From the Editor From the Reader - DiscoverArchive Home ...
From the Editor From the Reader - DiscoverArchive Home ...
From the Editor From the Reader - DiscoverArchive Home ...
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58<br />
By PAUL KINGSBURY, BA’80<br />
for 40 years now, Peter Guralnick<br />
has been turning out beautifully written,<br />
impeccably researched magazine<br />
profiles and books about key figures in blues,<br />
country, and early rock ’n’ roll. His books<br />
include a celebrated trilogy on America’s roots<br />
music—Feel Like Goin’ <strong>Home</strong>: Portraits in Blues<br />
and Rock ’n’ Roll (1971), Lost Highway: Journeys<br />
and Arrivals of American Musicians (1979),<br />
and Sweet Soul Music: Rhythm & Blues and <strong>the</strong><br />
Sou<strong>the</strong>rn Dream of Freedom (1986)—and a<br />
definitive, two-volume biography of Elvis Presley,<br />
Last Train to Memphis (1994) and Careless<br />
Love (1999), each volume of which won a Ralph<br />
Gleason Music Book Award. During <strong>the</strong> spring<br />
semester he made a temporary home at Vanderbilt<br />
as a visiting professor of creative nonfiction<br />
writing.<br />
Despite <strong>the</strong> considerable acclaim his work<br />
has received, Guralnick is an exceedingly modest<br />
and friendly man, quick to treat any visi-<br />
S u m m e r 2 0 0 5<br />
A conversation<br />
with visiting professor<br />
Peter Guralnick<br />
History<br />
from<strong>the</strong><br />
DAVID GAHR<br />
inside<br />
tor as a potential colleague and peer. On a chilly<br />
afternoon in March, he welcomed me into his<br />
sparsely furnished third-floor Benson Hall<br />
office, with a view of <strong>the</strong> Kirkland tower behind<br />
<strong>the</strong> magnolias. Though his curly hair is gray<br />
and thinning, with his compact frame and<br />
youthful energy he certainly doesn’t look like<br />
someone who has passed <strong>the</strong> 60-year mark.<br />
Wearing jeans, white tennis shoes, and a green<br />
V-neck sweater, he comes across as casual and<br />
relaxed.Yet, when he speaks about writing and<br />
American music, he reveals an intense desire<br />
to be rigorously honest and to express himself<br />
as clearly as he possibly can. As he does so,<br />
out<br />
names of monumental music personalities—<br />
Sun Records founder and producer Sam Phillips,<br />
bluesmen Howlin’ Wolf and Skip James, soul<br />
singers Ray Charles and Solomon Burke, some<br />
of whom became close friends of his—pop<br />
up as naturally in his conversation as co-workers<br />
and neighbors do for most of us.<br />
In <strong>the</strong> following interview, edited for length,<br />
Guralnick talks about how he approaches <strong>the</strong><br />
craft of writing biography and explains how<br />
his twin passions for American music and for<br />
writing came toge<strong>the</strong>r to create a literary career<br />
quite different from what he initially imagined<br />
possible.