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Four Artists and an Island

by Patrick Flores

Nunelucio Alvarado, Brenda Fajardo, Leandro Locsin, and Lino

Severino are artists from the Visayas, specifically Negros Occidental,

who have contributed immensely to the history of art and the

contemporary culture of the island, the region, the nation, and the

world. In their respective fields of expression, they have shared a

creative language that both deepens the tone and widens the scope

of the imagination not only through the formal qualities of their

work but through the sharpness and poignancy of their response

to the changing world around them. In the milieu of the visual arts

and architecture, they resonate and inspire.

These artists have also not confined their work to their studios and

professions. They have worked with communities and organizations,

collectives and institutions. They have become teachers and cultural

workers. They can be considered citizen-artists who through their

rootedness in the island and their awareness of a broader context

have revealed the promise of art. They have performed this promise

through artistic endeavor and social commitment.

The exhibition on them for VIVA ExCon was meant to bear

witness and further stir up the sensibility of both art history and

contemporary art. Fajardo’s exploration of historical memory

through the medieval tarot recast in local livery and figurations of

movement, dream, struggle in allegory and epic has kindled interest

in and fascination with a post-colonial imaginarium. Alvarado’s

strident and incendiary depiction of the inequities in plantations

in Negros and its roots in colonialism, imperialism, and neoliberal

political economies is haunting, if not compelling; it is an imperative

aesthetic. The modernism of Locsin, internationalist and yet sensitive

to the local natural and cultural environment, foregrounds a practice

that is thoughtful and elegant. And finally, Lino Severino’s quiet

observations on the telltale signs of heritage in houses, landscapes,

and even political news attest to the artist’s abiding curiosity about

what comes and goes and what must prevail as values for life. To

them the artists of the Visayas can only be grateful.

The initiative to curate an exhibition within VIVA of modernist

artists from the site of the biennale was a way to let modernity

and contemporaneity interanimate. In 2014, it was Jess Ayco in

Bacolod; and in 2016, it was Timoteo Jumayao in Iloilo. In 2021,

Alvarado, Fajardo, Locsin, and Severino generously graced current

art and history.

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