Cinena coreano

14
A. Higson, The Concepts of National Cinema, in A. Williams, Film and
Nationalism, Rutgers University Press, 2002, p. 39
15
Huh Moon-yung, op. cit., pp. 52-58
16
D. Paquet, The Korean Film Industry: 1992 to the Present, in New Korean
Cinema in Shin, Stringer, p. 46
17
Kim Kyung-hyun, The Remasculinization of Korean Cinema, Duke University
Press Durham and London 2004, p. 28
18
Kim Sung Kyung, Renaissance of Korean National Cinema’ as a Terrain of
Negotiation and Contention between the Global and the Local: Analysing two
Korean Blockbusters, Shiri (1999) and JSA (2000),
www.essex.ac.uk/sociology/.../kim.pdf, p. 3
19
Kim Eun-mee, Market Competition and Cultural Tensions Jetween Hollywood
and the Korean Film Industry, “The International Journal on Media Menagement”, 6
(3-4), p. 208
20
Kim Sung Kyung, Op. cit., p 3
21
Shin Jee-young, Globalisation and New Korean Cinema, in Shin, Stringer, op.
cit., p. 57
22
Joo Jung-suk, Foreign is no Longer Foreign: Globalization, Hollywood and
Asian Film Industries, builder.hufs.ac.kr/.../9ABA656936F740A9A3675, p. 102
23
Dal Yong jin, Critical Interpretation of Hybridisation in Korean Cinema: Does
the Local Film Industry Create “The Third Space”?, “Javhost the public”, vol. 17,
2010, n. 1, p. 55
24
Kim Kyung-hyun, Virtual Hallyu, Korean Cinema of the Global Era, Duke
University Press, Durham & London, 2011, p. 145.
25
D. Paquet, Genrebending in Contemporary Korean Cinema,
www.koreanfilm.org 6 luglio 2000
26
Hye Ryoung-ok, The politics of the korean blockbusters. Narrating the nation
and the spectacle of Glocalisation in 2009 Lost Memories, Transnationalism and
Film Genres in East Asian Cinema, Dong Hoon Kim, editor, Spectator 29:2, cinema.usc.edu/assets/096/15620.pdf
(Autunno 2009), pp. 37-47
45