November 2020

PALM SPRINGS 

LGBT LIFESTYLE 

GUIDE 

& COACHELLA VALLEY 

DOCUMENTING GAY HISTORY SINCE 1994 

PALM 

SPRINGS 

PRIDE 2020 

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continued on page 18





Next Mass 

Call or 442-282-8333 or visit stgilesaltadena.org for more details. 


politics 

14. Vic Gerami 

21. 6 STEPS TO FIX A DEMOCRACY 

28. Debates & Date 

36. Desert Stonewall Democrats 

entertainment 

22 Art and elections 

30 Solve the Epicurean paradox? 

32 Hispanic Heritage Month 

business 

6 Business Directory begins 

6 Featured Bar/Dining 

6 Resorts 

18 Resorts Massage 

18 Resorts Massage 

20 Shopping 

lifestyle 

34 PRIDE! Lovecraft Country 

34 PRIDE! Lovecraft Country 

22 HOW ARTIST HAVE VISUALIZED 

TYRANNY... 

14 HOLLYWOOD’S A-LIST STANDS 

WITH ARTSAKH & ARMENIA 

21 6 STEPS TO FIX 

A DEMOCRACY 


EDITOR NOTES 

Currently online only November 

It’s now called, we beat the snot out of Trump. 

Joe Biden will be the next President of the United 

States. Kamala Harris will be the next Vice 

President of the United States, a historic first for 

Women, South Asians, and Black Communities. 

A historic first for women, South Asians, 

and the Black community. 

Sure, this election was obviously 

much closer than most of us were 

hoping or anticipating. But a close 

election proves only Trump lies, 

that most have been complaining 

about. We need change, grassroots 

organizing, volunteering, and donating 

has made a difference. Still there is 

there is much to do as we create a 

plan for our phisical health but also 

the mental health of the nation. We 

will be in touch soon about how we 

can produce and deliver a safe print 

magazine. In the meantime, we share 

your joy for acheviments these last few 

years. But for now, we won the day. 

DDG Media Group/ 

Team DDG 

Contributing Writers 

Desert Daily Guide 

Opinions expressed in 

the DDG columns do not 

EDITOR: Will Paige 

Vic Gerami 

necessarily reflect the 

will@desertdailyguide.com TheBluntPostWithVic.com opinion of the DDG, its staff, 

EDITOR IN CHIEF: A, A, 

or its advertisers. DDG is 

Advertising 

not responsible for claims 

AA@desertdailyguide.com 

made by its advertisers, or 

ART: Adams’s Art 

Digital or printed media packs 

the products or services they 

available on request. 

adamsart@desertdailyguide.com 

offer. Listings, pictures, or 

SALES: Will Paige 

Contributing Photographers: 

advertisements in the DDG 

will@desertdailyguide.com 

Marko Russell, David 

should not be construed 

Stanfield 

Distribution 

to represent or reflect the 

National Ad Representatives 

select locations. Updated weekly 

sexual orientation of any 

Magazine is printed every week to 

business, its owners, or its 

staff. All events are subject 

Rivendell Media 

, Currently on lime only and free 

to change without notice. 

(212) 242-6863 

during COVID. 

Any omissions of events are 

not intentional. © 2020 DDG 

Expect Shut Downs, please contact location first.Delivery options Media Group available , All Rights 13

HOLLYWOOD’S A-LIST STANDSWITH ARTSAKH & ARMENIA 

By Vic Gerami 

Kim Kardashian, Sean Penn, Cher, 

Michael B. Johnson, Diddy, Mel 

Gibson, Serj Tankian (System of 

a Down), Lawrence Zarian, Sally 

Kirkland, and Congressman Adam 

Schiff Have Lent Their Support 

MORE GENOCIDE! Thinking of my 

Armenian friends and people in 

conflict everywhere and using this 

app to see what the media won’t 

show.” Michael B Jordan 

In an effort to educate the 

American public about the 

humanitarian crisis happening now 

in Artsakh (Nagorno-Karabakh) and 

Armenia due to the unprovoked 

attack by Azerbaijan and Turkey, 

USATV and The Blunt Post have 

launched the PSA campaign “I 

Stand With Artsakh and Armenia.” 

