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RISE<br />
SHINE<br />
PHOTOGRAPHY BY MARK NAKAMURA<br />
Routine comes easily to Mark Nakamura.<br />
After a long career as a kindergarten<br />
teacher, thoughtful structure to a day<br />
in the classroom was the only way<br />
he could keep the tenuous balance.<br />
Veering off course too much in any one direction<br />
meant inviting chaos. And, chaos was most certainly<br />
an unwanted guest.<br />
Even in retirement, a commitment to routine remains,<br />
and on most mornings, Nakamura can be found<br />
peeling back the covers at four a.m. in his San Luis<br />
Obispo bedroom. Depending on the weather, first light<br />
generally means a hike up nearby Terrace Hill. But,<br />
one recent morning, the routine was thrown off when<br />
he overshot his natural wake-up time by a full hour.<br />
He was not sure why it happened, but when he rubbed<br />
the sleep from his eyes, the glowing lights on his clock<br />
read five-something. It was just enough to shake up the<br />
natural rhythm of things.<br />
Instead, Nakamura headed toward the Mission. There<br />
he found a still-slumbering Monterey Street without a<br />
car in sight. Sensing a unique opportunity, he sized up<br />
the scene in his Sony a7R III viewfinder and went to<br />
work snapping away from different vantage points.<br />
The composition you see here is actually three shots<br />
combined into one, which is commonly called<br />
“stitching” by photography pros. But that is where the<br />
“high-techiness” ended for Nakamura, who says, “I<br />
never really do much with Photoshop; I prefer to keep<br />
things as they are.”<br />
As they are. As they were. Those are the words that<br />
perhaps capture the essence of San Luis Obispo’s<br />
downtown streets more than any other—an idea as<br />
much as a place, a place that inspires both a hope for the<br />
future and a yearning for the past. <strong>SLO</strong> <strong>LIFE</strong><br />
34 | <strong>SLO</strong> <strong>LIFE</strong> MAGAZINE | JUN/JUL <strong>2019</strong>