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from Montana. A lifelong<br />

pacifist, a strong advocate of<br />

women’s and children’s rights,<br />

and one of <strong>the</strong> founders of <strong>the</strong><br />

ACLU, she was <strong>the</strong> first recipient<br />

of <strong>the</strong> National Organization<br />

for Women’s Susan B. Anthony<br />

Award.<br />

Fourteen student actors<br />

portrayed 50<br />

characters in <strong>the</strong><br />

Vanderbilt<br />

University<br />

Theatre production<br />

of<br />

“Handing<br />

“Handing<br />

Down <strong>the</strong><br />

Down <strong>the</strong><br />

Names” in April. Names”<br />

Written by Steven<br />

Dietz to pay homage to <strong>the</strong><br />

immigrant experience, <strong>the</strong> play<br />

is based in part on stories<br />

passed down in Dietz’s family.<br />

The play spans two centuries<br />

and several continents, and follows<br />

a German family over<br />

seven generations as <strong>the</strong>y seek<br />

to set down permanent roots.<br />

BOOKS AND<br />

WRITERS:<br />

Peter Guralnick—biographer,<br />

music writer, and visiting professor<br />

of creative nonfiction<br />

writing—hosted “Talking<br />

Lives,” <strong>the</strong> 2005 Vanderbilt<br />

Visiting Writers Series<br />

Spring Symposium, in<br />

March. Joining Guralnick was<br />

filmmaker and biographer<br />

Robert Gordon, and biographer<br />

and Washington Post staff<br />

writer Wil Haygood.<br />

Guralnick is widely considered<br />

to be one of <strong>the</strong> leading<br />

authorities on American blues,<br />

roots and vernacular music.<br />

Gordon’s books include Can’t<br />

DANIEL DUBOIS<br />

Be Satisfied: The Life and Times<br />

of Muddy Waters, and his documentary<br />

about Muddy Waters,<br />

“Can’t Be Satisfied,” was nominated<br />

for a Grammy Award.<br />

Haygood is <strong>the</strong> author of four<br />

books, including In Black and<br />

White: The Life of Sammy<br />

Davis Jr., which won an<br />

ASCAP Deems-Taylor-<br />

Timothy White<br />

Award for<br />

“Outstanding<br />

Music Biography”<br />

and <strong>the</strong> Zora<br />

Neale Hurston-<br />

Richard Wright<br />

Legacy Award,<br />

and was named<br />

<strong>the</strong> “Literary<br />

Nonfiction Book of <strong>the</strong> Year”<br />

by <strong>the</strong> Black Caucus of <strong>the</strong><br />

American Library Foundation.<br />

Tom Wolfe, author of critically<br />

acclaimed works The Bonfire of<br />

<strong>the</strong> Vanities and The Right Stuff,<br />

spoke in early April at Langford<br />

Auditorium. Wolfe is considered<br />

<strong>the</strong> fa<strong>the</strong>r of “New Journalism,”<br />

a type of nonfiction writing<br />

that incorporates fictional or<br />

dramatic elements into <strong>the</strong><br />

reporting. Wolfe’s latest novel,<br />

I Am Charlotte Simmons, was<br />

published in November and<br />

details <strong>the</strong> initiation of a<br />

female college freshman into<br />

Wil Haygood, Peter Guralnick<br />

and Robert Gordon<br />

“roll-run-hit-run-roll-tick”<br />

by Jin Soo Kim<br />

<strong>the</strong> fierce social atmosphere of<br />

a fictional university.<br />

UPCOMING<br />

With Wonderdog<br />

(St. Martin’s Press),<br />

Inman Majors,<br />

BA’86, brings us <strong>the</strong><br />

unlikely Dev Degraw,<br />

son of <strong>the</strong> iconoclastic<br />

governor of <strong>the</strong><br />

state and former child<br />

actor on <strong>the</strong> historically<br />

bad television<br />

drama “Bayou Dog.”<br />

As <strong>the</strong> story unfolds,<br />

VISUAL ART<br />

An installation titled<br />

“roll–run–hit–run–roll–<br />

tick” by Chicago-based<br />

artist Jin Soo Kim explores<br />

travel, experience and<br />

memory through sculptural<br />

objects and various<br />

sound elements from Aug.<br />

25 through Oct. 13 at <strong>the</strong><br />

Vanderbilt Fine Arts<br />

Gallery.<br />

THEATRE<br />

Vanderbilt University Theatre’s first production of<br />

<strong>the</strong> academic year will be “The Man Who Came to<br />

Dinner” by Moss Hart and George S. Kaufman, running<br />

Sept. 30, Oct. 1–2<br />

and Oct. 6–8 at Neely<br />

Auditorium.<br />

MUSIC<br />

The Blair School’s new<br />

Monday “Nightcap”<br />

Series will feature Blair<br />

faculty members Jane<br />

Kirchner (flute) and<br />

Frank Kirchner (saxophone)<br />

Sept. 19.<br />

DANIEL DUBOIS<br />

Dev is trying his underachieving<br />

best to stay out of his<br />

fa<strong>the</strong>r’s heated bid for reelection,<br />

as well as a co-star’s<br />

incomprehensible plans to<br />

organize a “Bayou Dog” cast<br />

reunion. Fortunately, his<br />

efforts to remain uninvolved in<br />

<strong>the</strong> political fray and as far<br />

away as possible from his TV<br />

alter ego are foiled by one<br />

comic entanglement after<br />

ano<strong>the</strong>r. As he tries to rectify<br />

past glories with more recent<br />

foibles, Dev knowingly or<br />

V a n d e r b i l t M a g a z i n e 63

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