pdf 1927 kb - MTA Szociológiai Kutatóintézet
pdf 1927 kb - MTA Szociológiai Kutatóintézet
pdf 1927 kb - MTA Szociológiai Kutatóintézet
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is less subject to alternations of tension-discharge,<br />
to conservation of required<br />
energy, to maintaining states of<br />
equilibrium, to functioning as a closed<br />
circuit that opens up through saturation...If<br />
a scientifi c model is needed,<br />
female sexuality would perhaps fi t<br />
better with what Prigogine calls „dissipatory”<br />
structures, which function<br />
through exchanges with the exterior<br />
world, which proceed in steps from<br />
one energy level to another, and which<br />
are not organized to search equilibrium<br />
but rather to cross thresholds, a<br />
procedure that corresponds to going<br />
beyond disorder or entropy without<br />
discharge.” 13<br />
Introducing Irigaray in Hungary 14 by<br />
her essay on Platonic eros I have to<br />
mention at fi rst her famous psychoanalytic<br />
interpretation of the Platonic cave<br />
offered in her phd- thesis, published<br />
under the title of „Speculum of the<br />
Other Women” (Speculum de l’autre<br />
femme) in Paris 1974. This book<br />
made her known to a wider audience.<br />
It containes a close, critical feminist<br />
reading of Freud’s essay „On Feminity”<br />
and of Plato’s myth of the Cave.<br />
She interprets the cave as womb, the<br />
way out of the cave to the light as birth<br />
in a corporeal sense. Plato and Freud<br />
are the founder and re-founder of patriarchal<br />
order. From her fi rst book on<br />
Irigaray’s task has been to deconstuct<br />
classical philosophical texts. She has<br />
been doing it as a philosopher and a<br />
psychoanalyst, following Heidegger’s<br />
or Derrida’s way or even Freud’s. - In<br />
a sense psychoanalytic interpretation<br />
is a kind of deconstructive reading<br />
as well as feminist interpretation.(see<br />
Part 1.)<br />
I will focus on three concepts challenging<br />
and widening the Freudian<br />
theory from a feminist, critical standpoint.<br />
They are the following 1. the<br />
idea of matricide underlying western<br />
culture, as opposed to Freud’s idea of<br />
parricide; 2. the concept of wombenvy<br />
characteristic of men, side by<br />
side with the penis envy of women;<br />
3. regeneration and creation by love,<br />
Ellentmondásos<br />
tradíció<br />
eros instead of generation for women<br />
or sublimation from desire for men.<br />
These can be partly attributed to Irigaray<br />
15 alone, partly to her follower.<br />
The idea of womb envy was also conceived<br />
as early as the next generation<br />
of psychoanalysts after Freud.<br />
Underlying of Irigaray’s works is a<br />
sense of challenge to the Lacanian theory,<br />
to his concepts such as the law of<br />
the father, the phallus and woman as<br />
lack etc. Reading Irigaray, the female<br />
reader has the chance to see herself in<br />
a better mirror of another woman than<br />
in Lacan’s works where she is nothing<br />
but a lack.<br />
1. Matricide<br />
Freud thinks the foundational act of<br />
culture is a parricide commited by<br />
the males of the tribe (Totem and Taboo).<br />
According to Irigaray there is a<br />
more fundamental, original murder,<br />
the murder of the mother (matricide)<br />
on which the whole culture, language,<br />
mythology in the West rests. /The<br />
Body Encounter with the Mother 16<br />
/. It is symbolised in the founding of<br />
metaphysics, in logocentrism, in the<br />
symbolic order which excludes women<br />
as body, matter. In this foundation<br />
woman functions as the reproducer<br />
of social order, acting as the infrastructure<br />
of that order, the underpinning<br />
on which the edifi ce is built. Her<br />
idea, the psychoanalytic concept of<br />
matricide has a bearing on the core<br />
of the feminist critique of the binary<br />
oppositions of Western philosophy,<br />
an enterprise aimed at detecting the<br />
underlying hierarchy. The value-laden<br />
term in these dichotomies has a defi -<br />
nite identity, the other side has no<br />
identity of its own. The positive side<br />
of the dichotomies fi gures as the symbolic<br />
representation of Man (identity,<br />
the Same), the other side represents<br />
woman, it is a non-representation, a<br />
negative defi nition. 17 Woman is the<br />
Other. His identity is grounded on<br />
what he is not, on her. Her identity is<br />
extinguished - the material, maternal,<br />
corporeal has been murdered, it is in<br />
a symbolic sense matricide. The idea<br />
has been developped from her fi rst<br />
groundbreaking work „Speculum” on,<br />
in her interpretation of the Platonic<br />
cave as womb. This time my subject is<br />
her reading of Symposium, Diotima’s<br />
speech, the „Sorcerer Love”, which is<br />
the fi rst piece in a series of lectures<br />
given on the ethics of the passions in,<br />
at Erasmus University in Rotterdam,<br />
in 1982. The lectures were published<br />
under the title „An Ethics of Sexual<br />
Difference” 18 , and dealt with certain<br />
13<br />
KÉK<br />
works of Plato, Aristote, Descartes,<br />
Spinoza, Hegel, Lévinas and Merleau-<br />
Ponty. Before turning to this essay (in<br />
which she does not mention matricide<br />
as she is developing the idea of a positive<br />
female potential), I would like to<br />
mention two works infl uenced or inspired<br />
by her idea. the one is Adriana<br />
Cavarero’s, the other is Page du Bois’<br />
s „Sowing the Body” Both belong to<br />
scholarship on ancient philosophy<br />
or to classical studies infl uenced by<br />
feminism and psychoanalysis. Adriana<br />
Cavarero’s work „In spite of Plato” 19<br />
analyses female fi gures of ancient philosophy<br />
Penelope, Demeter, the maidservant<br />
from Thrace in Plato’s dialogue<br />
Theaetet and Diotima. In her essay on<br />
Diotima she takes up Irigaray’s concept<br />
of matricide and localizes it in<br />
the hierarchy of mental creativity over<br />
corporeal fertility. The Platonic text in<br />
Symposium is unique because it keeps<br />
traces of a maternal power and shows