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MIUSE: ISSUE 1

Miuse Magazine offers an unconventional voice in the fashion industry. Each issue of this biannual publication caters to audiences whose interests exceed the traditional fashion system, shedding light on sustainability initiatives and inspires conscious audiences to make ethical choices – and to redefine what luxury fashion is. Miuse Magazine represents a balance between luxury and pre-owned fashion and aims to redefine this for the contemporary woman. We cater to audiences who value curated content, strive for progression and embrace change. Fashion is a means of visual communication in which pieces are used to convey a message and Miuse looks to re-interpret and communicate the invaluable material history on luxury fashion.

Miuse Magazine offers an unconventional voice in the fashion industry. Each issue of this biannual publication caters to audiences whose interests exceed the traditional fashion system, shedding light on sustainability initiatives and inspires conscious audiences to make ethical choices – and to redefine what luxury fashion is.

Miuse Magazine represents a balance between luxury and pre-owned fashion and aims to redefine this for the contemporary woman. We cater to audiences who value curated content, strive for progression and embrace change. Fashion is a means of visual communication in which pieces are used to convey a message and Miuse looks to re-interpret and communicate the invaluable material history on luxury fashion.

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Author: Chloe Evangelista

Page 141

Image: GETTY IMAGES

At his SS15 Chanel show, Karl Lagerfeld garnered both

praise and criticism for holding a ‘feminist’ protest

reminiscent of the Women’s Liberation Movement.

The runway was filled with models holding placards

that read “Ladies First,” “Women’s Rights Are More

than Alright,” and “History is Her Story” while chanting

through Chanel-branded megaphones. The fauxprotest

was censured as somewhat hypocritical given

Lagerfeld’s publicised body-shaming comments. It

is ironic to hear feminist messages from an industry

known for objectifying women and glorifying a

stereotypical beauty ideal. Thus, it has critical to take

a closer look at whether brands are truly invested in

the cause or just following another passing trend. This

is something Maria Grazia Chiuri has also recently

been accused of doing. Since taking over Dior in 2016,

‘feminist’ statements have been the centrepiece of

Chiuri’s collections. From the SS16 ‘We Should All Be

Feminists’ tee to the FW20 show decorated with giant

signs of the word “Consent,” the fashion industry is

demonstrating an undermining of the important work

of protest by reducing a movement into an aesthetic.

Today, where everybody cares about being ‘woke’

more than ever, the mix of business and ethics seems

to be the new defining trend of success in the industry.

The danger behind this is that being seen to care might

begin and end at that. Brands have become savvier

in marketing to consumers’ social consciousness that

publicly labelling themselves as ‘woke’ can be just as

commercially effective as actually committing to real

change. In the wake of this is a dilution of messages that

promotes more ignorance in the face of critical issues.

Whether it is a Stella McCartney faux-fur coat or a

Dior T-shirt that says “feminism,” clothes do hold a

communicative ability that ignites public discussion.

Fashion can still serve as a meaningful statement for

movements, but if the industry stays irresponsible over

delivering the meaning, it might just end up aligning

itself with the forces that exploit them. And as wearers

of these statements, we are just as accountable.

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