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MIUSE: ISSUE 1

Miuse Magazine offers an unconventional voice in the fashion industry. Each issue of this biannual publication caters to audiences whose interests exceed the traditional fashion system, shedding light on sustainability initiatives and inspires conscious audiences to make ethical choices – and to redefine what luxury fashion is. Miuse Magazine represents a balance between luxury and pre-owned fashion and aims to redefine this for the contemporary woman. We cater to audiences who value curated content, strive for progression and embrace change. Fashion is a means of visual communication in which pieces are used to convey a message and Miuse looks to re-interpret and communicate the invaluable material history on luxury fashion.

Miuse Magazine offers an unconventional voice in the fashion industry. Each issue of this biannual publication caters to audiences whose interests exceed the traditional fashion system, shedding light on sustainability initiatives and inspires conscious audiences to make ethical choices – and to redefine what luxury fashion is.

Miuse Magazine represents a balance between luxury and pre-owned fashion and aims to redefine this for the contemporary woman. We cater to audiences who value curated content, strive for progression and embrace change. Fashion is a means of visual communication in which pieces are used to convey a message and Miuse looks to re-interpret and communicate the invaluable material history on luxury fashion.

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Author: Lola Gian

Page 98

Image: Jamie Stoker/GoRunway.com

Little by little, feminism has become more visible and

has gained some representation in the media during

the last few years. To become political as well, the

House of Dior, under Maria Grazia Chiuri’s direction,

has joined this movement, but are their statements

sincere?

For her first Dior collection ever, Maria Grazia sent

two models, out of sixty-five, down the runway,

both with simple white t-shirts matched with black

tulle skirts. One of the t-shirts said: We should all

be feminists, and the other one: Dio(r)evolution.

Everyone was delighted with this collection, stating

that it was clear that the person in charge was now

a woman that refused to stick with the ladylike DNA

of the house, and that a new era was starting and

bringing the revolution to fashion. However, we have

not seen that so-called revolution yet.

It is known that for prestigious brands that have an

established audience, just like Dior, it is crucial to

think thoroughly what changes they should make

in order to please their clients while evolving at the

same time, and intersectional feminism is not a thing

to take lightly. It has been almost four years since

Maria Grazia is the creative director of Dior and her

mediocre take on feminism has not changed. She

continued delivering tops with recycled quotes that

evoke Girl Power, Sisterhood, and Revolution in

many shows but without genuinely engaging in any

movement through decision-making at the Maison.

The atmosphere in her runways amplifies this

poor white feminist discourse. For example, in the

autumn/winter 2020 Dior show, neon signs saying:

When women strike the world stops. Patriarchy =

climate emergency. Consent. Consent. Consent.

were all over the venue like it was a mixture of

today’s newspaper but with no actual content. But

then, when the show starts, the truth is right in front

of our eyes and we cannot help but wonder, how

sincere is Dior regarding these political statements

that they are trying to sell us?

According to Good On You world-leading source

of trusted brand ratings on ethical and sustainable

fashion–, Dior’s overall rating, which includes

environmental impact, labour conditions, and animal

welfare, is Not Good Enough. “Although it monitors

health and safety issues with an internal procedure,

there is no evidence it ensures payment of a living

wage in its supply chain or that it publishes supplier

lists, and it sources its final stage of production from

countries with extreme risk of labour abuse!” Good

On You on Dior’s rating, May 2019.

We assume that for Dior, feminism and Girl Power

simply do not apply to women who manufacture its

luxury goods, they only apply to the clients that can

afford its white t-shirts. In addition, their miserable

attempt to include Climate Change in their discourse

was doomed to fail. It takes little research to know

that Dior’s textile waste has not decreased in the past

few years and that they still make use of leather and

exotic animal skin and hair. We are not against big

brands taking the initiative of becoming sustainable,

and of supporting feminism, but we will not buy fake

designer statements. Before endorsing sustainability,

become sustainable. Before selling Girl Power,

empower girls.

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