalk<br />

paving can enhance the street environment <strong>and</strong> act as a<br />

transition from the scale <strong>of</strong> buildings to the more human<br />

scale <strong>of</strong> the street level.<br />

To provide structures to house newsst<strong>and</strong>s, flower st<strong>and</strong>s,<br />

takeout food st<strong>and</strong>s, <strong>and</strong> information booths. A kiosk is a one<br />

story structure made predominantly <strong>of</strong> light materials , such<br />

as glass, plastic, metal or fabric. A kiosk may be a free<br />

st<strong>and</strong>ing structure, or it may be attached to a wall <strong>of</strong> an<br />

adjoining building.<br />

To provide attractive, informative, durable, accessible<br />

directories for pedestrians in the District.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ ◗<br />

◗ On streets other than Fillmore, between 1st Avenue <strong>and</strong> 3rd Avenue,<br />

new sidewalks should be grey poured in place concrete, except that<br />

some detail such as brick pavers along the edges can add variety <strong>and</strong><br />

complements the streetscape.<br />

◗ Kiosks in small plaza spaces <strong>of</strong> 200 to 400 square feet shall not<br />

exceed 60 square feet in area. Kiosks in spaces greater than 400<br />

square feet cannot exceed 100 square feet in area. To assure the<br />

compatibility <strong>of</strong> kiosks with existing uses in the area, approvals by<br />

the <strong>Denver</strong> Planning <strong>and</strong> Community Development Office <strong>and</strong> the<br />

<strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> <strong>Design</strong> Advisory Board are required.<br />

◗ Kiosks shall be designed to gracefully fit in the same way you would<br />

want a piece <strong>of</strong> furniture in your own living room to fit in.<br />

Directories should be accessible to the h<strong>and</strong>icapped.<br />

◗ The design <strong>of</strong> the directories should be compatible with the other<br />

streetscape elements in the district.<br />

◗ Directories should be constructed <strong>of</strong> materials that are durable <strong>and</strong><br />

easily maintained.<br />

◗ Directories should incorporate a map <strong>of</strong> the District, a you are here<br />

indicator, <strong>and</strong> a listing <strong>of</strong> all retail uses within the District keyed to<br />

locations on the District map.<br />

◗ Directories should be located at all bus stops; on Fillmore Plaza; <strong>and</strong><br />

at several locations distributed throughout the District which are<br />

higher activity areas or areas where decisions are made by<br />

pedestrians when pathways intersect or at parking lot exits.<br />

29


Streetscape<br />

30<br />

Newspaper Dispensers<br />

Bollards<br />

Fountains <strong>and</strong> Pools<br />

Art<br />

INTENT<br />

◗<br />

CHERRY CREEK NORTH<br />

To provide for the placement <strong>of</strong> newspaper dispensers so that<br />

pedestrian circulation <strong>and</strong> appearance are not compromised.<br />

Newspaper dispensers are necessary to make a streetscape<br />

serve the public. They become a problem, however, when you<br />

see a dozen or so, all different styles, colors <strong>and</strong> shapes lined<br />

up in rag-tag formation so that they all but completely block<br />

pedestrians trying to cross the street.<br />

To indicate to the pedestrian that he or she should exercise<br />

caution; to protect pedestrians or special features from<br />

automobiles; to highlight a special feature; or to simply light a<br />

pedestrian path.<br />

To provide moving water. As moving water has the property <strong>of</strong><br />

alleviating noise <strong>and</strong> cooling spaces, the provision <strong>of</strong> a<br />

fountain or reflecting pool is an added attraction to any plaza.<br />

Moving water also increases the humidity, thereby increasing<br />

human comfort in this dry climate <strong>and</strong> soothing the human<br />

spirit. Water can be provided in many forms: waterfalls,<br />

rapids, spillways, tranquil pools, me<strong>and</strong>ering streams, <strong>and</strong><br />

water tunnels. But water is meant not only to be seen but also<br />

to be heard <strong>and</strong> touched. One <strong>of</strong> the nicest things about water<br />

is its feel on a hot day. Water features should be designed so<br />

that you can splash your h<strong>and</strong> in it or cool your feet.<br />

To enrich our experience <strong>of</strong> the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> District;<br />

to contribute to its sense <strong>of</strong> place by enhancing the<br />

connections between people <strong>and</strong> the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong><br />

environment. Public art captures <strong>and</strong> reinforces the unique<br />

character <strong>of</strong> place. The community reads into public art its<br />

own experiences, its history, its humor, even fantasy.<br />

Recommended here is art which engages itself directly with its<br />

environment, history, culture, <strong>and</strong> aspirations.<br />

The setting for public art should be considered as much as<br />

part <strong>of</strong> our experience as the experience <strong>of</strong> art itself. The<br />

impact <strong>of</strong> the place on the art may be as great as the art’s<br />

impact on the place. The two together enrich the place <strong>and</strong><br />

make it memorable.


