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PHOTO PROVIDED BY VOSGES<br />

but ra<strong>the</strong>r than stand alone in <strong>the</strong> spotlight,<br />

she pulls in friends and relatives to share <strong>the</strong><br />

glory with her.<br />

In <strong>the</strong> Vosges catalogs, which offer a distinctly<br />

personal voice and a forum for Markoff’s<br />

views, she makes a point of showcasing her<br />

staff and associates. There are pictures of her<br />

fiancé, Jay Scher, modeling <strong>the</strong> lea<strong>the</strong>r jacket<br />

(Scher, a building contractor, designed <strong>the</strong><br />

new Vosges stores in Las Vegas); <strong>the</strong>re’s a flouncy<br />

purple dress for sale, designed by her sister,<br />

Natalie, who keeps <strong>the</strong> PR and marketing end<br />

of Vosges New York afloat. Her staff is thanked,<br />

effusively, by name and photo. She writes glowingly<br />

about friends who create extraordinary<br />

honey or marvelous red wine and tells <strong>the</strong> stories<br />

of her collaborations with <strong>the</strong>m to create<br />

new and wonderful truffles.<br />

But despite <strong>the</strong> glamour and glitz that<br />

Vosges offers its founder, Markoff still prefers<br />

<strong>the</strong> kitchen to <strong>the</strong> red carpet. In <strong>the</strong> homeoffice<br />

kitchen, she watches as several women<br />

cut <strong>the</strong> rind off <strong>the</strong> Taleggio cheese in preparation<br />

for tomorrow’s making of <strong>the</strong> “rooster,”<br />

an especially delicate operation that involves<br />

melting cheese and chocolate toge<strong>the</strong>r.<br />

“Toda, toda” (“All, all”), she says to <strong>the</strong><br />

mostly Spanish-speaking women as she<br />

observes some remaining pieces of rind. She<br />

takes a knife and begins cutting off <strong>the</strong> rind to<br />

show <strong>the</strong>m how clean it needs to be. If even a<br />

little is left on, it could get stuck in <strong>the</strong> extruder.<br />

Markoff herself does all <strong>the</strong> cooking of<br />

<strong>the</strong>se complicated truffles, as well as preparing<br />

most of <strong>the</strong> ganache centers. “You shock<br />

<strong>the</strong> cheese if you melt it too fast,” she explains.<br />

“The emulsion can break; it must be cooked<br />

very slowly.”<br />

Slow Food<br />

Slowing things down is a priority on many<br />

fronts for Markoff—getting people to think<br />

about <strong>the</strong>ir food, eat it slowly, savor it.“People<br />

don’t take time to smell, see, to taste food,”<br />

she says.“It’s all about focusing on one piece<br />

versus piles of chocolate.”<br />

Her newest store in Las Vegas will include<br />

interactive displays for awakening <strong>the</strong> senses<br />

to different chocolate sensations—hanging<br />

muslin bags for smells; headphones to hear<br />

chanting; films depicting <strong>the</strong> area, <strong>the</strong> culture<br />

or <strong>the</strong> people evoked by <strong>the</strong> product.<br />

Markoff’s experience with yoga confirmed<br />

<strong>the</strong> rightness of this approach and is very<br />

much in keeping with <strong>the</strong> “Slow Foods” mentality<br />

now prevalent among foodies and restaurateurs.<br />

David Romanelli, BA’95, a good friend<br />

from Vanderbilt, introduced her to yoga, and<br />

she says that one day after yoga she popped<br />

a naga truffle in her mouth: “Oh my god, it<br />

was <strong>the</strong> best I ever had. I was so in <strong>the</strong> now.<br />

Being present when you eat is so powerful.”<br />

<strong>From</strong> <strong>the</strong>n on, yoga became an important<br />

part of her life, and it increasingly entered<br />

her philosophy about food, especially chocolate.<br />

She and Romanelli have recently offered<br />

a “Yoga-Chocolate Retreat” to Oaxaca, Mexico,<br />

where <strong>the</strong>y guide a group through <strong>the</strong><br />

spice markets and kitchens of a city known<br />

for its cuisine, including its hot chocolate and<br />

its mole, a chocolate-based savory sauce used<br />

in chicken and meat dishes. Romanelli, cofounder<br />

of At One Yoga, has three yoga studios<br />

in Arizona (one of his partners is ano<strong>the</strong>r<br />

Vanderbilt alum, Ian Lopatin, BA’95).<br />

This will be <strong>the</strong> first of what <strong>the</strong>y hope<br />

will be many such chocolate-inspired yoga<br />

retreats. Markoff says of Romanelli: “He’s my<br />

best friend. He brought me to yoga.” Romanelli<br />

seems equally as delighted that <strong>the</strong>y’ve found<br />

a way to work toge<strong>the</strong>r. “We saw this intersection,<br />

saw space where our careers could<br />

intersect,” he says.<br />

How <strong>the</strong>se two forces—chocolate and yoga<br />

—play out as partners could be seen at <strong>the</strong> end<br />

of one day at <strong>the</strong> Vosges headquarters. Several<br />

potential Oaxaca travelers were invited after<br />

<strong>the</strong> work day ended to have a yoga session with<br />

Romanelli and Markoff.<br />

Markoff sets a beautiful stage for <strong>the</strong> event,<br />

arranging chocolates on a tray and sprinkling<br />

fresh rose petals on <strong>the</strong> floor of <strong>the</strong> yoga loft.<br />

Just before <strong>the</strong> session begins, she arranges <strong>the</strong><br />

purple yoga mats and lights votive candles.<br />

She and Romanelli decide to do a root<br />

chakra with <strong>the</strong> group. A chakra signifies one<br />

of <strong>the</strong> seven basic energy centers in <strong>the</strong> body,<br />

Markoff says. “It is a sensory focus—from<br />

color, smell, taste and feel.” The root chakra<br />

is identified with <strong>the</strong> color red, hence rose<br />

petals and rose water for a visual and aural<br />

stimulus. As for <strong>the</strong> taste, Markoff says a root<br />

chakra calls for “something hot.” She decides<br />

on a truffle from <strong>the</strong> Aztec Collection that<br />

continued on page 86<br />

V a n d e r b i l t M a g a z i n e 37

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