Actor Michael B Jordan shared 

on his Twitter account, “NO 

At launch, Kim Kardashian, Serj 

Tankian (System of a Down), 

multiple Grammy-winner Paulina 

Aguirre, Yasmine Al Massri 



(Quantico), Ed Begley Jr., Andrea 

Martin, and fashion expert 

Lawrence Zarian have lent their 

support to the campaign, with 

more high-profile figures joining 

later, including the honorable 

Congressman Adam Schiff. You can 

watch the 1st of a series here. 

Biden for America’s new birth.” 

Diddy posted a picture on his 

Instagram that simply stated, 

“ARMENIA IS UNDER ATTACK.” 

Mel Gibson lent her support with this 

video 

Famed high-profile attorney 

Mark Geragos tweeted, “Turkey’s 

Hateful Neo-Ottoman Campaign 

Against the Armenians – Turkey’s 

and Azerbaijan’s violent claims 

on Artsakh are unsubstantiated: 

Artsakh is one of the provinces of 

historical Armenia and has retained 

an Armenian majority throughout 

the centuries.” 

Cher tweeted, “I’ve Heard About 

‘Blood Thirsty TURKS Who Tortured & 

Murdered Almost 2Million Armenians 

SINCE I WAS 11. ALSO HEARD IT IN 

ARMENIA. TURK SOLDIERS ARE STILL 

BLOOD THIRSTY.” 

The campaign launched on the 

website and social media channels 

of USATV, The Blunt Post, Pop News 

Edition, YouTube, and many other 

platforms. 

Congressman for West Hollywood, 

the honorable Adam Schiff joined 

the PSA campaign with this video. 

Journalist Vic Gerami was 

interviewed by Steve Sievers from 

Bionic Buzz about the situation in 

Artsakh. 

About Artsakh 

Sean Penn tweeted, “As too many 

of us sit on our butts, Armenians 

are being slaughtered by Trump 

pal Erdogan with weapons WE 

provided. THIS is NOT America! 

continued on page 16 


Artsakh, also known as Nagorno 

Karabakh, is an integral part 

of historic Armenia. In 1921, 

Soviet dictator Joseph Stalin, to 

consolidate his power, forcibly 

placed Artsakh under Soviet 

Azerbaijani rule. An arbitrary 

decision without precedent 

placed a millennia-old 

autonomous 

Christian territory into a largely 

hostile Muslim regional government 

entity. During the Soviet regime, 

Artsakh repeatedly appealed 

to the Central Government in 

Moscow to restore justice and 

reunite the region with Armenia. 

After years of tireless struggle, 

Moscow granted autonomous 

status to the region. 



The Nagorno Karabakh Autonomous 

Oblast (Region) was created on a 

part of historical Artsakh. However, 

this new formation was deliberately 

separated from Armenia by a slim 

corridor. 

achieve ethnic cleansing in Artsakh. 

Its policies had already shaved 

down the Armenian population from 

95 percent to 75 percent when it 

resorted to more violent methods of 

eliminating the Armenians. 

Since its creation in 1918, 

Recognizing that 95 percent of 

Azerbaijan has been implementing the population was Armenian, the 

an open campaign of national, Soviet regime granted Nagorno 

ethnic, religious, cultural, and Karabakh autonomy, but within 

economic discrimination, aiming Soviet Azerbaijan. During the last 

to eliminate the region’s Armenian liberalizing phase of the Soviet era, 

heritage. Just as it succeeded in per existing law, the population of 

eliminating the Armenian population Nagorno Karabakh declared its selfgoverning 

of Nakhichevan, which was 50 

republic in 1991. 

percent Armenian in 1920 down to 

zero by 1991, Azerbaijan aimed to 




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6 STEPS TO FIX 

A DEMOCRACY 

Our democracy is broken. 

