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Ad 'di<br />
arri<br />
xt by John D. Berry<br />
1.,1<br />
42-POINT ITC FOUNDER ' S CASLON FORTY-TWO<br />
THE TYPES WERE CONsidered<br />
neither quaint<br />
nor old-fashioned: they<br />
LOOKED LIKE THE ORDINARY<br />
text & display types of the day.<br />
When Caslon's typefaces<br />
24-POINT ITC FOUNDER ' S CASLON THIRTY<br />
WERE REVIVED IN THE MIDDLE<br />
of the 19th century, after the<br />
onslaught of the "modern"<br />
IS-POINT ITC FOUNDER'S CASLON TWELVE<br />
DIDOTS AND BODONIS, THEY WERE USED<br />
at first for "old-fashioned" books and<br />
books that might or might not be read<br />
I2-POINT ITC FOUNDER'S CASLON TWELVE<br />
STRAIGHT THROUGH. BUT BY THE TURN OF THE CENTURY,<br />
Caslon Old Face (as it came to be known) had become reestablished<br />
as a standard typeface; in the early loth century,<br />
10-POINT ITC FOUNDER ' S CASLON TWELVE<br />
THANKS TO NUMEROUS REVIVALS MANUFACTURED BOTH FOR HAND-<br />
setting and for the various hot-metal typesetting machines on the<br />
market, Caslon had earned its place in a rule of thumb for printers r<br />
THE ORIGINAL CASLON LETTER FOUNDRY<br />
IN CHISWELL STREET, LONDON.<br />
"This new Foundery was begun in<br />
the Year 1720, and 1763;<br />
and will (with God's leave)<br />
be carried on, improved, and inlarged,<br />
by WILLIAM CASLON and Son,<br />
Letter-Founders in LONDON."<br />
—From the colophon of Caslon's<br />
1764 specimen book