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July 2019 Issue 60 features an insight into independent film A Boy Called Sailboat and diverse event Coombe Weekender plus interviews with Karmel Jäger and Rick Live.

July 2019 Issue 60 features an insight into independent film A Boy Called Sailboat and diverse event Coombe Weekender plus interviews with Karmel Jäger and Rick Live.

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‘Lost Control’ by Alan Walker featuring Sorana is passionate presentation<br />

of weakness. The sweet and seductive modern vocals are brought with light<br />

piano chords and a pop atmosphere. There is a lovely surprise of the main<br />

tune with gorgeous ethnic influence of Indian strings and rhythmic<br />

percussion. I don’t know who I am. The theme of the lyrics surrounds the<br />

loss of self-love and self-understanding, straying from the path and<br />

needing to find yourself again. What is love without pain?<br />

After arriving in London Town from her native Transylvania 3 years ago,<br />

young, fresh faced, fresh sounding singer-songwriter Sorana, has been<br />

solidly on the grind, recording and learning about the music business with<br />

a drive and a determination to succeed very few have in the modern day.<br />

Transylvania, as some of you will know is a region in Romania, and its main<br />

claim to fame is also being the home to the fictional arch-villain Count<br />

Dracula! Well you’ll be pleased to know the Vampire similarity begins to<br />

end as you listen to Sorana’s latest release called “Lost Control”.<br />

There is a Greek Myth of an Island in the Mediterranean Sea, that was only<br />

inhabited by women called ‘Sirens’. Fearsome creatures who infamously<br />

lured sailors in ships towards land, due to the sound of their angelic voices.<br />

Sirens who eventually caused the hypnotised sailors to a watery grave<br />

after becoming shipwrecked on the rocks directly in front of the island.<br />

Quite a dichotomy wouldn’t you say? but if I could describe the overall<br />

sound of this great modern commercial pop track, I would describe it as<br />

“Siren-Like” – It draws you in…<br />

Technically, it’s an Interesting arrangement. Very pleasing to the ear, where<br />

Piano intervals accompany vocals as the song starts and when the hook<br />

first comes in, the music builds ever so slightly. It’s only when the hook is<br />

finished you have the full dynamic revealing itself with a catchy synth<br />

melody. Very ‘current’ sounding. The synths and the general feel of the<br />

song when it hits is, albeit with a solid kick underneath, like Bollywoodesque<br />

with a gentle reggae twist to it. It’s a very well-rounded track and the<br />

mix is top class too. Whatever the genre, it’s always nice to hear someone<br />

who knows what they’re doing – Well, that’s what happens when you start<br />

singing over Whitney Houston songs from the age of 3…<br />

…You see that’s how it all works. With a bit of luck and a lot of hard work<br />

and practice, one day, you might just make it<br />

www.facebook.com/SORANAOfficial<br />

www.facebook.com/alanwalkermusic<br />

36 www.AudationMagazine.com

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