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Janoschka magazine Linked_V3_2018

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issue #3 ©<br />

l i n k e d<br />

41<br />

Diameter of<br />

paper-clip wire<br />

0.8mm<br />

Pin<br />

0.6mm<br />

Pig bristle<br />

0.1mm<br />

Isabell Kegel and <strong>Janoschka</strong>’s Cellaxy C500: this direct laser from Hell Gravure Systems is<br />

a universal, high-performance laser tool for the direct engraving of rotogravure and<br />

embossing cylinders. It reproduces text in high definition with a resolution of 2540 dpi and<br />

images on a 90l/cm screen with soft vignettes. The Cellaxy offers fully automated, multipass<br />

engraving with an engraving depth of up to 800 µm.<br />

Newspaper<br />

0.08mm<br />

Human hair<br />

0.05mm<br />

Cigarette paper<br />

0.03mm<br />

Staple fibre<br />

0.006mm<br />

pronounced: [mu:]<br />

1 µ = 1 µm = 0.000001 metres<br />

0.001mm<br />

linked:<br />

So in other words, you make sure that everything<br />

rolls smoothly, so to speak – and not just the cylinders.<br />

What do you need to watch out for?<br />

ISABELL KEGEL:<br />

Basically, everything. Our standardisation team has<br />

broad-ranging expertise, from technical know-how<br />

to knowledge of local conditions: in Russia, for example,<br />

there are strict regulations that allow only solvent-free,<br />

i.e. water-based, inks to be used.<br />

These inks behave entirely differently from the<br />

solvent-based ones used in Germany or Malaysia.<br />

Following our calibration, the direct laser machines<br />

produce cylinders that yield precisely the same printed<br />

result, despite variations such as different ink compositions.<br />

This way our clients can be certain that all<br />

<strong>Janoschka</strong>-made cylinders will produce exactly the same<br />

printing results, 1:1 – wherever they are imaged.<br />

linked:<br />

What makes your work so fascinating?<br />

isabell KEGEL:<br />

My work is in the realm of a few μ for cell dimensions up<br />

to 250 kilograms, which some printing cylinders can<br />

weigh. These contrasts fascinate me, especially because<br />

at <strong>Janoschka</strong> they are often the starting point for groundbreaking<br />

high-tech advancements.<br />

By paying attention to microscopic details, I make sure that<br />

a brand looks simply splendid. To do this, I need a precise<br />

understanding of the machines that make the printing<br />

and embossing tools. I can see whether or not it is technically<br />

feasible to realise a given design as envisaged using the<br />

tools we have. The widths of the finest lines, progressions<br />

and nuances of colour – the resolution of the machine has<br />

to be matched to all of these so that they can be transferred<br />

to the cylinder. The meticulous production of the tools<br />

forms the basis for a perfect printing result, since the effect<br />

of even the tiniest imprecision multiplies with each further<br />

step in the production process.

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