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Boxoffice - October 2018

The Official Magazine of the National Association of Theatre Owners

The Official Magazine of the National Association of Theatre Owners

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Viane, and Bruce Snyder have bestowed<br />

upon me the gifts of patience, guidance,<br />

and wisdom in navigating the sometime<br />

choppy waters of the motion picture<br />

industry. And Tom Sherak instilled in so<br />

many of us the virtues of philanthropy<br />

and the importance of giving back.<br />

How would you recap <strong>2018</strong> so far for<br />

our industry?<br />

For the industry as a whole, it has been<br />

a banner year as we look to be on course for<br />

setting a new high for box office revenue.<br />

Simultaneously, <strong>2018</strong> will be a sea change<br />

year with the Disney/Fox deal, which will<br />

forever alter our business landscape.<br />

Fox has embraced the idea of a varied<br />

slate—from ensemble superhero movies<br />

(X-Men and Deadpool) to films with<br />

social relevance (<strong>October</strong>’s The Hate<br />

U Give) and big cinematic spectacles<br />

that aren’t pre-packaged in a readybuilt<br />

franchise (November’s Bohemian<br />

Rhapsody). How important is having<br />

such a diverse offering at the multiplex?<br />

Walk down any street, in any city in<br />

the world, and you’ll find diversity. We<br />

live in a diverse world and moviegoers<br />

reflect that diversity. At Fox, we have<br />

always believed in making movies for a<br />

wide range of global audiences. Successful<br />

movies are about great storytelling, and<br />

as long as there are great stories to tell, we<br />

will make movies that tell those stories to<br />

entertain audiences around the world.<br />

What do you consider to be the biggest<br />

threats facing theatrical exhibition?<br />

How can exhibition and distribution<br />

prepare to face those challenges?<br />

Let’s face it—we’re in a fiercely<br />

competitive environment for entertainment<br />

choices. It’s incumbent upon our<br />

industry, distribution and exhibition<br />

collectively, to ensure the theatrical<br />

moviegoing experience caters to modern<br />

media consumption demands. Studios<br />

must create the most compelling content<br />

possible, and exhibition must create the<br />

most inviting environment possible,<br />

while simultaneously ensuring the priceto-value<br />

ratio is balanced.<br />

You’ve been in this industry for three<br />

decades, including 13 years at Fox. How<br />

would you describe Fox’s legacy in the<br />

film industry?<br />

Since its inception, 20th Century Fox<br />

has been innovative and daring when it<br />

comes to creating big-screen entertainment.<br />

From How Green Was My Valley to The<br />

Sound of Music to The French Connection to<br />

Star Wars, this can certainly be attributed<br />

to great filmmakers and bold leadership.<br />

The Darryl Zanuck era set the stage for<br />

the modern iteration of Fox with James<br />

Cameron’s Titanic and Avatar being monumental<br />

global achievements. Twentieth<br />

Century Fox has championed filmmakers<br />

and visionary storytelling, which has had a<br />

profound impact on this great industry. n<br />

TIM LEAGUE<br />

PHOTOGRAPHED BY VICTORIA STEVENS<br />

OCTOBER <strong>2018</strong> BOXOFFICE ® 77

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