Truth be told, it has always been 

broken. Starting with our feable 

attempt and millions of years before 

that. What is worse, we got the “We 

the people” part, all wrong. For 

generations we thought we were 

Alpha “survival of the fittest” bloodthirsty 

cavemen. Turns out we were 

just meek prey. Survival required 

us to keep our numbers up and 

people healthy. Every little mistake 

could cause horrible death. Fire, 

falling rocks, to attacks by animals, 

watching a saber-tooth tiger kill 

your child to feed baby animals 

then turn on you. That has got to 

hurt. And it did, so bad, they made 

up myths and religions to explain 

it all. The very reason mom cared 

if you washed behind your ears, 

was probably so animals won’t 

smell you. Compassion led to a 

cooperative effort and the new 

compromise. 

compromise, they left loopholes. 

We continued fracking the system, 

filling it with loopholes of lies and 

misrepresentation until it became 

anything but cooperation and 

compromise. This very election 

shows it with Trump supporters 

attempting to crash a Biden bus. 

And they are actively trying to 

rewrite our levers of equality and 

fairness. 

So, while there may be many 

ways to do this, here are some 

guidelines to ensure and validate 

our aspirations to a true democratic 

nation where the words of the 

constitution are guide posts. 

1. We must elect people that 

agree the system is broken and 

promise to fix it. 

2. We must elect people that have 

demonstrated the ability to unite 

a diverse nation. 

3. We must agree that no system is 

successful until it addresses the 

needs of everyone. 

4. We must expect honesty 

integrity and transparency from 

all elected and appointed 

government officials. 

5. We must establish clear and 

verifiable complaint systems 

at all levels available with 

significant oversight. 

6. We must Expand representation 

at all levels of government. 

Cooperation and compromise may 

have built our civilization but we ran 

it all wrong. Rather than build up 

people, we tore them down and 

enslaved them however we could. 

As our forefathers tried to enshrine 

a notion with cooperation and 


ADAMSARTEXPOSE’ 

HOW ARTIST HAVE VISUALIZED TYRANNY 

REPORTER: Adam EMAIL: adamart@desertdailyguide.com Web: comming soon 

Historically the evidence seems 

to detail that the tyranny of people 

against people has existed since 

recorded history. One of the more 

pronounced methods 

that this has been recorded is 

through artists expressing the horrors 

and violence of tyrants on people. 

Frequently the violence has been 

perpetrated on the 

very people they represent 

politically. The United States has not 

been exempt from violence and 

repression. 

IN THE PAST TO THE PRESENT 

played upon each other’s artistic 

expression to expose the repression 

that is brought about by the autocratic 

despots and their political organization. 

As an example, rock and roll has 

caused controversy from Soviet Russia 

to the Bible Belt United States. The art of 

music supported by writers and visual 

artists creates power. Art is power 

and much of that power is discreet 

in recognition but highly influential in 

reality. 

One of the most powerful visual 

representations of the horror of human 

rights abuses and war is the large 

painting, “Guernica” by Pablo Picasso. 

This painting shows the revulsion of 

violence to humanity from the bombing 

of the city of Guernica in Northern 

Spain by the Germans and Italians over 

the resistance provided by this area. 

Although abstract in reality it is very 

symbolic of the pain and suffering of 

Usually, this tyranny emanates from 

the thirst for power on the part of the 

political tyrant. Artists who respond to 

tyranny often cause themselves and 

their art 

to become the topic exposing the 

controversy and sometimes becoming 

the focus of the controversy. Visual 

artists, 

22 Desert 

writers, 

Daily 

and 

Guide 

musicians 

always 

have 

on line and 

individuals 

soon in print 

caused 

(ASAP) 

by the bombing. 


The United States is not exempt 

from political and social repression. 

This has been most widely exhibited 

in the racial human rights abuses of 

people of color. The depiction of 

segregation in the painting by Norman 

Rockwell titled, “The Problem We All 

Live With (1964). The painting displays 

the escorting of a 6-year old black 

girl by U.S. marshals as she is about to 

enter and desegregate an all-white 

school. 

