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03 Magazine: February 03, 2024

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Arts | <strong>Magazine</strong> 71<br />

MADISON KELLY<br />

Ōtepoti-based artist Madison Kelly (Kāi Tahu, Kāti Māmoe,<br />

Pākehā) has created a glass instrument, drawings on fishing<br />

mesh and an immersive sound work for the exhibition Spring<br />

Time is Heart-break.<br />

The project is based around the kakī (black stilt), an endemic<br />

wading bird and taoka (treasured) species. Despite once being<br />

distributed widely across the country, they are now limited<br />

to the Mackenzie Basin and critically threatened by predation,<br />

habitat loss and human disturbance.<br />

The Kakī Recovery Programme raises chicks in captivity for<br />

release into the wild. Upon release, the young birds and their<br />

wild relatives can be heard calling and responding to each other,<br />

like the karaka of a pōhiri.<br />

Visitors are called into the gallery with sounds of the Tasman<br />

River and field recordings of the kakī, including some gifted from<br />

the Department of Conservation. Madison had a series of glass<br />

vessels handmade to create a percussive instrument and invites<br />

visitors to gently play this in response to the drawings and<br />

audio, reflecting the idea of call and response.<br />

Ecological kinship and kāitahutaka are foundational for<br />

Madison’s practice, with processes of observation, drawing,<br />

sound and interactivity used to bring awareness to multispecies<br />

concerns and human/non-human relationships.<br />

There are significant meanings in the title, ‘Tohu! Karaka!<br />

Braid!’ (2023). Tohu means sign and karaka, a call, while<br />

tohu karaka is an exclamation mark. The final prompt in the<br />

work’s title, braid, pulls rivers, their braidplains and acts of<br />

interweaving into focus. Playing on language, Madison brings<br />

our attention to the urgency of conservation with a call to<br />

action for kakī and our waterways, encouraging us to take<br />

responsibility through participation.<br />

“Visitors are called into the gallery<br />

with sounds of the Tasman River<br />

and field recordings of the kakī,<br />

including some gifted from the<br />

Department of Conservation.”<br />

Spring Time is Heart-break: Contemporary Art in Aotearoa,<br />

Christchurch Art Gallery Te Puna o Waiwhetū, until May 19, <strong>2024</strong>.<br />

Step inside for<br />

a sensory filled<br />

experience.<br />

JANIE PORTER AND JANE McCULLA<br />

PARALLEL UNIVERSE<br />

01 <strong>February</strong> -26 <strong>February</strong> <strong>2024</strong> OPENING EVENT <strong>03</strong> <strong>February</strong> 11am<br />

<strong>03</strong> 325 1944 - littlerivergallery.com<br />

art@littlerivergallery.com - Main Rd, Little River 7591<br />

100 Fendalton Road, Fendalton, Christchurch | jennyburtt.co.nz

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