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BDG23 PRELUDE Fall 2019

BDG | Boston Design Guide Edition 2019 is your Luxury Home Resource Guide for products, services and design inspiration for the fine home.

BDG | Boston Design Guide Edition 2019 is your Luxury Home Resource Guide for products, services and design inspiration for the fine home.

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The living room’s walnut fireplace wall, built by Saltsman Brenzel and finished by Wayne Towle Master<br />

Finishing & Restoration, contrasts with the subdued color palette. Phillip Jeffries wallcoverings, applied<br />

by Paul J. Beath, were used throughout the home for texture and to soften the space. The sense of<br />

serenity is a foil to the city’s vitality; “You really can connect to Boston at this level,” says Carter. Right: A<br />

breathtaking chandelier by Donghia and bespoke John Boone burled table wow in the front entry hall.<br />

Town &<br />

While The Lodge is about time gone by and savoring<br />

moments with friends and family, a unit at One Dalton,<br />

Four Seasons Hotel and Private Residences, conceived<br />

by Carter & Company for empty nesters, is about daring<br />

greatly. “It is bold of them,” underscores Carter, his<br />

admiration for his clients clear. “This is definitely their big<br />

moment,” he says. “They have left suburbia to go literally<br />

up to the sky,” inhabiting an instantly iconic building,<br />

which, designed by famed architect Henry N. Cobb, is, in<br />

Carter’s estimation, the chicest in the city.<br />

“It is a serious fresh start,” Carter continues, and<br />

a renaissance that is centered on expression over<br />

functionality. The owners are bringing precious few<br />

possessions from their previous residence, which was<br />

traditional in nature; cutting their square footage<br />

considerably; and making a sleek and sinuous unit with<br />

spectacular views home. The new setting is triangular with<br />

rounded ends and walls of curving glass. “It’s like being in<br />

the nose of an airplane,” says Carter. “It is floor to ceiling<br />

glass all the way around.”<br />

How do you appoint such a leap of faith? If you’re Carter,<br />

you look to the architecture of the building itself, which<br />

is wildly inventive and features “modern and timeless<br />

bones,” and set out to fully understand the clients and<br />

what will resonate with them. As One Dalton is, in essence,<br />

“a three-sided piece of sculpture,” Carter expanded that<br />

concept indoors. “We thought of everything in this whole<br />

unit as an expression of sculpture,” he explains. With<br />

its art, sculpture, color and texture, “it’s like being in a<br />

personalized art gallery.”<br />

18<br />

bostondesignguide.com

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