More recently, the continuation 

of racial repression that has been 

prevalent with the Trump administration 

is shown in a mural of a large Hispanic 

baby looking over the Trump border 

wall at Tecate, California. 

writers and journalists including 

the media, in general, has been 

formidable during the past four years 

under Donald Trump a true autocratic 

tyrant in all definitions. His angry 

infantile tantrums show not only a 

tyrant by an incompetent tyrant. The 

democratic election to rid the U.S. 

and the world of this human scourge is 

to be held a few days. Trustingly, the 

people of this country will respond 

vigorously by VOTING to make this 

happen. 

There is no doubt that Trump’s 

tyranny and the Covid19 Pandemic 

has created a new reality in our society 

and the world at large. The challenge 

will be to 

acknowledge and adjust to this 

new reality and to make substantial 

and lasting changes that will be cause 

for an improved order of human rights 

equality to 

remedy the past four years of 

autocratic hate and repression. 

The repression of art, especially, 


Azerbaijan, with its Muslim 

majority population, responded 

by declaring war against the 

Christian Armenians. After a bloody 

and destructive conflict resulting 

in 30,000 deaths, a cease-fire 

agreement was signed in 1994. 

Year after year, however, serious, 

and deadly violations by Azerbaijan 

increased in frequency until the 

April 2016 escalation into a major 

confrontation involving large-scale 

attacks by Azeri forces along the 

entire border of Azerbaijan with 

Artsakh and Armenia. 

Then on September 27, Azerbaijan 

unleashed a genocidal war on 

Artsakh with help from its close ally, 

Turkey. Confirmed reports indicate 

that the two countries had been 

preparing for this attack for about 

a year. Azerbaijan, an oil rich 

country, purchased weapons from 

various countries and hired ISIS, 

Syrian, Libyan, and Pakistani jihadist 

mercenaries and brought them to 

attack the Armenians of Artsakh. 

Meanwhile, Azerbaijan ramped 

up its public relations campaign, 

employing not one but six of K 

Street’s heavy-hitting firms, including 

the Livingston Group, Stellar Jay 

Communications, BGR, the Podesta 

Group, and DLA Piper. Last year 

the country spent $1.3 million on 

lobbying. 

In an attempt “to whitewash its 

dictatorial image…the autocratic 

government of Ilham Aliyev has 

unleashed spin-doctors, duped 

reporters, and led one of the most 

brazen pushes to abuse American 

lobbying loopholes of any foreign 

government,” wrote Casey 

Michel, reported by The American 

Conservative. 

In an interview by Jackie Abramian 

for Forbes magazine, Marina 

Simonyan, Chief Specialist, 

Republic of Artsakh Human Rights 

Ombudsman’s Office said, “Since 

September 27, indiscriminate 

airstrikes and artillery assaults 

against the Republic of Artsakh, 

Azerbaijan has consistently 

perpetrated gross violations 

of customary international 

humanitarian law–targeting 

civilians, residential areas, civilian 

infrastructure, public and industrial 

facilities, churches, cultural centers 

and hospitals where civilians were 

being treated.” 

“Because of the Azerbaijani 

hostilities and indiscriminate, 

targeted, and systematic strikes, 

tens of thousands of people have 

fled their homes, sheltering at 

safer places in other settlements of 

the country or in the Republic of 

Armenia. Children, women, elderly, 

persons with disabilities and other 



vulnerable groups live with constant 

security threats and psychological 

terror, deprived of basic rights 

and conditions, such as food, 

healthcare, education, and others.” 

“90,000 Artsakh residents, nearly 60 

percent have fled the bombings.” 

Genocide Watch’s “GENOCIDE 

EMERGENCY: Azerbaijan in Artsakh” 

report states: “Due to its denial of 

past genocide against Armenians, 

its official use of hate speech, and 

the current targeting of civilians 

in Artsakh, Genocide Watch 

considers Azerbaijan to be at Stage 

9: Extermination and Stage 10: 

Denial.” It concluded, Azerbaijani 

military offensives, using “laser 

guided drones supplied by Turkey 

and Israel,” against Artsakh civilians 

are “war crimes under the Geneva 

Conventions.” 

