DEC13_SUPERDUPERFINAL

Recommendations

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a. b.c. d.(clockwise) a. Nang Sumilip Ang Buwa Pumasok Ang Dilim (5/10) intaglio (etching), 47 x 45 cm, 1974 | b. Contrapposto (2/9), collograph, 43.5 x 30.5 cm, 1976c. Pakikipagsapalaran (1/12) intaglio (etching) 35 x 27.5cm 1978 | d. Liwanag At Panahon (4/10) intaglio (etching) 37 x 45 cm 1974136
a.b. c.d.e. f.(clockwise) a. Baraha (Araw, Buwan, Bituin, Daigdig) colored ink on paper 48.2 x 24.13 cm 2021| b. Baraha (Ang Araw, Ang Buwan, Ang Bituin) colored ink onpaper 37.85 x 72.39 cm 2021 c. Baraha (Babaylan, Kahinahunan, Ang Gaga, Salamankero) colored ink on paper 38.1 x 28.45 cm 2021 | d. Baraha (Magkasuyo,Ang Sasakyan, Ermitanyo, Taong Binigti) colored ink on paper 37.85 x 24.89 cm 2021 | e. Baraha (Ang Buwan, Ang Bituin, Ang Araw, Daigdig) colored ink onpaper 38.86 x 25.91 cm 2021 | f. Baraha (Salamangkero, Emperatris, Emperador, Ang Papa) colored ink on paper 38.1 x 24.38 cm 2021137
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COVER
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CONTENTS68Curators Notes Eastern Vi
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Messages
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Flashbacks of VIVA ExConby Charlie
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It may not be our fondest memory bu
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DUMAGUETE (2012)Garbo sa Bisaya Awa
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VIVA ExCon 2016 Iloilo - Photo by L
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ROXAS (2018)The 2018 VIVA ExCon was
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VIVA ExCon 2020 Bacolod Launching,
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Bayanihan ExhibitionsFundraising Ev
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25
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works of art, either individually o
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We were actually quite excited abou
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V-CON1 Day 2 November 12, 2020Virtu
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V-CON1 Day 4 November 14, 2020Virtu
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35
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Caught by the Lockdown:Artists’ S
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Art Initiatives in Changing TimesJa
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Kalibutan Seminar Node 2:Artists Ex
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Kalibutan Seminar Node 2:Artists Ex
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Music Video Launch of Uwak47
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The Art Market Post COVID-19April 1
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Kalibutan Seminar Node 3: WorksDisc
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Lockdown ArtJune 5, 2021This webina
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Museum Management Projectionsfrom t
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body is enworlded, on the other. It
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I proposed the modalities above as
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The term kalibutan, aside from bein
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Contingent Kalibutan:Notes on Curat
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of? These are just musings and ques
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RAF+CAA’s project, which calls ou
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Regional Art Forum75
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78HingaloSonic performance, Virtual
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Interative Box Installation16 x 20
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Curators Notes Central Visayas
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84The design-driven creative scene
Page 86 and 87: Mona Alcudia’s Peacock ChairMona
Page 88 and 89: Curator’s Notesby Maria Tanaguchi
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Page 92: 10.3157° N, 123.8854° EVariable d
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Page 97 and 98: On Seeing the Kalibutanby Liby Limo
Page 99 and 100: Artists as Synthesizing Agentsin a
Page 101 and 102: Sometimes, the best step forward is
Page 103 and 104: The multiple positions she occupies
Page 105 and 106: Dinun-an Sang Aton Ginikanan (The W
Page 107: 107BahandiMultimedia DocumentaryFar
Page 110 and 111: Visayas Elsewhereby Patrick FloresT
Page 112 and 113: Lani Maestro, who is currently livi
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Page 116: Finally, Joshua Serafin, conjures a
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Page 122 and 123: it is thisNeonLani Maestro2018
Page 125: Cosmological GangbangVideo Installa
Page 129: 2003-2016HP Matte Print279 inches x
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Page 134 and 135: Brenda FajardoSiya, Ikaw, At Ako (1
Page 138 and 139: Nunelucio AlvaradoUntitled 45.5”
Page 140 and 141: a.b.a. Tiempo Muertos 9.5” x 67
Page 142 and 143: Leandro LocsinLeandro Locsin (1928-
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Page 146 and 147: Lino SeverinoUntitled 24 x 30 inche
Page 148 and 149: #667 19.5 x 14 inches watercolor on
Page 150 and 151: Essay Divider
Page 152 and 153: My VIVA ExConby Raymund L. Fernande
Page 154 and 155: VIVA ExCon Cebu, which we called
Page 156 and 157: From Bacolod to Roxas:LOOKING BACKW
Page 158 and 159: Despite differences in styles and t
Page 160 and 161: the abundance of murals that dotted
Page 162 and 163: and some intense lobbying. I warned
Page 164 and 165: Ratia Mufida (Biennale Jogja) revea
Page 166 and 167: VIVA Excon 1990 at Mambukal Resort,
Page 168 and 169: Finding Inspirationin VIVA ExConby
Page 170 and 171: Patrick FloresGuinevere DecenaLiby
Page 172 and 173: Partner Viewing Spaces172
Page 174 and 175: Major SponsorsMercedes U. Zobel174
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DEC13_SUPERDUPERFINAL

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