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ISSP 2019 Publication - Photography and the World

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts. Produced in partnership with Antalis and NRJ, printed edition of 300 copies. Open source PDF downloadable at www.issp.lv (c) ISSP 2019

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts.
Produced in partnership with Antalis and NRJ, printed edition of 300 copies.
Open source PDF downloadable at www.issp.lv (c) ISSP 2019

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Oriana Eliçabe is an independent documentary<br />

photographer <strong>and</strong> a member<br />

of Enmedio, a collective of image-makers<br />

who seek to create connections<br />

between art <strong>and</strong> social action. Toge<strong>the</strong>r,<br />

<strong>the</strong>y explore <strong>the</strong> transformative power of<br />

images <strong>and</strong> stories through spectacular<br />

interventions using all <strong>the</strong> means within<br />

reach: photography, <strong>the</strong> media, design,<br />

performance, <strong>and</strong> more. Oriana tells us<br />

more about how to create interference in<br />

<strong>the</strong> dominant narrative.<br />

One of <strong>the</strong> goals of Enmedio<br />

is to “create interference in<br />

<strong>the</strong> dominant narrative.” That<br />

sounds quite serious but <strong>the</strong><br />

activities you organize are far<br />

more fun. Tell us about your<br />

approach.<br />

Sometimes when we want to communicate with<br />

people, we realize that we don’t share a common<br />

ground for underst<strong>and</strong>ing. But we don’t want to<br />

talk only to ourselves or like minded people, we also<br />

want to talk with people who don’t share our ideas.<br />

Things like humour <strong>and</strong> pop culture—what we call<br />

<strong>the</strong> “cultural grammar”—can work as a shortcut<br />

to connect with people through images, ra<strong>the</strong>r than<br />

boring discourse. Through this connection, we create<br />

a shared “cultural terrain”—meaning everything<br />

like history, art, photography, memes, celebrity<br />

gossip, sports spectacles.. everything. This is <strong>the</strong><br />

starting point for communication.<br />

When you use things like<br />

humour <strong>and</strong> pop culture for<br />

activist purposes, how do you<br />

ensure it keeps <strong>the</strong> depth <strong>and</strong><br />

meaning of <strong>the</strong> message?<br />

133 Is this supposed to be political?<br />

134<br />

How do I know if this ethical?

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