ISSP 2019 Publication - Photography and the World

“We’re hardwired for adventure,” argues Dutch
sociologist and art lecturer Ruben Jacobs.
Therefore, when it comes to the pressing issues
of our time, like confronting our dysfunctional
relationship with tech and our alienated relationship
with nature, we need to reframe our perspective:
they’re not only problems, they’re also
adventures. In his new book Artonauts (currently
only in Dutch), Jacobs presents some artists
who work as a new form of ‘-naut’, voyaging into
the unknown creative plane in search of discoveries
for our world. In this interview, he speaks
about the allure of adventure and the embodiment
needed for new knowledge.
Artists have always been known to
stand at the forefront, or at least the
outer limits, of society. What you
mean by “artonauts” and how are
they different?
Well, around two years ago, I was invited to give a talk at an event
about the “future of art,” and I wrote a column about my idea, introducing
this concept of “artonauts.” At that time, I was fascinated
with some artists who were working in different locations and with
different methods, but who all had something in common. I was
looking for a word to describe this, because they weren’t typical to
what we think of as an “artist.” It was something really different, and
I was looking to find the red thread between all these practices.
The main resemblance that I saw was with adventurers from former
ages, the nauts. Essentially, these artists are acting more or less like
researchers of the physical world around them. They’re behaving in
some ways like a scientist, however not from a really scientific point
of view. They did make use of scientific insights or knowledge, but
they were researching it more from an aesthetic point of view, in the
sense that they all made something that was meant to trigger the
imagination of how to understand the world outside of ourselves.
In my first chapter, Nautology, I give a small history of the nauts of the
19th and 20th centuries, who were all kinds of eccentric explorers of
the air, the ocean, or outer space, and really captured the public imagination.
The nauts of air balloons excited people in the 19th century by
giving them the bird’s eye perspective, and the train made it possible to
go through the landscape very quickly, and the same in the ocean with
Jacques Cousteau and the famous films he made, and of course people
were terribly excited about space and many films have been made
about that. The artonauts continue in that same tradition, essentially.
069 Can you photograph anything?
070
Should you photograph
everything?