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pdf 1927 kb - MTA Szociológiai Kutatóintézet

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is less subject to alternations of tension-discharge,<br />

to conservation of required<br />

energy, to maintaining states of<br />

equilibrium, to functioning as a closed<br />

circuit that opens up through saturation...If<br />

a scientifi c model is needed,<br />

female sexuality would perhaps fi t<br />

better with what Prigogine calls „dissipatory”<br />

structures, which function<br />

through exchanges with the exterior<br />

world, which proceed in steps from<br />

one energy level to another, and which<br />

are not organized to search equilibrium<br />

but rather to cross thresholds, a<br />

procedure that corresponds to going<br />

beyond disorder or entropy without<br />

discharge.” 13<br />

Introducing Irigaray in Hungary 14 by<br />

her essay on Platonic eros I have to<br />

mention at fi rst her famous psychoanalytic<br />

interpretation of the Platonic cave<br />

offered in her phd- thesis, published<br />

under the title of „Speculum of the<br />

Other Women” (Speculum de l’autre<br />

femme) in Paris 1974. This book<br />

made her known to a wider audience.<br />

It containes a close, critical feminist<br />

reading of Freud’s essay „On Feminity”<br />

and of Plato’s myth of the Cave.<br />

She interprets the cave as womb, the<br />

way out of the cave to the light as birth<br />

in a corporeal sense. Plato and Freud<br />

are the founder and re-founder of patriarchal<br />

order. From her fi rst book on<br />

Irigaray’s task has been to deconstuct<br />

classical philosophical texts. She has<br />

been doing it as a philosopher and a<br />

psychoanalyst, following Heidegger’s<br />

or Derrida’s way or even Freud’s. - In<br />

a sense psychoanalytic interpretation<br />

is a kind of deconstructive reading<br />

as well as feminist interpretation.(see<br />

Part 1.)<br />

I will focus on three concepts challenging<br />

and widening the Freudian<br />

theory from a feminist, critical standpoint.<br />

They are the following 1. the<br />

idea of matricide underlying western<br />

culture, as opposed to Freud’s idea of<br />

parricide; 2. the concept of wombenvy<br />

characteristic of men, side by<br />

side with the penis envy of women;<br />

3. regeneration and creation by love,<br />

Ellentmondásos<br />

tradíció<br />

eros instead of generation for women<br />

or sublimation from desire for men.<br />

These can be partly attributed to Irigaray<br />

15 alone, partly to her follower.<br />

The idea of womb envy was also conceived<br />

as early as the next generation<br />

of psychoanalysts after Freud.<br />

Underlying of Irigaray’s works is a<br />

sense of challenge to the Lacanian theory,<br />

to his concepts such as the law of<br />

the father, the phallus and woman as<br />

lack etc. Reading Irigaray, the female<br />

reader has the chance to see herself in<br />

a better mirror of another woman than<br />

in Lacan’s works where she is nothing<br />

but a lack.<br />

1. Matricide<br />

Freud thinks the foundational act of<br />

culture is a parricide commited by<br />

the males of the tribe (Totem and Taboo).<br />

According to Irigaray there is a<br />

more fundamental, original murder,<br />

the murder of the mother (matricide)<br />

on which the whole culture, language,<br />

mythology in the West rests. /The<br />

Body Encounter with the Mother 16<br />

/. It is symbolised in the founding of<br />

metaphysics, in logocentrism, in the<br />

symbolic order which excludes women<br />

as body, matter. In this foundation<br />

woman functions as the reproducer<br />

of social order, acting as the infrastructure<br />

of that order, the underpinning<br />

on which the edifi ce is built. Her<br />

idea, the psychoanalytic concept of<br />

matricide has a bearing on the core<br />

of the feminist critique of the binary<br />

oppositions of Western philosophy,<br />

an enterprise aimed at detecting the<br />

underlying hierarchy. The value-laden<br />

term in these dichotomies has a defi -<br />

nite identity, the other side has no<br />

identity of its own. The positive side<br />

of the dichotomies fi gures as the symbolic<br />

representation of Man (identity,<br />

the Same), the other side represents<br />

woman, it is a non-representation, a<br />

negative defi nition. 17 Woman is the<br />

Other. His identity is grounded on<br />

what he is not, on her. Her identity is<br />

extinguished - the material, maternal,<br />

corporeal has been murdered, it is in<br />

a symbolic sense matricide. The idea<br />

has been developped from her fi rst<br />

groundbreaking work „Speculum” on,<br />

in her interpretation of the Platonic<br />

cave as womb. This time my subject is<br />

her reading of Symposium, Diotima’s<br />

speech, the „Sorcerer Love”, which is<br />

the fi rst piece in a series of lectures<br />

given on the ethics of the passions in,<br />

at Erasmus University in Rotterdam,<br />

in 1982. The lectures were published<br />

under the title „An Ethics of Sexual<br />

Difference” 18 , and dealt with certain<br />

13<br />

KÉK<br />

works of Plato, Aristote, Descartes,<br />

Spinoza, Hegel, Lévinas and Merleau-<br />

Ponty. Before turning to this essay (in<br />

which she does not mention matricide<br />

as she is developing the idea of a positive<br />

female potential), I would like to<br />

mention two works infl uenced or inspired<br />

by her idea. the one is Adriana<br />

Cavarero’s, the other is Page du Bois’<br />

s „Sowing the Body” Both belong to<br />

scholarship on ancient philosophy<br />

or to classical studies infl uenced by<br />

feminism and psychoanalysis. Adriana<br />

Cavarero’s work „In spite of Plato” 19<br />

analyses female fi gures of ancient philosophy<br />

Penelope, Demeter, the maidservant<br />

from Thrace in Plato’s dialogue<br />

Theaetet and Diotima. In her essay on<br />

Diotima she takes up Irigaray’s concept<br />

of matricide and localizes it in<br />

the hierarchy of mental creativity over<br />

corporeal fertility. The Platonic text in<br />

Symposium is unique because it keeps<br />

traces of a maternal power and shows

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