DEC13_SUPERDUPERFINAL

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Nunelucio AlvaradoUntitled 45.5” x 101” acrylic on canvasNunelucio Alvarado (b. 1950, Sagay City) finished his bachelor’sdegree in Advertising at the La Consolacion College School ofArchitecture and Fine Arts in Bacolod City in 1968 and went toManila to pursue Fine Arts at the University of the Philippinesthe following year as a scholar of Purita Kalaw-Ledesma. While inManila he became an active member of the activist organizationNagkakaisang Progresibong Arkitekto at Artista (NPAA) andbecame Chairperson of the organization’s Western Visayas chaptersoon after. After the declaration of Martial Law, he was drawnto Kaisahan, a group of painters that cultivated a strong politicaland social orientation. He returned to Bacolod in 1979 and cofoundedthe collective Pamilya Pintura in 1980. In Bacolod, he138became president of the Art Association of Bacolod and was one ofthe founding members of the Concerned Artists of the Philippines-Negros when it was established in 1983. He joined the artistcollective Black Artists of Asia in 1987.In Alvarado’s paintings, as critic Alice Guillermo describes them,we see “not a land of sweetness and light as Amorsolo evoked [buta] Bacolod fraught with dark shadows and sinister presences againstpassages of blazing light in a harsh landscape.” He received the 13Artists grant from the Cultural Center of the Philippines in 1992and was part of the inaugural Asia-Pacific Triennial of ContemporaryArt in Brisbane in 1993.
a. b. c.f.e.(clockwise) a. Mahal na Hari 77.5” x 53.5” acrylic on canvas | b. Mahjong 78.5” x 53.5”acrylic on canvas | c. Palangga Ka Namon 79” x 53.5” acrylic on canvasd. Dynamite Fishing 78” x 53.5” acrylic on canvas | e. All the Way 78” x 53.5” acrylic on canvas139
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COVER
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CONTENTS68Curators Notes Eastern Vi
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Messages
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Flashbacks of VIVA ExConby Charlie
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It may not be our fondest memory bu
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DUMAGUETE (2012)Garbo sa Bisaya Awa
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VIVA ExCon 2016 Iloilo - Photo by L
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ROXAS (2018)The 2018 VIVA ExCon was
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VIVA ExCon 2020 Bacolod Launching,
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Bayanihan ExhibitionsFundraising Ev
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25
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works of art, either individually o
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We were actually quite excited abou
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V-CON1 Day 2 November 12, 2020Virtu
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V-CON1 Day 4 November 14, 2020Virtu
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Caught by the Lockdown:Artists’ S
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Art Initiatives in Changing TimesJa
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Kalibutan Seminar Node 2:Artists Ex
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Kalibutan Seminar Node 2:Artists Ex
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Music Video Launch of Uwak47
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The Art Market Post COVID-19April 1
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Kalibutan Seminar Node 3: WorksDisc
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Lockdown ArtJune 5, 2021This webina
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Museum Management Projectionsfrom t
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body is enworlded, on the other. It
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I proposed the modalities above as
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The term kalibutan, aside from bein
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Contingent Kalibutan:Notes on Curat
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of? These are just musings and ques
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RAF+CAA’s project, which calls ou
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Regional Art Forum75
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78HingaloSonic performance, Virtual
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Interative Box Installation16 x 20
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Curators Notes Central Visayas
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84The design-driven creative scene
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Mona Alcudia’s Peacock ChairMona
Page 88 and 89: Curator’s Notesby Maria Tanaguchi
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Page 92: 10.3157° N, 123.8854° EVariable d
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Page 97 and 98: On Seeing the Kalibutanby Liby Limo
Page 99 and 100: Artists as Synthesizing Agentsin a
Page 101 and 102: Sometimes, the best step forward is
Page 103 and 104: The multiple positions she occupies
Page 105 and 106: Dinun-an Sang Aton Ginikanan (The W
Page 107: 107BahandiMultimedia DocumentaryFar
Page 110 and 111: Visayas Elsewhereby Patrick FloresT
Page 112 and 113: Lani Maestro, who is currently livi
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Page 116: Finally, Joshua Serafin, conjures a
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Page 122 and 123: it is thisNeonLani Maestro2018
Page 125: Cosmological GangbangVideo Installa
Page 129: 2003-2016HP Matte Print279 inches x
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Page 134 and 135: Brenda FajardoSiya, Ikaw, At Ako (1
Page 136 and 137: a. b.c. d.(clockwise) a. Nang Sumil
Page 140 and 141: a.b.a. Tiempo Muertos 9.5” x 67
Page 142 and 143: Leandro LocsinLeandro Locsin (1928-
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Page 146 and 147: Lino SeverinoUntitled 24 x 30 inche
Page 148 and 149: #667 19.5 x 14 inches watercolor on
Page 150 and 151: Essay Divider
Page 152 and 153: My VIVA ExConby Raymund L. Fernande
Page 154 and 155: VIVA ExCon Cebu, which we called
Page 156 and 157: From Bacolod to Roxas:LOOKING BACKW
Page 158 and 159: Despite differences in styles and t
Page 160 and 161: the abundance of murals that dotted
Page 162 and 163: and some intense lobbying. I warned
Page 164 and 165: Ratia Mufida (Biennale Jogja) revea
Page 166 and 167: VIVA Excon 1990 at Mambukal Resort,
Page 168 and 169: Finding Inspirationin VIVA ExConby
Page 170 and 171: Patrick FloresGuinevere DecenaLiby
Page 172 and 173: Partner Viewing Spaces172
Page 174 and 175: Major SponsorsMercedes U. Zobel174
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DEC13_SUPERDUPERFINAL

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