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The Good Life – January-February 2024

On the cover – Artist and illustrator, Matt Mastrud aka “Punchgut.” Also in this issue – Dad Life with funny and relatable stories showing what it means to be a loving and involved parent. Our Having A Beer with segment: a light-hearted interview giving our readers a glimpse into the lives of well-known men in our community. Also in every issue, a Local Hero showcasing men who are making a positive impact and inspiring others to do good.

On the cover – Artist and illustrator, Matt Mastrud aka “Punchgut.” Also in this issue – Dad Life with funny and relatable stories showing what it means to be a loving and involved parent. Our Having A Beer with segment: a light-hearted interview giving our readers a glimpse into the lives of well-known men in our community. Also in every issue, a Local Hero showcasing men who are making a positive impact and inspiring others to do good.

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ON THE COVER | PUNCHGUT<br />

of acceptance. “Sometimes the<br />

worst company I can have is the<br />

person in my head… just the cycle<br />

of where you’re second guessing<br />

yourself on a loop. Some days I<br />

really struggle with it, some days I<br />

can get by it. When I do something<br />

physical to get out of my head, like<br />

longboarding or yoga, and just get<br />

exhausted, I’ve found that’s a good<br />

reset for me.”<br />

<strong>The</strong> link between physical<br />

exertion and mental health is well<br />

established, but the benefit for<br />

Mastrud is rooted in the fear of<br />

trying something new… and failing.<br />

“I just learned this within the last<br />

four years… I figured it out at 47,”<br />

he chuckled. “I’ve noticed a lot<br />

more benefits mentally by forcing<br />

myself to get scared again. With<br />

longboarding you don’t have to<br />

figure out any tricks, you just have<br />

to stay on the board, which was<br />

super scary at first. It feels nice<br />

to kind of get scared again. When<br />

you get to a certain age, you don’t<br />

experience those kinds of fears<br />

anymore unless you force it.”<br />

In his garage, Mastrud forces<br />

himself to get out of his own head<br />

with a ritual of his own creation.<br />

With the simple addition of an<br />

alarm clock, he invites a different<br />

kind of fear, one that gives birth to<br />

new ideas and fresh creativity.<br />

“<strong>The</strong> last couple of years, I’ve<br />

done some stuff where I didn’t<br />

overthink,” he said. ”I’d just sit<br />

down with a canvas and set an<br />

alarm on my phone then draw line<br />

work and abstract work. After 15<br />

minutes, I’d turn the canvas and<br />

continue without overthinking. A<br />

lot of times in my career where<br />

I overthink things and when<br />

something accidental happens, it's<br />

categorized as a mistake. In the<br />

garage studio, those mistakes are<br />

part of the piece and I’ve learned<br />

to really embrace those accidental<br />

blurbs.”<br />

THE GOOD, ARTFUL LIFE<br />

It’s not easy for Mastrud to allow<br />

himself the grace to acknowledge<br />

his success. He still sometimes<br />

struggles with the whole idea of<br />

being an artist. It’s still a bit of a<br />

firetruck.<br />

“<strong>The</strong> world really doesn’t need<br />

art,” he said, “and I think about<br />

that sometimes. When I get really<br />

down, I think about the fact that<br />

I’m doing something that nobody<br />

needs… that’s just me being a bully<br />

to myself. But then I’ve been to<br />

places where there is no art, just<br />

concrete and gray and that doesn’t<br />

feel very good. So to me, art is<br />

a good escape where my brain<br />

settles down a little bit… like visual<br />

meditation.”<br />

22 | THE GOOD LIFE

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