NEWS 14 Digital TV analysis African states could fail to meet ITU’s 2015 deadline for transiti<strong>on</strong> to digital TV BY MICHAEL OUMA, NAIROBI African countries face the prospect of failing to meet the 2015 deadline set by the Internati<strong>on</strong>al Telecommunicati<strong>on</strong>s Uni<strong>on</strong> (ITU) for all countries to make the transiti<strong>on</strong> from analogue to digital televisi<strong>on</strong> broadcasting. Speaking at African IT Exhibiti<strong>on</strong>s <strong>and</strong> C<strong>on</strong>ferences’ (AITEC) sec<strong>on</strong>d Broadcast <strong>and</strong> Film C<strong>on</strong>ference in Nairobi, Russell Southwood, chief executive of BalancingAct UK, a telecoms, internet <strong>and</strong> broadcast technologies c<strong>on</strong>sultancy, said that of the 53 states in the African c<strong>on</strong>tinent, <strong>on</strong>ly five have launched the process of switching over from analogue to digital televisi<strong>on</strong> broadcasting. Am<strong>on</strong>g the 5 countries that have made public launches to the switchover, said Southwood, are two East African Community (EAC) member states – Kenya <strong>and</strong> Tanzania – while Mauritius is set to switch-off all its analogue televisi<strong>on</strong> signals by the end of 2012. “Currently, 10 countries are at the pilot stage of making the switchover while 29 states seem to be doing nothing. This means that over half of African countries may fail to meet the 2015 deadline set by the ITU for the transiti<strong>on</strong> from analogue to digital televisi<strong>on</strong> broadcasting,” said Southwood. He further challenged broadcasters to change their programming models, by shifting from timebased transmissi<strong>on</strong> to theme-based channels as this introduces the c<strong>on</strong>cept of “give viewers what they want, not everything in between.” “Transiti<strong>on</strong> to themed transmissi<strong>on</strong> <strong>and</strong> channels could lead broadcasters to c<strong>on</strong>centrate <strong>and</strong> focus <strong>on</strong> their niche audiences who dem<strong>and</strong> <strong>and</strong> are interested in specific c<strong>on</strong>tent. This move could also help them address the challenge of fragmentati<strong>on</strong> of audiences due to increasing number of channels <strong>and</strong> medius,” he said. On the broadcast regulatory fr<strong>on</strong>t, the c<strong>on</strong>ference heard that even though <strong>on</strong>ly 17 out of 40 African countries had by 2008 liberalized their free-to-air televisi<strong>on</strong> broadcast sectors, the figure has by this year risen to 28 out of 46 states in sub-Saharan Africa which have liberalized both their countries’ radio <strong>and</strong> pay TV industries while another . “The <strong>on</strong>ce that are yet to liberalise are relatively small states – like Mauritius <strong>and</strong> Sao Tome – <strong>and</strong> other authoritarian states,” said Southwood, adding that opportunities in broadcasting sector are currently available in Ethiopia <strong>and</strong> Zimbabwe. Speaking at the c<strong>on</strong>ference, Kenya’s permanent secretary in the ministry of informati<strong>on</strong> <strong>and</strong> communicati<strong>on</strong>s Dr Bitange Ndemo said that that Africa’s broadcasting stati<strong>on</strong>s need to increase their investments in capacity building of broadcast c<strong>on</strong>tent creators. Dr Ndemo added that in order for Kenya’s film industry to improve the quality of producti<strong>on</strong>s, the PC TECH | SEPTEMBER - OCTOBER 2010 | pctechmagazine.com industry has sought <strong>and</strong> gained valuable less<strong>on</strong>s from other more developed film making locati<strong>on</strong>s of the world. “Kenya has got experiences <strong>and</strong> less<strong>on</strong>s from India’s ‘Bollywood’ film industry which produces thous<strong>and</strong>s of movies per year <strong>and</strong> is currently learning from Nigeria’s ‘Nollywood’ to develop its film <strong>and</strong> movie sectors,” said Dr Ndemo, adding that to further spur development of the sector, the government has established an incubator where local producers <strong>and</strong> broadcast c<strong>on</strong>tent developers would be able to work <strong>on</strong> their animati<strong>on</strong>s. The PS however urged broadcasters to delink “broadcasting houses from c<strong>on</strong>tent producers in order to give independence <strong>and</strong> more bargaining power to the