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The Good Life – January-February 2024

On the cover – Artist and illustrator, Matt Mastrud aka “Punchgut.” Also in this issue – Dad Life with funny and relatable stories showing what it means to be a loving and involved parent. Our Having A Beer with segment: a light-hearted interview giving our readers a glimpse into the lives of well-known men in our community. Also in every issue, a Local Hero showcasing men who are making a positive impact and inspiring others to do good.

On the cover – Artist and illustrator, Matt Mastrud aka “Punchgut.” Also in this issue – Dad Life with funny and relatable stories showing what it means to be a loving and involved parent. Our Having A Beer with segment: a light-hearted interview giving our readers a glimpse into the lives of well-known men in our community. Also in every issue, a Local Hero showcasing men who are making a positive impact and inspiring others to do good.

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PHOTOS SUBMITTED BY: JEFFREY MILLER<br />

<strong>The</strong> image of a small animal gripped by a large, viscous<br />

trap is one that the anti-trapping campaigners loved to<br />

show in the 1980’s. Trapping is heavily regulated by<br />

each state, with trap styles and methods allowed that are<br />

both safe and humane. Modern trapping uses devices<br />

that either immediately dispatch the target animal, like<br />

snares or body grip traps, or hold the animal until the<br />

trapper arrives, like a foothold trap. <strong>The</strong>re is little to no<br />

discomfort to the animal, and the dispatch is quick and<br />

clean. Lethal traps are set in areas with little chance<br />

of encounters with non-target animals. <strong>The</strong> trapper<br />

will only make a set where they feel comfortable with<br />

it being safe.<br />

What happens with the pelts once they are ready for<br />

the market? In the modern fur trade, most of the longhaired<br />

pelts, like raccoon, coyote and fox, go overseas<br />

to markets in Europe and Asia. Beaver pelts mostly<br />

stay stateside and are used in the “hatter” market. If<br />

you have ever purchased a high-end Stetson hat, you<br />

are wearing beaver fur. <strong>The</strong> underwool of the pelt is<br />

pressed into felt and made into hats.<br />

I take a different tact toward fur utilization. I tan<br />

raccoon, muskrat, fox, coyote and skunk at home, and<br />

once I receive my beavers back from the tannery it’s<br />

time to get to work. With much experience in garment<br />

making, I turn the pelts into bespoke mittens, hats and<br />

scarves.<br />

When a customer orders a pair of mittens, the first<br />

thing I do is select matching pelts. <strong>The</strong> fur thickness,<br />

color and weight must be similar or else the garment<br />

will look uneven.<br />

I trace a pattern on the leather side of the fur, and then<br />

carefully cut through the leather, taking pains not to<br />

chop the fur into a bad haircut look. <strong>The</strong> palm of each<br />

mitten is cut from tanned and dyed buckskin. I send the<br />

hide of each deer I harvest each fall to a tannery that<br />

turns them into plush leather. After tracing the pattern<br />

on the backside of the leather, I cut the palm out.<br />

I sew all my fur by hand, using razor sharp glovers’<br />

needles and heavyweight braided fishing line. <strong>The</strong><br />

fishing line is slick and strong, ensuring the mitten<br />

will hold up to extreme use. Sitting on the couch in my<br />

warm living room, I turn the abstract pieces of fur into<br />

a wearable product.<br />

16 | THE GOOD LIFE

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