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14 i n s i g h t s<br />
Printed media, packaging and other physical formats<br />
continue to be important elements in branding. Materials,<br />
forms, refined surfaces speak to customers<br />
and make product quality palpable. That is why the<br />
paper needs to be selected to suit the brand or product<br />
just as the logo or the colour do.<br />
Every time we open a package, every time we turn<br />
a page, it is sensual pleasure: we see and smell the<br />
paper, we hear it when we touch it – and we feel it.<br />
Our brains categorise everything we perceive with<br />
two or more senses simultaneously as more credible<br />
and more relevant than things we perceive with<br />
only a single sense. What is more, our subconscious<br />
processes these “multi-sense” data hundreds of<br />
thousands of times more rapidly than our rational<br />
consciousness.<br />
By touching something, we are in part checking<br />
what we have perceived through our other senses.<br />
Touching a thing gives us a feeling of truth – “grasping”<br />
it in the literal sense. Also, our brains translate<br />
these haptic stimuli into mental concepts in a flash:<br />
the velvety, matte-finish surface of a box makes the<br />
melt-in-your-mouth pleasure of the chocolate believable.<br />
Paper convinces.<br />
And paper is simple. Produced for centuries from<br />
the simplest raw materials, it can be endowed with<br />
more diverse properties and characteristics than any<br />
other material.<br />
In operation since 1886: the first papermaking machine of the Büttenpapierfabrik Gmund (Bavaria, Germany).