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58<br />

By PAUL KINGSBURY, BA’80<br />

for 40 years now, Peter Guralnick<br />

has been turning out beautifully written,<br />

impeccably researched magazine<br />

profiles and books about key figures in blues,<br />

country, and early rock ’n’ roll. His books<br />

include a celebrated trilogy on America’s roots<br />

music—Feel Like Goin’ <strong>Home</strong>: Portraits in Blues<br />

and Rock ’n’ Roll (1971), Lost Highway: Journeys<br />

and Arrivals of American Musicians (1979),<br />

and Sweet Soul Music: Rhythm & Blues and <strong>the</strong><br />

Sou<strong>the</strong>rn Dream of Freedom (1986)—and a<br />

definitive, two-volume biography of Elvis Presley,<br />

Last Train to Memphis (1994) and Careless<br />

Love (1999), each volume of which won a Ralph<br />

Gleason Music Book Award. During <strong>the</strong> spring<br />

semester he made a temporary home at Vanderbilt<br />

as a visiting professor of creative nonfiction<br />

writing.<br />

Despite <strong>the</strong> considerable acclaim his work<br />

has received, Guralnick is an exceedingly modest<br />

and friendly man, quick to treat any visi-<br />

S u m m e r 2 0 0 5<br />

A conversation<br />

with visiting professor<br />

Peter Guralnick<br />

History<br />

from<strong>the</strong><br />

DAVID GAHR<br />

inside<br />

tor as a potential colleague and peer. On a chilly<br />

afternoon in March, he welcomed me into his<br />

sparsely furnished third-floor Benson Hall<br />

office, with a view of <strong>the</strong> Kirkland tower behind<br />

<strong>the</strong> magnolias. Though his curly hair is gray<br />

and thinning, with his compact frame and<br />

youthful energy he certainly doesn’t look like<br />

someone who has passed <strong>the</strong> 60-year mark.<br />

Wearing jeans, white tennis shoes, and a green<br />

V-neck sweater, he comes across as casual and<br />

relaxed.Yet, when he speaks about writing and<br />

American music, he reveals an intense desire<br />

to be rigorously honest and to express himself<br />

as clearly as he possibly can. As he does so,<br />

out<br />

names of monumental music personalities—<br />

Sun Records founder and producer Sam Phillips,<br />

bluesmen Howlin’ Wolf and Skip James, soul<br />

singers Ray Charles and Solomon Burke, some<br />

of whom became close friends of his—pop<br />

up as naturally in his conversation as co-workers<br />

and neighbors do for most of us.<br />

In <strong>the</strong> following interview, edited for length,<br />

Guralnick talks about how he approaches <strong>the</strong><br />

craft of writing biography and explains how<br />

his twin passions for American music and for<br />

writing came toge<strong>the</strong>r to create a literary career<br />

quite different from what he initially imagined<br />

possible.

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