The U.S. Department of State 

announced on Oct.25, the third 

attempted ceasefire in the Artsakh 

war. The first two ceasefires were 

violated by Azerbaijan and Turkey 

within minutes of going into effect. 

The new ceasefire announcement 

was made after the foreign ministers 

of Armenia and Azerbaijan flew to 

Washington, D.C. and separately 

met with Secretary of State Mike 

Pompeo on Oct 23. 

Vic Gerami 

Editor & Publisher 

The Blunt Post 

310.880.8563 

vic@thebluntpost.com 

Facebook.com/thebluntpost 

@thebluntpost 



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LOVECRAFT COUNTRY 

HBO 

FIRST SEASON COMPLETED 

Misha Green 

Lovecraft Country is an 

American horror drama 

television series developed by 

Misha Green based on and 

serving as a continuation of the 

2016 novel of the same name. 

Like the DDG they write a guide for 

safe black places to stay. 

Q&A: Misha Green On All Things 

LOVECRAFT COUNTRY 

Interview provided by HBO 

Lovecraft Country 

Misha Green is showrunner, writer, 

executive producer and director of 

HBO’s LOVECRAFT COUNTRY 

When were you first acquainted 

with Matt Ruff’s 2016 novel on which 

LOVECRAFT COUNTRY is based? 

What inspired you to adapt it for 

television? 

Misha Green “I was working on 

season two of ‘Underground’ and 

my agents at CAA said, ‘There’s this 

book you may want to adapt.’ I was 

blown away. I thought, ‘I want to 

explore these characters and their 

journeys.’ I was also really into the 

idea of reclaiming the genre space 

for those who’ve typically been left 

out of it. I said, I’m ready to make 

this into an epic television show.’ 

Ruff’s novel draws heavily from 

the work of famed science-fiction 

author H.P. Lovecraft, who passed 

away in 1937 at age 46. He was 

and remains controversial for both 

the racist themes in his writing and 

his own well-documented bigotry. 

To what degree did you have to 

become an expert in his cannon as 

well? 

Green “I’d read a bit of Lovecraft; 


continued on 29

his influence in horror-fan culture is 

huge. And you can definitely tell 

he was a racist from his work. It’s 

hard to miss those troubling themes. 

So when I was reading Matt’s 

book, I understood the Lovecraft 

references, but didn’t feel it was 

crucial to dive fully into that canon in 

order to write the series.” 

nods in the series to 1980’s 

adventure movies like “Goonies,” 

contemporary blood-and-guts 

horror films, classic 1930’s monster 

movies – all of which are incredibly 

familiar to audiences, yet we’ve 

never seen Black characters inhabit 

these narratives as robustly as they 

do here. 

What was your approach to 

adapting Ruff’s novel? How much 

freedom did you feel to reinvent and 

expand upon it? 

Green “We essentially used the book 

as a beautiful jumping-off point. My 

strategy was to take all of its dope, 

cool stuff and write new dope, cool 

stuff. (Laughs) There was a never a 

sense of ‘Let’s bank this for later.’ 

When you have 10 people in a room, 

you’re always able to come up with 

new ideas. The goal was to deepen 

the characters and the stories. I told 

our writers, 

Green “Yes and what drew me 

to adapting the book for TV, as 

opposed to film, was the chance to 

do a “Goonies”-style episode, then 

sci-fi, then mystery, then a ghost 

story; go bananas and reclaim 

all of those storytelling styles for 

characters who’ve typically died at 

the beginning of those stories. One 

of the reasons I love horror so much 

is— when it’s done well – you can 

keep peeling away the layers and 

see something new every time.” 

Jordan Peele, who serves as an 

executive producer on LOVECRAFT 

COUNTRY, has similarly reinvented 

horror as a space for telling layered, 

socially conscious stories. How did 

you first meet? 

