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CONTENTS DIARY OF EVENTS - The Urban Design Group

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FRONT TO BACK – A DESIGN AGENDA FOR URBAN HOUSING<br />

SALLY LEWIS, ELSEVIER, 2005, £24.99<br />

ISBN 0 7506 5179 2<br />

DESIGNING AMERICA’S WASTE LANDSCAPE<br />

MIRA ENGLER, THE JOHNS HOPKINS UNIVERSITY PRESS, 2004, £33.50<br />

ISBN 0 801 87803 9<br />

We would much rather take the garbage<br />

out than think about where its going.<br />

Yet it is a key element in the way we<br />

shape our landscape, and we have<br />

overwhelming negative perceptions of<br />

the places where we tip. <strong>The</strong> subject is<br />

marginalised within the public debate,<br />

which limits our ability to respond<br />

creatively to the growing problem of<br />

waste disposal.<br />

This is an important book at a time when<br />

higher densities are being encouraged<br />

and housing programmes are critical to<br />

proposals for expansion in the south<br />

east. It is a design guide arranged<br />

in two parts, the first describing the<br />

background to housing issues and the<br />

second outlining the design agenda and<br />

providing a detailed analysis of five case<br />

studies.<br />

It is not laid out like a normal book<br />

but as a design primer with consistent<br />

headings of key points and in that<br />

respect will be an invaluable guide to<br />

students involved in this type of project.<br />

<strong>The</strong> first part contains four chapters<br />

covering urban design, sustainability,<br />

community and social agendas<br />

addressing the key principles that should<br />

be followed, although the social chapter<br />

is perhaps less specific than it might<br />

have been.<br />

<strong>The</strong> second part includes an<br />

excellent summary of a design agenda<br />

This book is one of a series on<br />

contemporary American landscape<br />

design, providing a workman-like<br />

account of the issues. <strong>The</strong> author is<br />

a landscape architect with concerns<br />

about waste management which were<br />

aroused by a desire to reuse wasted<br />

neighbourhood open spaces, such<br />

as back alleys and small parks. She<br />

finds the subject seemingly hideous<br />

and prosiac, but she sets free their<br />

contradictory powers, and immersed<br />

herself in research about waste<br />

landscapes and societal issues.<br />

<strong>The</strong> five chapters start with theories<br />

and constructs, definitions, and the<br />

language of waste - valued and valueless,<br />

smell, taboos, marginalia and cultural<br />

discourse. She sets out a detailed history<br />

with eight distinct periods of residential<br />

landscapes each lasting 30-50 years,<br />

starting in the 18th century, including<br />

the history of the bathroom, the yard,<br />

and alleys. All are illustrated by poorly<br />

reproduced period advertisements and<br />

campaign notices, through to the City<br />

Beautiful Movement (1890s-1910), when<br />

gentility, convenience, health, and<br />

aesthetics prevailed; this is when the<br />

subject of waste was first taken seriously<br />

at higher levels of government. <strong>The</strong>re<br />

listing 14 key principles followed by<br />

five case studies. Parc de Bercy, Bo01<br />

Malmo, Century Court Cheltenham,<br />

Coin Street and a Barcelona infill which<br />

are significant examples to analyse<br />

and compare although only one of<br />

these, from Paris, is an example of<br />

mixed tenures designed together in<br />

one scheme. This is clearly an area in<br />

which more good examples need to be<br />

identified.<br />

It is an unusual form of book but its<br />

format and analysis make it interesting<br />

reading, invaluable for the student and<br />

practitioner alike and it will hopefully<br />

assist more architects and planners to<br />

see housing as it should be – as an urban<br />

issue rather than an architectural one.<br />

<strong>The</strong> author’s final words are that ‘the<br />

projects are not only about the dancers<br />

but the choreography. No wonder they<br />

perform so well’. Valuable lessons for all.<br />

John Billingham<br />

is a second tranche of photographs, of<br />

the schemes of plants for the 1980s-90s,<br />

which show the influences that have<br />

prevailed on planning at all levels, until<br />

we reach the present day and the green<br />

ethic.<br />

This is followed by private and public<br />

landscapes of waste and dumps, and<br />

covers centres of waste treatment, which<br />

were designed to transform the dumps.<br />

<strong>The</strong> now valued, beautiful and high rental<br />

areas of the Tulleries, Parc des Buttes<br />

Chaumont. Paris, and New York’s Central<br />

Park, (Olmstead) were in the 1860s each<br />

metropolitan city’s northern wasteland<br />

of slaughter houses and other noxious<br />

establishments.<br />

<strong>The</strong> book continues with research<br />

and education, from waste recycling<br />

and institutions, places of material<br />

transactions and resource parks, sewage<br />

treatment plants and waste-water<br />

gardens, to the utilisation of grey water.<br />

<strong>The</strong> author concludes with the challenges<br />

for thought and action because America<br />

is now facing more daunting toxic<br />

landscapes that pose serious radioactive<br />

dangers. <strong>The</strong> problems are stated, but<br />

there are no solutions put forward here.<br />

Peter Eley<br />

<strong>Urban</strong> <strong>Design</strong> | Spring 2005 | Issue 94 | 39<br />

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