CUBIERTAS CINE - Arce Media
CUBIERTAS CINE - Arce Media
CUBIERTAS CINE - Arce Media
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Digital Cinema Advertising:<br />
While Screenvision maintains<br />
an edge over NCM in theatres,<br />
screens and admissions, NCM has<br />
deployed more digital screens.<br />
Screenvision plans to have<br />
7,500+ digital screens by the end<br />
of 2007.<br />
Theatres/Screens Screenvision NCM<br />
Theatres 2,363 1,118<br />
Screens 15,252 14,131<br />
Admissions 51% 49%<br />
Digital Screens 4,000+ 11,500+<br />
% of Screens Digital 26% 81%<br />
The Advantages of Digital Cinema:<br />
Digital delivery of spot media has revolutionized<br />
cinema advertising. While reels of rolling stock are<br />
still printed, assembled, shipped or trucked to thousands<br />
of screens nationwide, a growing number of<br />
theatres receive their ads via satellite link-up.<br />
Naturally, this technological progression offers<br />
numerous advantages over traditional rolling stock.<br />
They include:<br />
• Cost: With digital cinema, advertisers are no longer<br />
required to supplement their $500,000 to<br />
$1,000,000 media spend with an additional<br />
$75,000 to $100,000 in rolling stock reel production,<br />
duplication and distribution charges. These<br />
charges often served as a disincentive to purchase<br />
cinema, particularly when the client was new to the<br />
marketplace. Digital also creates cost savings for<br />
Screenvision US’s bottom line, because marketplace<br />
dynamics require that we “roll-in” a large portion of<br />
the production charges to remain competitive on<br />
analog pricing.<br />
• Long-form Advertising: With little or no production<br />
cost, long-form advertising becomes more<br />
cost-efficient for advertisers working beyond the<br />
traditional :30 and :60 spots. These clients are<br />
required to pay higher CPMs (based on a :30 equivalization)<br />
for their longer ads but they no longer<br />
have to shoulder the higher production costs.<br />
Before digital cinema, the costs for producing a 20minute<br />
preshow were prohibitive, as networks like<br />
Screenvision and NCM had thousands of screens<br />
with dozens of ads. With the advent of digital,<br />
these costs are a fraction of their<br />
prior levels. Digital preshows are<br />
now one of the fastest-growing<br />
distribution platforms for longform<br />
advertising or infotainment.<br />
In addition, these preshows offer<br />
more inventory for spot advertising<br />
which translates to higher<br />
revenues.<br />
With the advent of<br />
the internet, iPods,<br />
DVRs, etc., the<br />
marketplace is<br />
focused on digital<br />
delivery of<br />
advertising<br />
A growing number<br />
of theatres receive<br />
their ads via<br />
satellite link-up<br />
• Lead times:<br />
In the analog world, advertisers<br />
are asked to submit their<br />
spots to our operations department<br />
four weeks before the start<br />
of their flight to allow sufficient<br />
time for conversion, duplication<br />
and distribution. In the digital<br />
world, creative can be ingested<br />
and sent via satellite to thousands of screens in a<br />
matter of hours. In addition to the cost savings<br />
outlined above, these advances offer cinema a comparable<br />
timeline to TV where spot creative need<br />
only be delivered on the air date. In short, agencies<br />
do not have to step-up the development of their<br />
creative to meet early cinema deadlines.<br />
• Customization, Flexibility and Compliance:<br />
Currently, our analog network allows for mid-flight<br />
switch-out of spots, but these adjustments mostly<br />
occur on non-composite reels -- i.e. reels where different<br />
spots are manually attached by the technicians<br />
at the theatre, not the duplication house -and<br />
they incur higher production charges and lower<br />
compliance. With a digital system, spots can be<br />
switched in and out with ease and they can even be<br />
delivered before a single film across the nation, not<br />
just in front of all the films in a given rating.<br />
Moreover, the digital system ensures that the advertising<br />
runs when it’s supposed to and Screenvision<br />
is less reliant on manual technicians to display the<br />
correct reels. Superior compliance helps retain<br />
clients.<br />
• Marketplace “Buzz”:<br />
With the advent of the internet, iPods, DVRs,<br />
etc., the marketplace is focused on digital delivery<br />
of advertising. Many of the agencies we work with<br />
have digital strategy units who exclusively plan and<br />
buy digital media. If cinema is to remain competitive<br />
in a marketplace experiencing a proliferation of<br />
out-of-home options for clients, it must employ cutting-edge<br />
technology.<br />
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