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issue #3 ©<br />
l i n k e d<br />
41<br />
Diameter of<br />
paper-clip wire<br />
0.8mm<br />
Pin<br />
0.6mm<br />
Pig bristle<br />
0.1mm<br />
Isabell Kegel and <strong>Janoschka</strong>’s Cellaxy C500: this direct laser from Hell Gravure Systems is<br />
a universal, high-performance laser tool for the direct engraving of rotogravure and<br />
embossing cylinders. It reproduces text in high definition with a resolution of 2540 dpi and<br />
images on a 90l/cm screen with soft vignettes. The Cellaxy offers fully automated, multipass<br />
engraving with an engraving depth of up to 800 µm.<br />
Newspaper<br />
0.08mm<br />
Human hair<br />
0.05mm<br />
Cigarette paper<br />
0.03mm<br />
Staple fibre<br />
0.006mm<br />
pronounced: [mu:]<br />
1 µ = 1 µm = 0.000001 metres<br />
0.001mm<br />
linked:<br />
So in other words, you make sure that everything<br />
rolls smoothly, so to speak – and not just the cylinders.<br />
What do you need to watch out for?<br />
ISABELL KEGEL:<br />
Basically, everything. Our standardisation team has<br />
broad-ranging expertise, from technical know-how<br />
to knowledge of local conditions: in Russia, for example,<br />
there are strict regulations that allow only solvent-free,<br />
i.e. water-based, inks to be used.<br />
These inks behave entirely differently from the<br />
solvent-based ones used in Germany or Malaysia.<br />
Following our calibration, the direct laser machines<br />
produce cylinders that yield precisely the same printed<br />
result, despite variations such as different ink compositions.<br />
This way our clients can be certain that all<br />
<strong>Janoschka</strong>-made cylinders will produce exactly the same<br />
printing results, 1:1 – wherever they are imaged.<br />
linked:<br />
What makes your work so fascinating?<br />
isabell KEGEL:<br />
My work is in the realm of a few μ for cell dimensions up<br />
to 250 kilograms, which some printing cylinders can<br />
weigh. These contrasts fascinate me, especially because<br />
at <strong>Janoschka</strong> they are often the starting point for groundbreaking<br />
high-tech advancements.<br />
By paying attention to microscopic details, I make sure that<br />
a brand looks simply splendid. To do this, I need a precise<br />
understanding of the machines that make the printing<br />
and embossing tools. I can see whether or not it is technically<br />
feasible to realise a given design as envisaged using the<br />
tools we have. The widths of the finest lines, progressions<br />
and nuances of colour – the resolution of the machine has<br />
to be matched to all of these so that they can be transferred<br />
to the cylinder. The meticulous production of the tools<br />
forms the basis for a perfect printing result, since the effect<br />
of even the tiniest imprecision multiplies with each further<br />
step in the production process.