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ISSP 2019 Publication - Photography and the World

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts. Produced in partnership with Antalis and NRJ, printed edition of 300 copies. Open source PDF downloadable at www.issp.lv (c) ISSP 2019

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts.
Produced in partnership with Antalis and NRJ, printed edition of 300 copies.
Open source PDF downloadable at www.issp.lv (c) ISSP 2019

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How did <strong>the</strong> urge to change<br />

something about <strong>ISSP</strong>'s<br />

well-functioning <strong>and</strong> well-established<br />

structure come up?<br />

I think it just became boring to do <strong>the</strong> same thing<br />

over <strong>and</strong> over again. It's still <strong>the</strong> same format, we've<br />

just done a slight shift. The format of <strong>ISSP</strong> itself<br />

works very well <strong>and</strong> makes sense, but <strong>the</strong> whole<br />

structure just started repeating itself. At some point,<br />

you underst<strong>and</strong> that even though what we are doing<br />

here at <strong>ISSP</strong> is at <strong>the</strong> fringe of <strong>the</strong> photography<br />

world it still fits into <strong>the</strong> same industry of photography.<br />

So people come here, <strong>the</strong>y make contacts that<br />

are useful for <strong>the</strong>m in order to climb up <strong>the</strong> career<br />

ladder <strong>and</strong> it's only that: <strong>the</strong>y get contacts, <strong>the</strong>y<br />

may be exhibited somewhere else, <strong>the</strong>y maybe make<br />

a book, <strong>and</strong> at some point you just naturally start<br />

asking yourself: what's <strong>the</strong> point of it?<br />

So what's this "something<br />

more" that you were trying to<br />

do with this new edition?<br />

I think all of us are looking to do something meaningful<br />

<strong>and</strong> <strong>the</strong> <strong>ISSP</strong> just feeding into <strong>the</strong> industry of<br />

photography stopped being meaningful for me. At<br />

<strong>the</strong> same time, all <strong>the</strong> human interactions around<br />

<strong>ISSP</strong> were still very meaningful. And it is a structure<br />

<strong>and</strong> a platform <strong>and</strong> a format that can be used to shift<br />

<strong>the</strong> focus a little bit, to produce a discussion which I<br />

think makes more sense <strong>and</strong> that is more honest.<br />

Where do you personally find<br />

<strong>the</strong> meaningfulness?<br />

Well, it's anything that is beyond <strong>and</strong> that is asking<br />

<strong>the</strong> question why? I don't think I'm interested in art<br />

for <strong>the</strong> sake of art, I don't see it as my religion. I'm<br />

interested in how art processes can change people's<br />

lives on an individual level, <strong>and</strong> that is something<br />

that happens within every artist we meet. But I'm<br />

also interested in how <strong>the</strong> art can fit into <strong>the</strong> world,<br />

<strong>the</strong> structures, <strong>the</strong> systems. In how we interact in a<br />

broader context.<br />

Can you sense some differences<br />

in this year's <strong>ISSP</strong><br />

comparing to earlier editions?<br />

Do you think it has a different<br />

dynamic or atmosphere?<br />

Yes, I think so because we already figured out that<br />

people are asking <strong>the</strong>mselves a lot more questions.<br />

015<br />

Is anybody listening?<br />

016<br />

Why do I doubt myself for<br />

never being or doing “enough”?

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