Be prepared for therapy because 

we’re gonna excavate all of it in 

here.’ At its core the show is a family 

drama. We had to dig into stuff that 

made us uncomfortable. We also Green “My agents said, ‘We think 

had our lists of movies, novels and you’d would get along really well.’ 

tropes that exemplified genre. How And I was like, ‘Why? I don’t like 

did we want to play off of those? The to laugh.’ (Laughs) ‘No, no, he’s a 

idea of creating a hybrid experience huge horror fan and he’s working on 

was exciting for everyone.” 

a movie right now.’ And we vibed 

right away. 

And those Expect inspirations Shut Downs, are please clear,with contact location first.Delivery options 

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available 

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29

Then Jordan said, ‘I want you to 

watch Get Out.’ I saw it and went, 

‘Phew!’ We’d gotten along so 

well that I didn’t want to watch it 

and be like, ‘Oh, man.’ But it was 

amazing. Then when we were 

working on Lovecraft – he was 

doing the film Us at the time – we 

talked a lot about our shared belief 

regarding horror, which is: You 

need the metaphor. I’d played 

with that on ‘Underground’; that it 

was a heist movie but set in slavery 

times. That the people pursuing the 

heist happened to be enslaved 

people trying to steal back their 

most precious possession: their lives. 

I used the heist genre to appeal to 

people who thought, ‘Ugh, I don’t 

want to watch a slavery show.’ 

But you did want to watch this 

one because we used genre as a 

doorway into something deeper.” 

Speaking of “Underground,” 

making LOVECRAFT has reunited 

you with actress Jurnee Smollett. 

What made her the perfect choice 

to play Letitia Lewis? 

very close friends, but also have a 

beautiful artistic partnership based 

on energy, commitment and a 

shared desire to go deeper and 

challenge ourselves. She brings truth 

to every role and is so ferocious. 

But a lot of what we talked about 

on Underground we continued 

in Lovecraft Country. What’s 

the vulnerability underneath this 

woman’s strength? Let’s see both 

sides of her.” 

Arguably the heart and soul of the 

series is Atticus Freeman played 

by actor Jonathan Majors. What 

inspired you to cast him? 

Green “When we were casting, 

Yann Demange said ‘There’s this 

amazing cat Jonathan who was 

in my movie White Boy Rick.’ He 

walked into the room and I was 

like, ‘Oh my God, you’re Atticus. 

I believe you’re the soldier, the 

geeky kid, the black nerd.’ Halfway 

through shooting Lovecraft, I saw 

Jonathan’s film [a24’s] ‘The Last 

Black Man in San Francisco.’ I told 

him on set ‘Holy f*** dude!’ There 

wasn’t an inch of Atticus in the 

character of Monty. He was like, 

‘That’s the biggest compliment you 

could give me.’ He was a revelation 

the entire time we were shooting. I 

was like, ‘How have you not been in 

everything?’” 

Green “I generally don’t think of 

prospective actors when I write. But 

Jurnee kept asking, ‘So, how’s that 

script going?’ I was like, ‘Good!’ 

When I was done, I asked, ‘Do you 

want to read it?’ She said, ‘What 

can I say? It’s f***ing amazing. So 

when are you gonna say you want 


me to be in this?’(Laughs) We’re 


LOVECRAFT is the most visualeffects 

heavy project you’ve 

undertaken as a show creator. How 

did you approach those elements 

of storytelling during the writing 

process and what most excited you 

when it came to executing them 

during production? 

principal photography. Then we 

have the second unit, which shot 

all the stunts and pickups. Then the 

effects are added and we turn the 

actors into 20 different ghosts. To be 

working with people who are at the 

top of their crafts game…I was a kid 

in a candy store.” 

