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ISSP 2019 Publication - Photography and the World

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts. Produced in partnership with Antalis and NRJ, printed edition of 300 copies. Open source PDF downloadable at www.issp.lv (c) ISSP 2019

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts.
Produced in partnership with Antalis and NRJ, printed edition of 300 copies.
Open source PDF downloadable at www.issp.lv (c) ISSP 2019

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How do you reach people<br />

through <strong>the</strong> curation of a big<br />

festival of photography?<br />

To me, <strong>the</strong> biggest question to answer is how to<br />

show a different perspective to people that are not<br />

already involved in <strong>the</strong> discussion. It's very easy to<br />

spread messages among people that are already very<br />

self-aware <strong>and</strong> aware of certain processes of society.<br />

These people are already <strong>the</strong> audience of most of <strong>the</strong><br />

art festivals, biennales, triennials... So how do you<br />

reach a new audience? And how to really inspire<br />

those people that are not actually participating <strong>and</strong><br />

questioning <strong>the</strong> political <strong>and</strong> social situation?<br />

I think a festival has <strong>the</strong> structure <strong>and</strong> <strong>the</strong> tools to<br />

potentially attract people into certain participation<br />

because it's an event <strong>and</strong> it's cool <strong>and</strong> it's something<br />

that you really want to go to because your friends<br />

are going. At <strong>the</strong> Hamburg Triennale, <strong>the</strong>re were<br />

hundreds of thous<strong>and</strong>s of people seeing <strong>the</strong> exhibitions<br />

on <strong>the</strong> streets <strong>and</strong> in our containers, so for me,<br />

those were as important as <strong>the</strong> exhibitions that were<br />

held in <strong>the</strong> museums.<br />

Something that I have observed during <strong>the</strong> past five<br />

to ten years is that at most of <strong>the</strong> important festivals<br />

099 Can I give you my card?<br />

<strong>and</strong> events – like Documenta, Manifesta, <strong>the</strong> Berlin<br />

Biennale – every single event was related to equality,<br />

ecological crisis, <strong>the</strong> rise of nationalism... it's not<br />

anymore only about photography or visual arts.<br />

We are not discussing <strong>the</strong> medium anymore, we are<br />

talking about <strong>the</strong> real situations that we face, <strong>the</strong>re<br />

is a really deep profound message behind. I think<br />

this is kind of firestarter. Festivals are great places to<br />

start certain discussions. Of course, it's still existing<br />

mainly in <strong>the</strong> intellectual part of society, but it's still<br />

important to have <strong>the</strong>se firestarters.<br />

I have my doubts about <strong>the</strong><br />

general character of events in<br />

terms of sustainability if you<br />

think about what it causes...<br />

...like how many people have to fly in, <strong>and</strong> how<br />

much carbon dioxide is emitted into <strong>the</strong> atmosphere...<br />

We are wasting lots of plastic every day,<br />

people are smoking <strong>and</strong> eating meat... It should<br />

be more integrated. The photo festival in Łódź is a<br />

good example: we started to think in an integrated<br />

way, <strong>and</strong> we tried to bring in as many people as<br />

possible via trains, we got rid of plastic, we tried to<br />

consume less energy... We tried to do <strong>the</strong> festival in<br />

a really sustainable way.<br />

100<br />

Where is <strong>the</strong> money<br />

supposed to come from?

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