URBAN DESIGN STANDARDS AND GUIDELINES<br />

GUIDELINES<br />

◗ ◗<br />

◗ Place newspaper dispensers as close as possible to nodes <strong>of</strong><br />

pedestrian activity.<br />

◗ Do not locate them where they might obstruct views <strong>of</strong> traffic<br />

approaching an intersection.<br />

◗ Maintain at least 5 feet <strong>of</strong> clear width on adjacent sidewalks for<br />

pedestrians to pass.<br />

◗ Do not place them where they would block views <strong>of</strong> display<br />

windows <strong>and</strong> business signs.<br />

◗ Bollards should be placed where conflicts between automobile <strong>and</strong><br />

pedestrian traffic are likely to occur, such as driveways, parking<br />

ramps or near crosswalks.<br />

◗ Using bollards to provide protection for special features, such as a<br />

piece <strong>of</strong> sculpture located where it is vulnerable to damage by<br />

automobiles should be considered.<br />

◗ Using bollards to outline special areas or features should be<br />

considered. Lighting in bollards can be aimed directly at a feature to<br />

highlight it at night.<br />

◗ Water features in general, when appropriate, are encouraged.<br />

Public art should be constructed using durable, natural materials<br />

such as stone or metal.<br />

◗ Art should be sited so that it complements <strong>and</strong> fits in with the<br />

surrounding environment. Artwork located along the street should<br />

be human in scale. There are a few locations in the district, however,<br />

where monumental pieces may be appropriate. For example, they<br />

should be used to define <strong>and</strong> shape space, or terminate a vista, or<br />

serve as the focal point <strong>of</strong> a large public space.<br />

◗ When considering placement <strong>of</strong> freest<strong>and</strong>ing pieces <strong>of</strong> art or<br />

sculpture, avoid locations where it would compete with a storefront<br />

or obstruct a pedestrian path, create a traffic hazard, or compete<br />

with another sculpture so as to detract from its presence.<br />

◗ Mosaics, bas-relief or other three dimensional treatments should be<br />

used to enliven otherwise blank walls.<br />

◗ Where a number <strong>of</strong> them are needed in a single location, consolidate<br />

them into a single array <strong>of</strong> boxes stacked two high.<br />

◗ Where possible integrate their placement into the building design.<br />

◗ Additional newspaper dispensers provided in the District must match<br />

the dispensers previously installed, in all details, including color <strong>and</strong><br />

vendor’s name.<br />

◗ The dispenser pictured is the st<strong>and</strong>ard <strong>and</strong> available from Showrack,<br />

Inc., PO Box 1127, Shiner, Texas, 77984, 800-527-1134.<br />

◗ Using bollards to provide low-level lighting to pedestrian paths<br />

should be considered.<br />

◗ The bollard design most appropriate for each location should be<br />

used, <strong>and</strong> how the design fits in with the streetscape should be<br />

considered. In the district, several different bollard designs have<br />

been used, according to what is needed at each location.<br />

◗ The bollard pictured is the st<strong>and</strong>ard <strong>and</strong> available from Recreation<br />

Plus, PO Box 31067, Aurora, Colorado, 80041-1067, 303-343-7249.<br />

This bollard is Timberform pipecleaner series model #2190-3,<br />

without chain or eye, in Federal green.<br />

◗ With regard to subject matter, the art should fit in with the District’s<br />

chosen themes: people <strong>and</strong> the arts. The District has determined that<br />

its art should have humanizing qualities <strong>and</strong> express the supremely<br />

human qualities <strong>of</strong> joy, compassion, <strong>and</strong> underst<strong>and</strong>ing. The District<br />

seeks art that provides images <strong>of</strong> social cohesiveness, that invites<br />

participation <strong>and</strong> interaction, <strong>and</strong> that increases a sense <strong>of</strong><br />

meaningful human existence.<br />

◗ The art should be approachable <strong>and</strong> yet challenging. It may also<br />

feature: humor, water, seating, <strong>and</strong> opportunities for children to play<br />

on it.<br />

Note: the <strong>Cherry</strong> <strong>Creek</strong> <strong>North</strong> Foundation is a non-pr<strong>of</strong>it group with<br />

501C3 status, set up to encourage <strong>and</strong> assist the placement <strong>of</strong> art in the<br />

district. Developers are encouraged to meet with the Foundation for<br />

their guidance <strong>and</strong> assistance in the selection <strong>and</strong> placement <strong>of</strong> art.<br />

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