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Guide to the Archival Collections.pdf - Missouri History Museum

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A2030<br />

Bernhardt, Sarah (1844-1923).<br />

Au<strong>to</strong>graph, 1918. 1 folder [formerly Alphabetical File]<br />

Consists of two subscriber’s receipts for World War I war bonds signed by French actress<br />

Sarah Bernhardt (one original signature, one carbon copy) in 1918.<br />

Cite as: Sarah Bernhardt Au<strong>to</strong>graph, <strong>Missouri</strong> His<strong>to</strong>ry <strong>Museum</strong> Archives, St. Louis.<br />

A1828<br />

Bernoudy, William Adair (1910-1988).<br />

Collection, 1939-1986. 26 boxes<br />

Primarily residential, some commercial and institutional projects, including job files, office<br />

files, personal material, and scattered sketches. The drawings are held at Washing<strong>to</strong>n University<br />

Libraries, Department of Special <strong>Collections</strong> and University Archives. Firm names represented<br />

include Bernoudy, Mutrux & Bauer and Bernoudy Associates.<br />

Collection currently closed <strong>to</strong> all research.<br />

Cite as: William Adair Bernoudy Collection, <strong>Missouri</strong> His<strong>to</strong>ry <strong>Museum</strong> Archives, St. Louis.<br />

A0118<br />

Berrell, George B. (1849- ).<br />

Journals, 1871-1883. 10 volumes; 4 folders<br />

George B. Berrell, an ac<strong>to</strong>r and <strong>the</strong>atrical stage manager, was born in Philadelphia,<br />

Pennsylvania. He was named stage manager for DeBar's Opera House in St. Louis in 1876, and<br />

named acting manager in 1878, shortly after Ben DeBar's death in 1877. He was <strong>the</strong>reafter<br />

engaged with a variety of <strong>the</strong>atrical groups in and out of St. Louis, including <strong>the</strong> Grand Opera<br />

House (after 1882) and <strong>the</strong> Olympic Theatre in St. Louis.<br />

The bulk of <strong>the</strong> collection consists of nine journals, kept by Berrell, that recount his<br />

adventures in <strong>the</strong>ater and in life from 1871 until 1883. Among <strong>the</strong> varied entries are discussions<br />

of his <strong>the</strong>atrical career as a prompter with <strong>the</strong> Academy of Music in Chicago (1874), with<br />

DeBar's Opera House in St. Louis (from 1876), with <strong>the</strong> Acme Dramatic Company, a <strong>to</strong>uring<br />

s<strong>to</strong>ck show (summer 1882), and with <strong>the</strong> Grand Opera House and Olympic Theater in St. Louis<br />

(1882-1883). Entries also discuss Berrell's numerous fishing trips (with one journal devoted<br />

extensively <strong>to</strong> his "Pisca<strong>to</strong>rial Summer of 1878"); travels in New York and elsewhere; his<br />

thoughts on a celebrated murder of a St. Louis lawyer by a Post-Dispatch edi<strong>to</strong>r; and comments<br />

on Ben DeBar's estate. Also includes an undated volume titled "Annals of <strong>the</strong> Drama," which<br />

consists of notes about eighteenth-century British actress Sarah Siddons.<br />

Cite as: George B. Berrell Journals, <strong>Missouri</strong> His<strong>to</strong>ry <strong>Museum</strong> Archives, St. Louis.<br />

A2031<br />

Berry, George (1880-1960).<br />

Collection, 1960. 1 folder [formerly Alphabetical File]<br />

Collection consists of a biographical sketch of George Berry who was closely associated with<br />

<strong>the</strong> au<strong>to</strong>mobile industry in St. Louis during <strong>the</strong> first half of <strong>the</strong> twentieth century.<br />

Cite as: George Berry Collection, <strong>Missouri</strong> His<strong>to</strong>ry <strong>Museum</strong> Archives, St. Louis.<br />

A2034<br />

Berry, John. (1849-1931).<br />

Collection, 1962-1971; no date. 1 folder [formerly Alphabetical File]

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