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ISSP 2019 Publication - Photography and the World

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts. Produced in partnership with Antalis and NRJ, printed edition of 300 copies. Open source PDF downloadable at www.issp.lv (c) ISSP 2019

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts.
Produced in partnership with Antalis and NRJ, printed edition of 300 copies.
Open source PDF downloadable at www.issp.lv (c) ISSP 2019

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What’s <strong>the</strong> main reason<br />

behind your work?<br />

To invert reality. I think I’m obsessed with this idea<br />

to find a kind of crack or gap in reality <strong>and</strong> give <strong>the</strong><br />

possibility to everyone to experience that somehow.<br />

To let it happen in a special moment <strong>and</strong> celebrate<br />

it, like, “We made it! Here we have in a new reality<br />

within this reality.” And we can do that all <strong>the</strong> time.<br />

We all live a daily life, each of us has a different one,<br />

but we all have normalisation in our lives. And it’s<br />

about breaking this normalisation. To find new ways<br />

in which <strong>the</strong>se cracks could happen <strong>and</strong> in which<br />

reality could be shaped in a different way.<br />

How do you first encounter<br />

<strong>the</strong> places <strong>and</strong> people<br />

you work with?<br />

Sometimes it’s because somebody invites you to places,<br />

o<strong>the</strong>r times you just find <strong>the</strong>m. Usually, it’s because<br />

you get deep into a place. I approach <strong>the</strong> community<br />

<strong>and</strong> talk, <strong>and</strong> <strong>the</strong>n I research after which I go back<br />

to <strong>the</strong> community <strong>and</strong> all <strong>the</strong>se things start to play<br />

in <strong>the</strong> relations of <strong>the</strong> community, in <strong>the</strong> relations<br />

between me <strong>and</strong> <strong>the</strong> community or <strong>the</strong> place. And <strong>the</strong>n<br />

altoge<strong>the</strong>r it’s shaped, from <strong>the</strong> tensions between <strong>the</strong><br />

people, <strong>the</strong> place <strong>and</strong> me. Putting all that toge<strong>the</strong>r.<br />

Time is essential because if you do something very<br />

quickly in a short period of time, you won’t have<br />

<strong>the</strong> gaps that give you <strong>the</strong> space to lose power over<br />

<strong>the</strong> place <strong>and</strong> <strong>the</strong> people. I think this digestion is<br />

really important. It needs to cool down before you<br />

go back. Sometimes <strong>the</strong>y welcome you, sometimes<br />

<strong>the</strong>y don’t want to engage anymore with anything,<br />

<strong>and</strong> you realise you have to move in a different<br />

way or that it’s not happening anymore.<br />

If something is not absorbed <strong>and</strong> appropriated<br />

by <strong>the</strong> community it doesn’t work. It’s something<br />

that happens a lot, that <strong>the</strong> actions don’t happen if<br />

<strong>the</strong> community does not appropriate <strong>the</strong>m. Their<br />

involvement is necessary to make something happen.<br />

Sometimes it works, sometimes it doesn’t. And sometimes<br />

it’s <strong>the</strong> o<strong>the</strong>r way around: <strong>the</strong> people find things<br />

in you that <strong>the</strong>y are really interested in appropriating.<br />

So you are playing with <strong>the</strong> situation <strong>and</strong> <strong>the</strong>n things<br />

are starting to happen <strong>and</strong> <strong>the</strong>y shape it. But it’s very<br />

difficult to keep <strong>the</strong> balance, so it’s about being responsible<br />

<strong>and</strong> sensitive with <strong>the</strong> situation. And giving<br />

<strong>the</strong>m <strong>the</strong> option all <strong>the</strong> time to take control.<br />

Expectation is important because it’s what brings<br />

<strong>the</strong> people to <strong>the</strong> action. It’s really important to create<br />

expectations, it’s a kind of seduction that makes<br />

051 Should I apologize?<br />

052<br />

What am I waiting for?

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