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CUBIERTAS CINE - Arce Media

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Digital Cinema Advertising:<br />

While Screenvision maintains<br />

an edge over NCM in theatres,<br />

screens and admissions, NCM has<br />

deployed more digital screens.<br />

Screenvision plans to have<br />

7,500+ digital screens by the end<br />

of 2007.<br />

Theatres/Screens Screenvision NCM<br />

Theatres 2,363 1,118<br />

Screens 15,252 14,131<br />

Admissions 51% 49%<br />

Digital Screens 4,000+ 11,500+<br />

% of Screens Digital 26% 81%<br />

The Advantages of Digital Cinema:<br />

Digital delivery of spot media has revolutionized<br />

cinema advertising. While reels of rolling stock are<br />

still printed, assembled, shipped or trucked to thousands<br />

of screens nationwide, a growing number of<br />

theatres receive their ads via satellite link-up.<br />

Naturally, this technological progression offers<br />

numerous advantages over traditional rolling stock.<br />

They include:<br />

• Cost: With digital cinema, advertisers are no longer<br />

required to supplement their $500,000 to<br />

$1,000,000 media spend with an additional<br />

$75,000 to $100,000 in rolling stock reel production,<br />

duplication and distribution charges. These<br />

charges often served as a disincentive to purchase<br />

cinema, particularly when the client was new to the<br />

marketplace. Digital also creates cost savings for<br />

Screenvision US’s bottom line, because marketplace<br />

dynamics require that we “roll-in” a large portion of<br />

the production charges to remain competitive on<br />

analog pricing.<br />

• Long-form Advertising: With little or no production<br />

cost, long-form advertising becomes more<br />

cost-efficient for advertisers working beyond the<br />

traditional :30 and :60 spots. These clients are<br />

required to pay higher CPMs (based on a :30 equivalization)<br />

for their longer ads but they no longer<br />

have to shoulder the higher production costs.<br />

Before digital cinema, the costs for producing a 20minute<br />

preshow were prohibitive, as networks like<br />

Screenvision and NCM had thousands of screens<br />

with dozens of ads. With the advent of digital,<br />

these costs are a fraction of their<br />

prior levels. Digital preshows are<br />

now one of the fastest-growing<br />

distribution platforms for longform<br />

advertising or infotainment.<br />

In addition, these preshows offer<br />

more inventory for spot advertising<br />

which translates to higher<br />

revenues.<br />

With the advent of<br />

the internet, iPods,<br />

DVRs, etc., the<br />

marketplace is<br />

focused on digital<br />

delivery of<br />

advertising<br />

A growing number<br />

of theatres receive<br />

their ads via<br />

satellite link-up<br />

• Lead times:<br />

In the analog world, advertisers<br />

are asked to submit their<br />

spots to our operations department<br />

four weeks before the start<br />

of their flight to allow sufficient<br />

time for conversion, duplication<br />

and distribution. In the digital<br />

world, creative can be ingested<br />

and sent via satellite to thousands of screens in a<br />

matter of hours. In addition to the cost savings<br />

outlined above, these advances offer cinema a comparable<br />

timeline to TV where spot creative need<br />

only be delivered on the air date. In short, agencies<br />

do not have to step-up the development of their<br />

creative to meet early cinema deadlines.<br />

• Customization, Flexibility and Compliance:<br />

Currently, our analog network allows for mid-flight<br />

switch-out of spots, but these adjustments mostly<br />

occur on non-composite reels -- i.e. reels where different<br />

spots are manually attached by the technicians<br />

at the theatre, not the duplication house -and<br />

they incur higher production charges and lower<br />

compliance. With a digital system, spots can be<br />

switched in and out with ease and they can even be<br />

delivered before a single film across the nation, not<br />

just in front of all the films in a given rating.<br />

Moreover, the digital system ensures that the advertising<br />

runs when it’s supposed to and Screenvision<br />

is less reliant on manual technicians to display the<br />

correct reels. Superior compliance helps retain<br />

clients.<br />

• Marketplace “Buzz”:<br />

With the advent of the internet, iPods, DVRs,<br />

etc., the marketplace is focused on digital delivery<br />

of advertising. Many of the agencies we work with<br />

have digital strategy units who exclusively plan and<br />

buy digital media. If cinema is to remain competitive<br />

in a marketplace experiencing a proliferation of<br />

out-of-home options for clients, it must employ cutting-edge<br />

technology.<br />

cine ´07<br />

75

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