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ISSP 2019 Publication - Photography and the World

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts. Produced in partnership with Antalis and NRJ, printed edition of 300 copies. Open source PDF downloadable at www.issp.lv (c) ISSP 2019

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts.
Produced in partnership with Antalis and NRJ, printed edition of 300 copies.
Open source PDF downloadable at www.issp.lv (c) ISSP 2019

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The Arab Image Foundation<br />

is an independent association<br />

<strong>and</strong> archive of photographic<br />

objects based in Beirut. The<br />

foundation's collection includes<br />

over 500,000 objects from <strong>and</strong><br />

related to <strong>the</strong> Middle East, North<br />

Africa <strong>and</strong> <strong>the</strong> Arab diaspora,<br />

<strong>and</strong> has been gradually assembled<br />

over <strong>the</strong> last 20 years<br />

by artists <strong>and</strong> researchers <strong>and</strong><br />

through donations. Here, <strong>the</strong><br />

foundation's Managing Director<br />

Marc Mouarkech exp<strong>and</strong>s on<br />

<strong>the</strong> questions that arise when<br />

dealing with archives.<br />

For us—eight fairly young people—to<br />

have a major archive in<br />

<strong>the</strong> ways in which all <strong>the</strong>se people<br />

represented <strong>the</strong>mselves. It’s also<br />

about all <strong>the</strong> ways in which people<br />

have dealt with <strong>the</strong>ir own archives,<br />

about <strong>the</strong> ways <strong>the</strong>y dealt with a<br />

camera, how <strong>the</strong>y’ve recorded <strong>the</strong>ir<br />

environment, how <strong>the</strong>y registered<br />

<strong>the</strong>ir daily lives, even how professional<br />

photographers took images<br />

of <strong>the</strong> people who lived around<br />

<strong>the</strong>m. We want people to think<br />

of <strong>the</strong>se things when <strong>the</strong>y look at<br />

those images.<br />

How can we think responsibly <strong>and</strong><br />

ethically about how we can use<br />

this material? We know that at <strong>the</strong><br />

foundation we cannot study each<br />

<strong>and</strong> every collection in our archive,<br />

<strong>the</strong>re is too much material, so <strong>the</strong><br />

our h<strong>and</strong>s is a major responsibility.<br />

How do we deal with it?<br />

How do we think of an archive<br />

linked to our region, taking into consideration<br />

<strong>the</strong> context in which we<br />

are based: we are in Beirut, <strong>and</strong> it's<br />

an archive that represents different<br />

communities <strong>and</strong> <strong>the</strong> diversity of<br />

cultures of <strong>the</strong> region. How should<br />

we actually take all of this <strong>and</strong> think<br />

about it in a way that puts into <strong>the</strong><br />

spotlight that diversity?<br />

How do we shift <strong>the</strong> perception<br />

of <strong>the</strong> archive? The archive in our<br />

case is a collection of <strong>the</strong> truths<br />

of so many different persons. The<br />

photographic objects contain <strong>the</strong>ir<br />

histories, <strong>the</strong>ir memories, <strong>the</strong>y are<br />

idea is to create opportunities. We<br />

give access <strong>and</strong> allow for people<br />

to use those images. We consider<br />

what <strong>the</strong> archive might instigate<br />

<strong>and</strong> how it might plant seeds in<br />

people's imagination <strong>and</strong> people's<br />

way of thinking about history.<br />

An archive of photographic objects<br />

such as ours allows us to write many<br />

different histories <strong>and</strong> see things in<br />

so many different ways. Through<br />

archives, we can promote diversity.<br />

103 What do you do?<br />

104<br />

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