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ISSP 2019 Publication - Photography and the World

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts. Produced in partnership with Antalis and NRJ, printed edition of 300 copies. Open source PDF downloadable at www.issp.lv (c) ISSP 2019

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts.
Produced in partnership with Antalis and NRJ, printed edition of 300 copies.
Open source PDF downloadable at www.issp.lv (c) ISSP 2019

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Our personal narratives give access points to create<br />

a relationship between <strong>the</strong> personal <strong>and</strong> <strong>the</strong> larger<br />

scope of politics.<br />

Our personal narratives serve as<br />

representations <strong>and</strong> reflections of <strong>the</strong><br />

communities that we are part of, <strong>the</strong>se<br />

tiny stories make up a bigger picture.<br />

By sharing our own stories, we shine<br />

a light on o<strong>the</strong>rs that do not have <strong>the</strong><br />

voice <strong>and</strong> means to express <strong>the</strong>ir stories.<br />

By including our personal point of view in <strong>the</strong> project,<br />

we can build a stronger emotional connection with <strong>the</strong><br />

subjects within <strong>the</strong> communities in which we belong.<br />

By telling intimate, individual stories, I<br />

also tell <strong>the</strong> story of someone else <strong>and</strong> I<br />

make room for o<strong>the</strong>rs to relate <strong>and</strong> see<br />

<strong>the</strong>ir own stories reflected.<br />

I don’t believe that art can change anything, but it’s<br />

hard not to make art.<br />

I believe every personal story is political.<br />

I want to show what is often pointed out as<br />

“different” in a universal <strong>and</strong> poetic manner.<br />

I want to believe that by analyzing <strong>and</strong> challenging<br />

<strong>the</strong> basic mechanisms of our interactions <strong>and</strong> <strong>the</strong><br />

powers behind it, we can slowly build a new kind<br />

of non-anthropocentric worldview that will benefit<br />

both humans <strong>and</strong> our environment.<br />

Telling personal, vulnerable stories that<br />

often are treated as a taboo in society<br />

is a rebellious act by not giving in to silencing.<br />

It is an act of healing ourselves<br />

<strong>and</strong> contributing to healing o<strong>the</strong>rs.<br />

By telling our narratives we are validating our experiences,<br />

our feelings <strong>and</strong> <strong>the</strong> feelings of those around<br />

us. It's a way to put ourselves on <strong>the</strong> map <strong>and</strong> say<br />

“We are here.” There's a proverb that goes, “Horses<br />

for courses.” It means, to each <strong>the</strong>ir own—so, by<br />

nature, as a photographer who uses <strong>the</strong> personal as<br />

a subject matter, I should ra<strong>the</strong>r serve my story than<br />

serve some o<strong>the</strong>r bigger story.<br />

As artists, we are already sensitive to<br />

<strong>the</strong> world <strong>and</strong> contribute to daily life.<br />

By making personal work <strong>and</strong> reaching<br />

o<strong>the</strong>rs, we create small thoughts or<br />

039 How do we excuse ourselves?<br />

040<br />

What is my voice for?

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