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ISSP 2019 Publication - Photography and the World

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts. Produced in partnership with Antalis and NRJ, printed edition of 300 copies. Open source PDF downloadable at www.issp.lv (c) ISSP 2019

The publication was created and launched during the International Summer School of Photography 2019 special edition "Photography and the World" in Zaļenieki, Latvia. Editorial team: Helen Korpak, Katherine October Matthews, Nico Baumgarten, Nicolas Polli, Demelza Watts.
Produced in partnership with Antalis and NRJ, printed edition of 300 copies.
Open source PDF downloadable at www.issp.lv (c) ISSP 2019

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<strong>Photography</strong> lies behind almost every imaging-practice<br />

<strong>and</strong> technology we're using nowadays. We're<br />

not sure <strong>the</strong> world needs photography, perhaps <strong>the</strong><br />

world takes for granted that photography is everywhere<br />

like <strong>the</strong> air we brea<strong>the</strong>.<br />

Simone Santilli<br />

We need photography to see connections<br />

between <strong>the</strong> world <strong>and</strong> ourselves.<br />

Yagiz Yesilkaya<br />

Images create spaces we have not observed or<br />

encountered before; make us see through dreaming.<br />

The nature of photography itself, as a disruption of<br />

time <strong>and</strong> space, challenges <strong>the</strong> power of <strong>the</strong> vision<br />

today as one of <strong>the</strong> ways to escape <strong>the</strong> metaphysics<br />

of presence opening a conversation between seeing,<br />

language <strong>and</strong> thinking.<br />

Ioanna Sakellaraki<br />

The world probably does not need photography.<br />

Although I need photography as a photographer,<br />

it is probably arrogance to think like photography<br />

is one of <strong>the</strong> necessary elements for everyone<br />

living in this world.<br />

Keiji Fujimoto<br />

Documentation of <strong>the</strong> moment that will never<br />

happen <strong>the</strong> same again, ever.<br />

Minjun Kim<br />

Because it can show how a person views <strong>the</strong> world<br />

<strong>and</strong> efficiently communicate with o<strong>the</strong>r humans.<br />

Francis Belte<br />

We tell each o<strong>the</strong>r in our own way, through photographs,<br />

that <strong>the</strong> view of <strong>the</strong> world has our original<br />

view. I think that it will be more necessary in <strong>the</strong><br />

future to express one's identity. Photographs reflect<br />

reality, so <strong>the</strong>re is a more realistic representation<br />

than literature <strong>and</strong> films. In <strong>the</strong> future, <strong>the</strong> virtual<br />

world <strong>and</strong> <strong>the</strong> artificial computer will dominate us<br />

more <strong>and</strong> more, I think that photography is a necessary<br />

thing as a media that we are aware of in <strong>the</strong><br />

real world as a reality.<br />

Kai Yokoyama<br />

From my point of view, <strong>the</strong> world needs stories <strong>and</strong><br />

storytellers. Stories to identify with, stories to make<br />

sense of <strong>the</strong> world, stories to give comfort, joy <strong>and</strong><br />

hope, or to give <strong>the</strong> frame to things which are hard<br />

to process or listen to, stories to help healing <strong>and</strong> to<br />

motivate to get active.<br />

Nastassja Nefjodov<br />

019 Who cares?<br />

020<br />

Who am I ignoring?

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