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Module name =Redhot Description = This Class A British amplifier sports two dual stage channels with completely separate signal paths, resulting in essentially two vintage amps in one. Channel One has a classic thick voice that screams when pushed. Channel Two has a tighter character with more upper mids and gain. Featuring four 12AX7 preamp tubes, four EL84 power tubes, and a GZ34 Rectifier, the Redhot is a classic rock standard. Module name = Flathill Description = This high-gain rectifier amplifier has 5 modes, Normal/Clean/Modern/Red/Vintage, each with individual frequency characteristics and gain. Module name = Basic 100 Description = With one channel for Guitar and one for bass, this “100 watt” amp has a lot of bot tom and is favored for its clean tones. The Guitar and bass channels have different gain and tone stacks. The bass channel even has a “Deep” switch that shifts the frequency response of the Bass knob. On the Guitar channel, the Bright switch gives you a brighter sound on lower gain. 24
Module name = Fox ACS-45 Description = This amp has three channels, all running at the same time: a Normal, Brilliant and Tremolo channel. The Tone controls (Bass & Treble) only work on the Brilliant channel. The Tone Cut control removes some high treble (on all channels), and works like a reversed presence control. Module name = HomeBrew SE-1 Description = The HomeBrew SE-1 is a low-wattage, single ended amp with two channels. For a low-wattage circuit it has as many as 3 triode stages for gain. The amp has 2 channels, Clean/Dist. Module name = The MatchBox Description = The MatchBox is designed to provide clean to overdriven amplification with a min imum of clipping. It has as many as 4 gain stages with considerable attenuation between stages. It has a power amp in a push-pull configuration but no negative feedback (NFB). The sound is fit ting for both Guitar and bass. This amp uses a very special tube configuration that gives you an extra bright sound. For additional distortion, please try any of the distortion stomp boxes in front of the amp. 25
Page 2 and 3: Table of Contents Section Page Intr
Page 4 and 5: Product Activation and Authorizatio
Page 6 and 7: Product Activation and Authorizatio
Page 8 and 9: Sonar Adding the VST path (Windows)
Page 10 and 11: In the VST 2.x Plug-in Paths window
Page 12 and 13: Either double click on ReValver or
Page 14 and 15: Click on the Insert row where you w
Page 16 and 17: 4) The best option is, of course, t
Page 18 and 19: Working with ReValver MK III.V The
Page 20 and 21: The Modules Complete amps The modul
Page 22 and 23: Module name = Peavey ValveKing® De
Page 26 and 27: Module name = ‘62 BluesMaker Desc
Page 28 and 29: Module name = Pre-02 Description =
Page 30 and 31: Module name = M-998 Description = T
Page 32 and 33: Module name = ACS-LM3 limiter Descr
Page 34 and 35: Module name = MagnaVibe Description
Page 36 and 37: General effects Module name = Peave
Page 38 and 39: Module name = Channel Delay Descrip
Page 40 and 41: Module name = Leveler Description =
Page 42 and 43: The Total Harmonic Distortion (THD)
Page 44 and 45: The Tube Tweak GUI One of the most
Page 46 and 47: The coupling capacitor removes the
Page 48 and 49: Table 1: Plug-in automation paramet
Page 50 and 51: In the envelopes window, locate all
Page 52: © 2011 Features and specifications

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