Iaap newsletter 28 - The new Israeli Jungian society
Iaap newsletter 28 - The new Israeli Jungian society
Iaap newsletter 28 - The new Israeli Jungian society
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Obituary<br />
Sadly, we lost a vital member of JAWA, Jim Barnett, who we are still missing. He was<br />
very active in a number of <strong>Jungian</strong> groups in Dallas, North Caroline as well as the<br />
Inter-Regional Society of <strong>Jungian</strong> Analysis (IRSJA). He particularly opened his home to<br />
us during the Christmas season and a good time was had by all! We celebrate his life<br />
and honor the work that continues from his efforts.<br />
Submitted by<br />
Janice A. Quinn, PhD, LCSW<br />
President<br />
IAAP Newsletter <strong>28</strong> || IAAP Society Reports || Washington DC JAWA<br />
United States (Atlanta, Georgia)<br />
THE GEORGIA ASSOCIATION OF JUNGIAN ANALYSTS (GAJA)<br />
<strong>The</strong> Georgia Association of <strong>Jungian</strong> Analysts is a funny, nomadic melting pot. We are<br />
small in numbers (8 members), but rich in diversity. GAJA’s membership comes from<br />
four different states (Georgia, Alabama, South Carolina and North Carolina). Three of<br />
our members have deep roots overseas (France, Germany and Italy). Our <strong>Jungian</strong><br />
training experience further reflects our cross-cultural backgrounds (Zürich, IRSJA, and<br />
New York), as do our present <strong>Jungian</strong> commitments (teaching and leadership<br />
commitments in IRSJA, AGAP and ISAP, as well as, writing projects with colleagues,<br />
including Virginia Apperson’s <strong>The</strong> Presence of the Feminine in Film co-authored with<br />
John Beebe).<br />
We, like so many, are spread thin. Our limited time together as a group on a bimonthly<br />
basis is spent building community, discussing papers and cases, and sharing<br />
our own creative endeavors. In light of our patchwork nature, it seems to be nonaccidental<br />
that our <strong>new</strong>est member has created some magnificent quilts that reflect<br />
her life story. We truly are a piece of work and a work in progress.<br />
pg. 81