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paul simon playboy interview

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<strong>paul</strong> <strong>simon</strong> – 1984 <strong>playboy</strong> <strong>interview</strong> small black beetles: the overkill<br />

Playboy: Why not?<br />

Simon: In terms of performing, I've never really been<br />

comfortable being a professional entertainer. For me, it's<br />

a secondary form of creativity. I'm not a creative performer.<br />

I'm a reproducer onstage of what I've already created. I<br />

guess everyone who goes on the stage is exhibitionistic,<br />

but there are limits to what I'll do to make a crowd<br />

respond.<br />

Playboy: What did you expect creatively from a Simon and<br />

Garfunkel tour?<br />

Simon: Nothing. I thought I was going to get an emotional<br />

experience from it. I felt I wasn't really present for Simon<br />

and Garfunkel the first time around.<br />

Playboy: Where were you?<br />

Simon: I wasn't home, the same way that I wasn't present<br />

for the concert in the park when it was happening. I mean,<br />

a phenomenon occurs and it's recognized as a<br />

phenomenon. But because you're in the middle of it, you<br />

just think that it's your life - until it's over. And then you<br />

look back and say, "What an unusual thing happened to me<br />

in the Sixties." So there it was. A chance to go and reexperience,<br />

to a certain degree, what I hadn't really<br />

experienced the first time. Some of those hits from the<br />

Sixties I just had no interest in anymore, musically. But I<br />

had an interest in experiencing what it was like being the<br />

person who wrote and sang those songs.<br />

Playboy: How was the experience?<br />

Simon: I liked it. And I began to think about the songs. I<br />

remember playing a concert somewhere in the middle of<br />

Germany. It's strange enough to be in Germany, and when I<br />

finished playing, I was thinking, I hate Homeward Bound.<br />

And then I thought, Why do I hate it? I said "Oh, I hate the<br />

words." So I went over them. And then I remembered<br />

where I wrote it. I was in Liverpool, actually in a railway<br />

station. I'd just played a little folk job. The job of a folk<br />

singer in those days was to be Bob Dylan. You had to be a<br />

poet. That's what they wanted. And I thought that was a<br />

drag. And I wanted to get home to my girlfriend, Kathy in<br />

London. I was 22. And then I thought, Well, that's not a<br />

page 7

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