producers as the practice enhances competiti<strong>on</strong>.” The c<strong>on</strong>ference also had increased emphasis for broadcasters to improve <strong>on</strong> their transmissi<strong>on</strong> of locally relevant c<strong>on</strong>tent in order to boost stati<strong>on</strong>s’ audience numbers <strong>and</strong> further attract new advertisers to their outlets. This is because currently, most of the programming c<strong>on</strong>tent transmitted by most broadcasters is mostly foreign which is not attractive with many audiences, with BalancingAct’s Russell Southwood saying that the “missing bit in African broadcast stati<strong>on</strong>s is still local African c<strong>on</strong>tent as local c<strong>on</strong>tent always does better in attracting audiences compared to foreign material.” He noted that <strong>on</strong>e of the drivers of local c<strong>on</strong>tent could be local c<strong>on</strong>tent quotas being imposed <strong>on</strong> broadcasters, with an example being Kenya where current regulati<strong>on</strong>s require broadcasters to have at least 40 per cent local c<strong>on</strong>tent. He further challenged c<strong>on</strong>tent producers to think about local c<strong>on</strong>tent not just as a single country but c<strong>on</strong>tinentwide focused to have a wider audience. Suhayl Esmaijee, the WananchiOnline chief operati<strong>on</strong>s officer said that current trends in the televisi<strong>on</strong> broadcasting scene indicate a transformati<strong>on</strong> in viewership “as c<strong>on</strong>tent is no l<strong>on</strong>ger made <strong>and</strong> targeted at a particular geographic regi<strong>on</strong> but for a universal audience ” with an example being Kenya where the most popular programmes are Mexican soaps. However, David Campbell, Mediae Kenya chief executive challenged the positi<strong>on</strong>, saying that Mexican soaps are favoured by free-to-air broadcasters as they are cheap to acquire than local producti<strong>on</strong>s which need huge capital investments to bring <strong>on</strong> the screen. Industry insiders say that foreign programmes cost between US $ 300 to 400 per hour to acquire compared to local producti<strong>on</strong>s which cost about US $ 15,000 to 20,000 per hour to produce. TOP STORIES IN BRIEF Microsoft celebrates Windows Ph<strong>on</strong>e 7 RTM with funeral parade for BlackBerry <strong>and</strong> iPh<strong>on</strong>e By Vlad Savov (engadget.com) The iPh<strong>on</strong>e’s dead, l<strong>on</strong>g live the Windows Ph<strong>on</strong>e. That must be the genius proclamati<strong>on</strong> that incited Microsoft to celebrate Windows Ph<strong>on</strong>e 7 reaching RTM status with the incomprehensible processi<strong>on</strong> you see above. An elaborate parade, replete with hearses <strong>and</strong> black capes, was organized last week to denote the passing of the BlackBerry <strong>and</strong> iPh<strong>on</strong>e into the l<strong>and</strong> of unwanted gadgets. We’d say this is d<strong>on</strong>e in poor taste, but we d<strong>on</strong>’t enjoy stating the obvious. We will, however, enjoy the fallout from this poorly judged stunt. See our favorite image after the break <strong>and</strong> lots more at the source. Update: Apparently the team also engaged in a Thriller dance. Words are failing us, so just hop <strong>on</strong> past the break <strong>and</strong> mash play. Facebook Making Mobile Ph<strong>on</strong>e? Facebook denied a story published by TechCrunch that says the company is “building a mobile ph<strong>on</strong>e,” but CNET.com c<strong>on</strong>firmed that the socialnetworking giant has reached out to hardware manufacturers <strong>and</strong> carriers seeking input <strong>on</strong> a potential Facebookbr<strong>and</strong>ed ph<strong>on</strong>e. TechCrunch published a story saying “Facebook is building a mobile ph<strong>on</strong>e... or rather, they’re building the software for the ph<strong>on</strong>e <strong>and</strong> working with a third party to actually build the hardware.” Facebook quickly tried to discredit the story, with a spokesman telling CNET that “Facebook is not building a ph<strong>on</strong>e. Our view is that almost all experiences would be better if they were social, so integrating deeply into existing platforms <strong>and</strong> operating systems is a good way to enable this.” Read more: http://news.cnet. com/8301-1023_3-20016916-93.html? tag=topStories1#ixzz103OKAQ54
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