23.11.2020 Views

Jonathan Fineberg – The Postman Did It – Children’s Art and the Avant-garde

Excerpt from “A Kid Could Do That!”, an extensive publication prepared by Galerie Gmurzynska on the occasion of the large-scale eponymous exhibition project at Art Basel Miami Beach 2014, conceived with Hollywood luminaries Baz Luhrmann and Catherine Martin.

Excerpt from “A Kid Could Do That!”, an extensive publication prepared by Galerie Gmurzynska on the occasion of the large-scale eponymous exhibition project at Art Basel Miami Beach 2014, conceived with Hollywood luminaries Baz Luhrmann and Catherine Martin.

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which are also influenced by <strong>the</strong> simplified vocabulary of child art<br />

(in combination with many o<strong>the</strong>r important sources).<br />

However, complex <strong>the</strong> genesis of <strong>the</strong> large figure compositions<br />

of Matisse before World War I, he did title his retrospective glance<br />

back over his career, “Looking at Life with <strong>the</strong> Eyes of a Child,” <strong>and</strong><br />

remarked that “<strong>the</strong> artist...has to look at everything as though he<br />

saw it for <strong>the</strong> first time: he has to look at life as he did when he was<br />

a child <strong>and</strong> if he loses that faculty, he cannot express himself in an<br />

original, that is, a personal way.” 58<br />

When Picasso <strong>and</strong> Matisse decided to trade paintings in 1907 it<br />

was <strong>the</strong> Portrait of Marguerite that Picasso selected, later explaining:<br />

At <strong>the</strong> time people thought I had deliberately chosen<br />

a bad example of Matisse’s work out of malice. This is<br />

quite untrue. I thought it a key picture <strong>the</strong>n, <strong>and</strong> still<br />

do. Critics are always talking about this <strong>and</strong> that influence<br />

on Matisse’s work. Well, <strong>the</strong> influence on Matisse<br />

when he painted this work was his children, who had<br />

just started to draw. Their naïve drawings fascinated<br />

him <strong>and</strong> completely changed his style. Nobody realizes<br />

this, <strong>and</strong> yet it’s one of <strong>the</strong> keys to Matisse. 59<br />

Fig. 10<br />

144

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