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03 Magazine: February 03, 2024

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Gardens | <strong>Magazine</strong> 49<br />

Violet’s garden<br />

The second in a series of extracts from gorgeous new gardening tome<br />

Secret Gardens of Aotearoa, we travel to Violet Faigan’s whimsical<br />

woodland-inspired garden set in the Dunedin hills.<br />

On a hilltop in suburban Dunedin is Violet’s<br />

Garden, an ever evolving collage of<br />

botanical curiosities, foraged weeds and rare<br />

flowering perennials.<br />

In the 10 years she has gardened here,<br />

Violet has created numerous gardens, including<br />

a woodland area, a planted berm, vegetable<br />

patches, a bog garden and a shade garden. Each<br />

is distinct but exists in considered connection<br />

to its neighbours.<br />

Violet describes her gardening influences as a<br />

materials-led mixtape of textures, colours and<br />

feelings: the warm bright flowers set against a<br />

dark background on her childhood eiderdown<br />

quilt, the Sussex woodland countryside painted<br />

in blocks of colour by Ivon Hitchens from<br />

his home caravan, Victorian block-printed<br />

wallpapers, summer horse rides through dusty<br />

tracks of yarrow and cow parsley.<br />

ABOUT THE GARDEN<br />

When Violet and her husband Malcolm bought<br />

their Dunedin house in 2012 their daughters<br />

Clara and Emerald were still young, so Violet<br />

prioritised getting a vegetable garden started.<br />

The house was grey with a grey roof, net<br />

curtains, a square rose garden with a few<br />

neglected inhabitants, some overgrown shrubs,<br />

and a straggly pittosporum hedge separating<br />

the property from the street.<br />

But the section was bigger than any she’d<br />

had before, and Violet knew that this would<br />

be her ‘forever garden’. She could see past the<br />

bark chip layered over black polythene, and<br />

relished the idea of releasing its potential.<br />

With the vegetable patch started, out came<br />

the pittosporum hedge and in went the main<br />

border, now the sunniest, most abundant<br />

garden. Most of the shrubs came out too,<br />

retaining just a smoke bush and a pollarded<br />

maple, and that area is now a woodland garden.<br />

Where black polythene once dominated is now<br />

the shady border or ‘spooky bed’.<br />

During Covid lockdowns a pond was dug<br />

to replace the rose garden. Most of the roses<br />

were past it, and besides, Violet could never<br />

make sense of roses being planted all together<br />

just because they’re roses.<br />

Aside from a little glasshouse, the back<br />

garden was bare lawn. The neighbour’s<br />

discarded glasshouse has now been connected<br />

to the existing one, and Violet dug out the<br />

floor space to lay down a terracotta tiled floor.<br />

She now has a nursery area where she raises<br />

plants for her own garden and to sell from a<br />

street-side stall.<br />

The vegetable beds and flower beds are<br />

slowly expanding into the lawn space, ever<br />

evolving. She has also planted the grass berm<br />

out front, so that the garden extends beyond<br />

the property, blurring the public–private<br />

space boundary and providing enjoyment<br />

for passers‐by.<br />

Most of the soil is heavy clay, with the<br />

exception of a few loamy patches that Violet<br />

supposes are vegetable patches from times<br />

gone by. She has been painstakingly breaking<br />

up the clay with compost and mulch. Her<br />

preferred mulch is pea straw – for its insulating<br />

qualities and the ‘silkiness’ it adds to the soil as<br />

it breaks down.<br />

She doesn’t introduce anything inorganic into<br />

the garden – just homemade compost and<br />

seaweed tonic, or a little neem oil spray.

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