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Boxoffice - October 2018

The Official Magazine of the National Association of Theatre Owners

The Official Magazine of the National Association of Theatre Owners

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INDIE FOCUS<br />

SCREENS<br />

We have one auditorium with 141 seats. While we’re a small<br />

single screen, our projection booth packs state-of-the-art technology,<br />

including a Barco 4K DCP projector capable of 3-D and<br />

dual Century JJ 35mm/70mm projectors that are frequently used<br />

to show films on actual celluloid.<br />

TOP TITLES<br />

This past year, we had exceptional runs with repertory<br />

programs including the 50th anniversary rerelease of 2001: A<br />

Space Odyssey on 70 millimeter, for which we had a 98 percent<br />

occupancy rate for the entire run; a record-breaking retrospective<br />

of Pedro Almodovar’s films called Almodovar: The Top Ten; and<br />

another successful program of anime films with The Complete<br />

Studio Ghibli, a retrospective showcasing all 22 films in the<br />

studio’s repertoire.<br />

In September 2017, we premiered Fernando Trueba’s new<br />

film, The Queen of Spain, with him in attendance. We sold out<br />

all of our weekend screenings, including Monday as it was Labor<br />

Day. It was a record for us, and unfortunately we had to cancel<br />

the rest of the run due to Hurricane Irma.<br />

STAFF<br />

The Coral Gables Art Cinema is the brainchild of Founder &<br />

Executive Director Steven Krams, who founded the organization<br />

in 2006. After four years of development, CGAC opened its<br />

doors on <strong>October</strong> 15, 2010, with the film Freakonomics. Krams<br />

is a veteran film industry professional whose other businesses<br />

include Magna-Tech Electronic Company and the post-production<br />

house Continental Film & Digital Lab. Over the years,<br />

CGAC has become a cultural hub in South Florida and the<br />

highest-grossing single-screen art house in the region. In addition<br />

to theatrical exhibitions, it is also host to live performances and<br />

educational events. The facility features a film antiquities gallery<br />

in the second-floor lobby that pulls from Krams’s extensive personal<br />

collection. Director of Programming Nat Chediak joined<br />

the team in November 2014. Chediak is known as the dean of<br />

South Florida independent art house exhibitors (celebrating 50<br />

years in the business in 2020) and the founder of the Miami<br />

Film Festival, which he directed from 1984 to 2001. During<br />

his tenure at CGAC, Chediak has developed unique and highly<br />

successful programs that speak to the vibrant, diverse, multicultural,<br />

and multilingual community and incorporate the best of<br />

independent, foreign, and classic films.<br />

He is assisted in this endeavor by Associate Director Javier<br />

Chavez, who joined the cinema in 2012; in addition to<br />

overall programming work (from curation with Chediak to<br />

print trafficking, film schedules, box office payments, etc.),<br />

he personally curates the After Hours program, directs the<br />

overall marketing efforts of the organization, and manages the<br />

Spotlight Cinema Networks account. Administrative Director<br />

Brenda Moe joined the team in January 2008, although she<br />

was instrumental in CGAC’s founding as she worked with<br />

Krams and the nonprofit from 2006 up until the theater first<br />

opened. Her leadership in the past two years has elevated the<br />

organization to the next level and significantly increased funding<br />

via membership, donations, and grants. She leads a team<br />

consisting of Operations Manager Elizabeth Dedios, Marketing<br />

Manager Carolina Mayo, Theater Manager Nelson Junco,<br />

and Front-of-House Manager Reginald Desjardins.<br />

We are proud to say that a significant number of our managerial<br />

staff rose through the ranks of the cinema. All our employers<br />

are integral to our success, and we always keep an eye out for<br />

exceptional staff who are capable of so much more.<br />

COMMUNITY<br />

The core audience is primarily affluent, retired culture lovers,<br />

with our varied programming attracting a diverse audience.<br />

96 BOXOFFICE ® OCTOBER <strong>2018</strong>

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