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JAZZ & BLUES 2021

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Major support also came from Jamaica Customs. As<br />

Richard recalls, “we got off to a somewhat rocky start<br />

as the very first event of that first festival, which was held<br />

at Pier 1, was delayed by several hours due to difficulties in<br />

clearing equipment at customs. However, over the years the<br />

Jamaica Customs became another stalwart supporter of the<br />

festival. They guided us and helping to make sure that equipment<br />

and performers got in in good time.<br />

It was these types of partnerships and support that resulted in<br />

the growth and success of the festival.<br />

THE VENUES<br />

The first venue for the main show was the Rose Hall Great<br />

House. Other shows that had been held there generally used<br />

the house as the backdrop for the stage, but we turned it<br />

around and the sea became the backdrop and the grounds<br />

formed a natural amphitheatre. Of course, that created<br />

issues for the construction and support of the stage but<br />

we pulled it off. The ambience we were trying to create<br />

was a relaxed, picnic setting with patrons spreading their<br />

blankets on the ground – a Hollywood Bowl scenario.<br />

SKY BOXES AT CINNAMON HILL<br />

We moved from Rose Hall and Montego<br />

Bay to James Bond Beach, Oracabessa.<br />

This had a different type of charm. However,<br />

limited access with one narrow road coming<br />

in and out created a bottleneck and major<br />

annoyance for patrons.<br />

The next venue was the Cinnamon Hill Golf<br />

Course, Rose Hall. This was the favourite<br />

of many people and it was beautiful. This<br />

was where we first constructed sky boxes<br />

and sponsors had the space to be creative in<br />

their activations on the ground. When it got<br />

dark, we would light bonfires on the hill behind<br />

the crowd which not only contributed to the<br />

ambience but generated heat to warm up the,<br />

sometimes, cold venue. It had its logistic issues<br />

as changing rooms were located at the bottom of<br />

the hill and so we had to transport the performers<br />

up and down the hill. The show grew in popularity<br />

and soon outgrew this venue.<br />

The move was made to the Aqueduct, where there<br />

was much more space both to set up the show and also<br />

provide more than adequate parking. It was flat and easier<br />

to work on. The main attraction was the aqueduct itself<br />

which provided a beautiful backdrop for the stage.<br />

The final venue was the Trelawny Stadium. This was the<br />

best space in terms setting up for the show – there was space<br />

and comfortable facilities for patrons.<br />

My favourites were Rosehall Great House to which I had a<br />

sentimental attachment and eventually the stadium which<br />

was easy to work with.<br />

42<br />

THE AQUEDUCT<br />

TRELAWNY STADIUM

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