The Journal of Decorative and Propaganda Arts - UCLA Department ...
The Journal of Decorative and Propaganda Arts - UCLA Department ...
The Journal of Decorative and Propaganda Arts - UCLA Department ...
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le DAnLVlrert9gT<br />
pfide€$ tng fl). Er7gr in $e "nocnrrnfl' armbiogfaB&rical rrotls ttg D'tuinunzio<br />
;<strong>of</strong>irpod€d *hile IMng u { vtfiGieh, in *,}rkh te rtelaboraed <strong>and</strong> reqrcled<br />
p*ri** t *r, ttre &flnlton <strong>of</strong> the serfuoggh menrory ukes the strape<br />
<strong>of</strong>aHaanttrine proaess inwlrn*rsre *plm" <strong>of</strong> lift'<strong>of</strong>*rl$rq'<strong>and</strong><strong>of</strong> $earti$c<br />
xrd tfreraryrndftion blend togetlpr or dtplecc ry}t odrr in an *en'<br />
tAbnmrt<strong>of</strong> rd" {tt4as $, 902). "I hrye no dooinion trrnr rrryse$' nor do I<br />
*ngnl frgtr' tO melFufe Iny mo$lerfi$, lt<strong>of</strong> hm' to folfuw the continud dbipa'<br />
tloo <strong>of</strong> my own sgbmnce. My tfe darn*ely dirshes <strong>and</strong> rcf<strong>of</strong>rns tself: it ls a<br />
clqrd <strong>and</strong> a nuclegs' (74). Tta sanre prqet dr* airned to make Il Viuortale<br />
into adl@er <strong>of</strong> memor5'aad *e tocui foi dr ddinition ard represc'rtaei'on <strong>of</strong><br />
the se$appears in D'Annurrzb's reflections in fl Lfurc kgrctu {Tbe S@g<br />
aoae) as tire repeeitlon <strong>of</strong> a pnoiea atready un&ruksr orrce before ar dre Wla<br />
Cry#lcina, {rd desdned to frilure "I rnade nry tnuse out <strong>of</strong> all <strong>of</strong> mySe$ <strong>and</strong><br />
f tone it in arery part. tf in my languryP I trnercgate it, it a$sw€rE rne tn rny lan'<br />
gu4e...but ftb evenirg its harmo$ts oYerq&elm rne, the agreemant eif is<br />
["rmr ir painn* <strong>and</strong> dflirlg for rn: it lit'es bepnd my llh, <strong>and</strong> pt it is 1grn <strong>and</strong><br />
dMdd ulenryon'n life.Iencr intoit.I hae nryurry fre murcmens<strong>of</strong> tny<br />
bOdy are not nry Ovtn, €very tWn cOlom wfth i1g funinarn Color rny senrC<br />
feeltrgp, but whha* srealing ttletlt to me; they color my priwre &lirium<br />
widro.rt iilerpreting tt" (n 4-n 5) -<br />
T|pvifa e Qargn rcnns a rimple aerd *oberbuitding from *m e{fummth<br />
qrrny Gig. l), surrour# by e$trrcen dmrs<strong>and</strong> $quafe met€r$ <strong>of</strong> Aeeftlled<br />
rerrage$ gping dcrsn the hill ffiffd ihe lelc'wi$ a &w scsrerd funlroustr"<br />
ft naa one UeUrqqa s fu distir4Uishd Gernrat trist<strong>of</strong>ian 4dJdtsl*r <strong>of</strong> &e<br />
Italkn R€fieistrr€ l{enry Itlo{g, te son-in-la*r <strong>of</strong> C-ocima {i*x (daudsr cf<br />
hulz IJsA <strong>and</strong> wife <strong>of</strong> sHffd wgner). l[ fie bqi<strong>of</strong>ttry <strong>of</strong> dp a,"ac, tts ?ith<br />
<strong>and</strong> ftsfurnishirEpwere setzedby-the lalian atrtlmritle (as hrypened todre<br />
pruperty <strong>of</strong> rnany Crerman citiaers at dle dry). D'&rnunzio was t{x.$le to<br />
-reni<br />
A xtA Unet to buy it, for a rebtively modest ar4 Stx &omd <strong>of</strong> fu ap<br />
pruimre$ thiny-&re dtousard \Dlwne$<br />
T"<br />
h!<br />
rytoy'.sfritljxr<br />
tJle:tE r€s in<br />
lfne rooms ina ninrrrfc <strong>of</strong> *e Rtory, or:gtutdly be!4ged ro Tlu{e. During the<br />
qror{r u*rtaken !o treilsf<strong>of</strong>fi &e villa in hfs cmn lmage, a&noet all <strong>of</strong> *e origtnal<br />
fruni$iqge were relrc'rcd, wi*r the exq,tion <strong>of</strong> a ferobiects tha<br />
b,maunzlo intWarca inO ttm'lt&sic Rosn": a Mnqtay piens *Ifi tsd beb.*sd<br />
roliser(rod*y i$ &e Museo $e|h fula), dre plastercacs ddte baes <strong>of</strong><br />
t i92g An* Aee*rsten, <strong>and</strong>'rantous dler mu$cal Curlm. D'AOnrgnek} called the<br />
c€rg1d buildtng, T&ich beceme hb prtratc residenae' the&tory' a rnordc<br />
fiffi which enrphasizm nis in4r$on to cdttldfaw fuot dif worfi o a contenrpldw<br />
life, ard O Srye ftom *re tlodes Of ex-legbnrnriesi aenircfq<br />
courtkrs, xrd credfrors wtlo corxlns€d to hoUnd furn anyway for fu rc;t'af his<br />
tlk tb enter intodre klorysas <strong>and</strong> k likeenterirtg lrso e rno*astery, fu1h be'<br />
catrsf <strong>of</strong> tfp derk ead s€IEFe look <strong>of</strong> tlre vruO&t p*r6ls ftom sbAeen*rcen6ry<br />
droir *elb wtritfi qot€f *!e cnth <strong>of</strong> dre vstibuk?afd *E qnidns room (called<br />
the "Dalslsian ormry") ard bmuee <strong>of</strong> &e ffid kne$s, ttr antirye poschforyK<br />
yroodefi Satu€s <strong>of</strong> satoits, *rd the.${*yn sF.nbols &e<br />
ryt*<br />
&ese narrw rmns ufticfi, |lla Almo* alt <strong>of</strong> the *rinpsix roor* in tt1g Frio4l<br />
are poorty lltmrirmed<br />
D'Annunaio nrned to Girn Carlo i&rsni (1S3*1952) for help in drs restnrc'<br />
erra1im <strong>and</strong> &corgion <strong>of</strong> the kioly arxl in the mnstruaion on rtre zurround'<br />
frry grourds <strong>of</strong> an ardrttoaural complex <strong>of</strong> buildifge arxf sacned sips (which<br />
lr3 cama tlre "sarm Hbbrica &l vl{<strong>of</strong>tale" *Tte 5#€d consrnrdsr" <strong>of</strong> Il<br />
Viuortale). l{arcni !vE$ a pt$fusor in arcfiitectr,rnt destg$ ufto M rcceid his<br />
Qre from the Acca&nia di Brera tn 1919; he qas pracdcally unlmwun vthen
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