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REVIEW<br />

MEAN Girls - Review<br />

Tobias Klausen<br />

Writer<br />

Photos: IMDb; Paramount Pictures<br />

Twenty years ago, the cinematography scene was blessed with a<br />

contemporary masterpiece called “Mean Girls”. Was it the most<br />

profound movie ever made? No. Was it the most unique title to<br />

break onto the scene? No. But does it remain almost an entire<br />

generation’s favorite chick flick from the early 2000’s? Most likely.<br />

It’s a tough act to follow, just look at “Mean Girls 2”, the sequel<br />

almost no one wants to recognize, and a few have never heard of<br />

or forget even exists, myself included. It floundered in trying to<br />

recreate the lighting in a bottle that<br />

was the original. But here we are,<br />

twenty years later, and a new, or<br />

rather, reimagining of “Mean Girls”<br />

is back on the screen. Tina Fey is once<br />

again back to write the screenplay<br />

and even reprise her role. But will<br />

this new movie be able to outshine<br />

the original or is it bound to live in<br />

the long shadow of the first film?<br />

The story follows Cady Heron<br />

(Angourie Rice) who is a<br />

homeschooled girl living in Kenya<br />

with her mother (Jenna Fischer),<br />

as she moves to the States and gets<br />

to experience the excruciating and<br />

exhilarating adventure of high<br />

school. She quickly learns that<br />

here there’s certain rules and a<br />

hierarchy that needs to be learned<br />

and followed to survive, and before<br />

she knows it, she’s tangled in the<br />

vicious girl group known as the<br />

Plastics, headed by the gorgeous<br />

Regina George (Reneé Rap) and her<br />

goons Gretchen (Bebe Wood) and<br />

Karen (Avantika Vandanapu). Cady<br />

finds herself in love with Regina’s<br />

ex-boyfriend, Aaron (Christopher<br />

Briney), which quickly turns the<br />

catty friendship into in all-out battlefield, all is fair in love and war,<br />

right? With Cady’s two friends Janis (Auli’i Cravalho) and Damian<br />

(Jaquel Spivey), they plot their revenge and chaos ensues.<br />

The story has the familiar beats that we fell in love with in the<br />

original with a few twists to modernize it, and mixing a few plot<br />

points. Certain characters get more screen time, more lines and<br />

overall, more love, while others lose out on it. Some lines are<br />

directly ripped from the original, and fans of the first film will be<br />

able to predict when they come. These don’t tingle the nostalgic<br />

nerves how I had hoped, instead they just feel a bit misplaced and<br />

there for the sake of nostalgia. Where the movie shines is when it<br />

tries something new, to do its own thing. Luckily, the light-hearted<br />

and fun tone is still there, this is a funny movie, with a plethora<br />

of jokes that land when they don’t rear into the nostalgic realm<br />

and instead focus on creating something new. This is where the<br />

movie excels, when it’s not constrained to its heritage, but trying<br />

to forge something new. However, the story occasionally has some<br />

strange pacing, sometimes feeling as if<br />

it wants to hurry up on to the next scene<br />

like its on a tight schedule, and with<br />

a 112-minute run-time it could have<br />

spent a few extra minutes to smooth<br />

out transitions between scenes without<br />

causing offense.<br />

The most noticeable difference between<br />

this reimagining and the original is that<br />

this interpretation is a musical (the<br />

screenplay written from the Broadway<br />

musical version of Mean Girls). Despite<br />

the trailers not hammering this point<br />

through, the first five minutes will, it has<br />

the typical overblown choreography<br />

and musical numbers you will associate<br />

with musicals. They’re a hit and a miss,<br />

some are fun, others overstay their<br />

welcome or feel a bit forced. The cast do<br />

great vocal work and not a single beat<br />

is missed. However, the songs kind of<br />

mesh together, with none really sticking<br />

out apart from “World Burn.” It doesn’t<br />

elevate the movie in any way; however,<br />

it doesn’t detract from it either, it’s an<br />

acceptable addition. I won’t be playing<br />

these songs on repeat, but at the same<br />

time I won’t be appalled if someone<br />

puts one on during a car ride.<br />

The big question is: The new actresses/<br />

actors, can they live up to the original? To answer it shortly, yes,<br />

they live up to them, but don’t overshadow them, and that is<br />

the perfect balance. Each actor doesn’t feel like a carbon copy,<br />

but instead like a different approach to the characters we know.<br />

The antagonist Regina was originally a bubbly girl who used her<br />

smile to hide her wolf’s clothing, whereas Rap brings a more<br />

subtle menace to Regina, she’s not as bubbly and pretty but rather<br />

subdued and sexy, knowing fully well what she’s capable of. Cady<br />

too, Rice plays her more as a clueless and weird homeschooled girl,<br />

26

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