SPECIAL MODE ET MEDIA - Magazine
SPECIAL MODE ET MEDIA - Magazine
SPECIAL MODE ET MEDIA - Magazine
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EDITOR IN CHIEF :<br />
Diane Vadino<br />
MAGAZINES<br />
TRUNK<br />
États-Unis, semestriel, 128 p., no 2, 205 x 275 mm, 8,50 €<br />
EXTRAIT<br />
MY CITY OF RUINS<br />
Nicholas Kulish reported on Egypt’s revolution for The New York Times.<br />
Months later, he returned to Alexandria for another look at this beguiling,<br />
bewildering metropolis, tracing its tumultuous history from its ancient<br />
origins to an uncertain future. Night has fallen over Alexandria<br />
but my wristwatch insisted it was still day. Angry black smoke spewed<br />
from burning tires and molten plastic. The files and the furniture inside<br />
police stations, the stations themselves, even one of the city’s famous<br />
tram stations was on fire. The smoke rose up and blotted out the<br />
sky, drifting out beyond the island of Pharos, where long ago stood<br />
the lighthouse that was one of the wonders of the ancient world. Only<br />
far out over the Mediterranean was the afternoon’s blue sky still visible.<br />
My introduction to the ancient city of Alexandria was harsh and<br />
unusual. I arrived on January 26, 2011, from Cairo, where the revolution<br />
that would eventually take its name from the Twitter-ized designation of<br />
the previous day − #jan25 − had just begun. The first thing I saw out the<br />
FOUNDER & CREATIVE DIRECTOR :<br />
David Cicconi<br />
trunkmag.com<br />
La banalisation des vols charter a changé notre manière de voyager : depuis vingt<br />
ans, on vole plus loin et plus souvent. Mais cette démocratisation n’est pas l’unique<br />
évolution : de nombreux métiers ont été révolutionnés par la facilité du voyage, parmi<br />
lesquels les industries créatives et de l’image. Le voyage non comme un outil mais<br />
comme un lifestyle ? C’est le propos de Trunk (« malle » en anglais). Un photographe,<br />
une rédactrice et de nombreux contacts (photographes, journalistes, stylistes, designers)<br />
qui parcourent la planète pour raisons professionnelles ou personnelles – les<br />
deux se mêlant parfois. Chaque morceau de Trunk est une plongée dans un pays, une<br />
culture, une histoire : l’Éthiopie, un rallye automobile Londres - Oulan-Bator, les volcans<br />
indonésiens ou les lofts d’artistes new-yorkais émergents si vous êtes trop dépaysés.<br />
C’est d’ailleurs l’une des curiosités du magazine : difficile de lui donner un port<br />
d’attache. Il est américain, soit, mais pas plus NY que LA, et autant Europe qu’Asie.<br />
Parce que c’est une rédactrice qui est l’une des deux moitiés du magazine, les voyages<br />
de Trunk sont aussi des récits, écrits. On découvre quelques séries mode (mood 40<br />
dans un jardin de l’ex-Allemagne de l’Est, un remake de Gainsbourg-Birkin…) et, là<br />
aussi, la styliste livre ses références et son intention, comme une mise en mots de son<br />
récit visuel. Le côté hors du temps de Trunk est assez singulier, et sa baseline “The<br />
world is a fine place”, empruntée à Hemingway, une invitation engageante.<br />
MAGAZINE N O 7<br />
20<br />
car window upon my arrival was a small cluster of protesters unfurling<br />
a banner. We were forced to brake hard as they were chased by blackclad<br />
riot police in front of our car and onto the broad coastal boulevard<br />
called the Corniche. They were outnumbered, surrounded and swallowed<br />
up by the security forces, a prelude to the violence to come. When<br />
writing about Alexandria, visitors usually begin far in the past, with<br />
the lighthouse and the Great Library, the vanished glory sought by archaeologists<br />
at the bottom of the harbor, where the ancient buildings<br />
lie broken. As such, the city in its current form cannot help but disappoint:<br />
a wall of concrete high-rises blocking off the coast, surrounded<br />
by the slums of the impoverished and those just getting by, who make<br />
up an overwhelming majority of the four million Alexandrians. It is<br />
not impossible to find imprints of an older, grander city, if you enjoy a<br />
cappuccino and perhaps a honey-soaked pastry at the patisserie and<br />
café Delices on Saad Zaghloul Square, then cross to the marble lobby of<br />
the Cecil Hotel, where Winston Churchill and Somerset Maugham once<br />
stayed, and take the old gated elevator up one floor for a drink at the bar.<br />
[…] Nicholas Kulish p. 76<br />
DESIGN DIRECTOR :<br />
Pamela Berry<br />
PHOTO DIRECTOR :<br />
Katie Dunn<br />
PUBLISHER :<br />
Contrapposto media LLC