Collectionneurs en situation - L'espace de l'art concret
Collectionneurs en situation - L'espace de l'art concret
Collectionneurs en situation - L'espace de l'art concret
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“Collectors on site”<br />
Op<strong>en</strong>ing : Sunday, June 19th, 2011 at 5:00p.m.<br />
June 22 through October 30, 2011<br />
Artistes : Céleste Boursier-Moug<strong>en</strong>ot, D<strong>en</strong>is Castellas, Krijn De Koning, Sandra Lor<strong>en</strong>zi, Pascal Pinaud, Florian<br />
Pugnaire & David Raffini, Djamel Tatah, Cedric Teisseire, Richard Woleck.<br />
Collectors : José Louis Albertini, Arsfutura, Francine et Francis Carrère, Michel Fedoroff, Pierre-Louis<br />
Ezavin, Gilles Fuchs, LGR, Bernard Massini.<br />
In the framework of the exceptional exhibition, Contemporary Art and the Fr<strong>en</strong>ch Riviera, A<br />
Territory for Experim<strong>en</strong>tation, the Espace <strong>de</strong> l’Art Concret pres<strong>en</strong>ts a panorama of work by living<br />
artists as se<strong>en</strong> through the eyes of certain collectors from the region. The project examines<br />
the practice of installation art and on-site work by offering each artist an occasion to conceive a<br />
piece (financed and acquired by the collector) which will first be installed in the Castle gallery of<br />
the Espace <strong>de</strong> l’Art Concret and subsequ<strong>en</strong>tly be integrated into the collector’s private collection.<br />
This exhibition brings together t<strong>en</strong> artists in association with nine collectors, or couples who<br />
collect, for the conception of nine projects which must be integrated into two exhibition spaces<br />
completely differ<strong>en</strong>t in both architecture and function.<br />
The title of the exhibition, « Collectors on site » emphasizes the active role played by the<br />
collectors who experi<strong>en</strong>ce here a new relationship with a work of art: one with a work in process.<br />
The dialogue betwe<strong>en</strong> artist and collector also op<strong>en</strong>s up to another interlocutor: the institution,<br />
initiator and pivot of the project. The Espace <strong>de</strong> l’Art Concret, fruit of a private initiative and a<br />
political choice, seems the i<strong>de</strong>al site for such an exhibition. In the same way the Castle, a<br />
building from the private sector transformed into an art c<strong>en</strong>ter op<strong>en</strong> to the public, allows us to put<br />
into perspective the sometimes ambiguous relationships that art maintains with commissions<br />
and <strong>de</strong>corum.