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Issue 50

The UK's outdoor hospitality business magazine for function venues, glamping, festivals and outdoor events

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EVENTS<br />

Ironically, the more snow we had<br />

the more space would be available<br />

(once it was shaped and groomed).<br />

We used in-house rental assets to<br />

create a stage as a focal point and a<br />

bar/merch structure was also used<br />

as the base of operations. We clad<br />

the front of the bar structure with<br />

scrap cladding sourced locally to<br />

Glencoe to reduce transport. The<br />

cladding has since been recycled<br />

by community groups based near<br />

our HQ.<br />

Lastly, we used recycled printed<br />

air mesh to brand a pyramid<br />

structure, which made for a great<br />

Instagram moment over the<br />

weekend.<br />

How did you work with creatives<br />

to make these spaces work?<br />

Jamie: We worked with Hillside<br />

Agency to design the branding for<br />

the pyramid and the DJ stage. All<br />

the branding can either be recycled<br />

or re-wrapped for a future event,<br />

nothing needs to go to landfill.<br />

“WE TIED<br />

THREE PA<br />

SYSTEMS<br />

TOGETHER<br />

SO WE HAD<br />

SITE WIDE<br />

CONTROL<br />

FROM A<br />

CENTRAL<br />

POINT BUT<br />

COULD ALSO<br />

RUN THEM<br />

AS SEPARATE<br />

SYSTEMS<br />

WHEN<br />

REQUIRED”<br />

How did you manage the festival<br />

infrastructure?<br />

Jamie: We knew anything that went<br />

up the mountain would need to be<br />

small enough to go on the chairlift<br />

if the snow prevented vehicles<br />

making it to the top, therefore<br />

nothing went that wasn't absolutely<br />

required. We made use of battery<br />

equipment which we could charge<br />

overnight at the main festival site<br />

and used ground anchors to secure<br />

structures where we might usually<br />

use water or concrete.<br />

We worked with sponsors<br />

Salomon and The North Face to<br />

ensure we made provision for the<br />

structures they brought.<br />

What provisions did you make for<br />

power, lights and sound?<br />

Jamie: We wanted to avoid the<br />

environmental impact of using<br />

generators so worked with Glencoe<br />

Mountain Resort to have a three<br />

phase power supply installed close<br />

to the main site. Being able to easily<br />

bury cables in the snow was a great<br />

alternative to cable ramp.<br />

We tied three PA systems<br />

together so we had site wide control<br />

from a central point but could also<br />

run them as separate systems when<br />

required.<br />

How did you manage admissions?<br />

Jamie: Admission was included in<br />

the price of a lift pass so we could<br />

run a totally open layout with no<br />

restrictions on accessing the main<br />

festival area.<br />

Tell us about any logistical<br />

challenges<br />

Jamie: The access road to the top<br />

of the main chairlift was slightly<br />

more challenging than we had<br />

experienced before winter. We had<br />

two 4x4s on standby to tow trailers<br />

loaded with vendors’ equipment<br />

and tow out any stuck vehicles.<br />

Being split over multiple sites on<br />

the mountain meant we could<br />

pack for each site individually then<br />

use smaller vehicles to deliver the<br />

equipment directly.

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