Green “We worked with KNB, an Much like “Underground,” 

incredible special effects and LOVECRAFT COUNTRY is as much 

makeup house. Knowing I’d an auditory experience as a visual 

have their tools to tell the story one as the soundtrack boasts a 

made it feel like an amazing genre-busting mix of 1950’s-era 

playground. Initially I just wrote music, contemporary hip-hop, 

down my ideas like, ‘Ok, what spoken-word poetry and other 

craziness is in my head?’ Then works by Black artists. Did you write 

we’d talk. For example, there’s with specific audio cues in mind, 

an amazing exorcism scene. The discover them during production or 

effects team asked me, ‘What is make those choices in post? 

each of these ghosts?’ I was like, 

‘Well, there should be one that Green “A bit of all three. Joe 

has a baby head.’ (Laughs) So Pokaski and I used to talk about: 

the artists designed 10 different How do we pull the slavery portrait 

baby heads. ‘Ok, I like that baby off the museum wall and evolve 

head mixed with that baby head.’ the story beyond, ‘Look at how 

Then we get to set. ‘Okay, here bad slavery was’? One way was 

are seven different levels the wallshakes 

by using more vibrant camera 

effects are set to.’ I think, movements; the other was through 

‘I get seven levels of wall shakes using modern music. I wanted to 

to choose from?’ Then the actors build on that in Lovecraft and also 

come in. Jurnee exorcises her full integrate ‘found audio’ into the 

self while getting a ghost out of score. For example, in the opening 

her. I’m like, ‘I need nothing else we use voiceover from the [1950 

in this scene but that!’ Then the film] ‘The Jackie Robinson Story.’ 

ghosts come in with all of their Later we have [Ntozake Shange’s 

special-effects makeup. ‘Wow, this 1975 poem] For Colored Girls and 

looks really scary. I need nothing [poet Gil Scott-Heron’s] Whitey on 

else Expect but that!’ Shut Downs, But that please was just contact location the Moon. first.Delivery options continued available on page 32 31

I love the idea of taking our show 

‘out of time.’ It’s the past, present 

and future. How do we wrap all of 

that into a unique soundscape? We 

want the show to be full-sensory, 

engaging and have people learn 

from it without having to learn from 

it. My favorite learning experiences 

are immersive; those that make me 

re-think what I know as opposed 

to ‘Here’s some bad history.’ 

How can we immerse the viewer 

even further? I love when I have 

revelations two weeks after the fact 

where I’m like, ‘Oh wow, ok.’” 

LOVECRAFT COUNTRY feels 

particular resonant as Hollywood 

– and our country at large – face 

ongoing, painful reckonings 

about race. How does it feel to be 

sharing a show like this at a time 

when boundary-pushing narratives 

centered on Black Americans 

have arguably never been more 

important? 

mean? I’m honored that our show 

can be part of that very important 

conversation.” 

The shows website also provides 

resources, information and support 

regarding racial justice, mental 

health and more, please refer to the 

following organizations. 

The Emmett Till Legacy Foundation’s 

(ETLF) mission is to bring truth, 

justice and healing, which can 

mean a full accounting of crimes 

and exhaustive investigations, for 

the families of victims of unsolved 

murders committed during the civil 

rights era. 

The 1921 Tulsa Massacre Centennial 

Commission leverages the rich 

history surround the 1921 Tulsa 

Race Massacre by facilitating 

actions, activities, and events that 

commemorate and educate all 

citizens. 

National Black Justice Coalition 

(NBJC) is America’s leading 

national Black LGBTQ/SGL civil rights 

organization focused on federal 

public policy. It has accepted 

the charge to lead Black families 

in strengthening the bonds and 

bridging the gaps between the 

movements for racial justice and 

LGBTQ/SGL equality. 

See more at 

Green “If your art is speaking to 

the moment, that’s all you can 

hope for. It’s exciting to know that 

people will be engaging in the 

show during this time, especially on 

the platform that HBO has given 

it. And in many ways, LOVECRAFT 

is the continuation of the same 

themes and questions we explored 

in ‘Underground’: What are we 

willing to do for our freedom? hbo.com/lovecraft-country 

And 32 Desert what Daily does Guide freedom always actually on line and Including soon print pics (ASAP) and specials

IN NATURE, NOTHING IS 

PERFECT AND EVERYTHING 

IS PERFECT. TREES CAN BE 

CONTORTED, BENT IN WEIRD 

WAYS, AND THEY’RE STILL 

BEAUTIFUL. –ALICE WALKER

November 2020

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