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ISSP 2019 Publication - Photography and the World

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts. Produced in partnership with Antalis and NRJ, printed edition of 300 copies. Open source PDF downloadable at www.issp.lv (c) ISSP 2019

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts.
Produced in partnership with Antalis and NRJ, printed edition of 300 copies.
Open source PDF downloadable at www.issp.lv (c) ISSP 2019

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people; he changes <strong>and</strong> touches <strong>the</strong> lives of<br />

some of <strong>the</strong> people he photographs. It’s also<br />

an option to try to make a change through <strong>the</strong><br />

artistic process. It’s not always about publishing<br />

something for millions of people to see.<br />

That relates to what Matthieu <strong>and</strong> Sergio have been<br />

talking about in our classes, which is basically “don’t<br />

focus on <strong>the</strong> consequences”. Focus on <strong>the</strong> process. As<br />

in Matthieu’s Monsanto-project: focus on why this<br />

company is killing people. Don’t just show dead <strong>and</strong><br />

sick people, but try to show <strong>the</strong> process that lead us<br />

to this point. If we just show consequences <strong>and</strong> end<br />

results we stick to stereotypical representations <strong>and</strong><br />

we’re not gonna change anything. But if we try to ask<br />

why are we here? What process lead us to this point?<br />

What are <strong>the</strong> stages along <strong>the</strong> way? That way we can<br />

maybe make some change in how people think. Even<br />

reaching that maybe is a big change. That’s probably<br />

THE change.<br />

How<br />

can you use<br />

<strong>the</strong> camera<br />

as a political<br />

apparatus?<br />

127 Who is being made (in)visible?<br />

128<br />

How can we turn activism<br />

into serious fun?

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